“Sacred Heart” and the Appropriation of Catholic Faith in Nineteenth-Century China

Author(s):  
Ji Li

This chapter analyzes several rarely seen letters written in 1871 by three Catholic women from a village in Northeast China. The letters were addressed to a member of the Société des Missions Etrangères de Paris who had been the priest of their church. In these letters, the author detects the underlying sense of feminine piety mingled with the Du women’s purposeful borrowing of religious vocabularies to articulate personal feelings and emotional requests. The displacement between the spiritual devotion to Jesus and the sensible attachment to an absent Western priest signifies the new boundary of Christian religiosity being shaped by these village women. Private writing became an alternative means of self-empowerment for them to redefine faith, passion, and collective identity in late Qing society.

1987 ◽  
Vol 44 (1) ◽  
pp. 1-22
Author(s):  
Félix D. Almaráz

In the twilight years of the eighteenth century, Spanish authorities of church and state resolved that the original Franciscan missions of Texas had achieved the goal of their early foundation, namely conversion of indigenous cultures to an Hispano-European lifestyle. Cognizant that the mission as a frontier agency had gained souls for the Catholic faith and citizens for the empire, Hispanic officials initiated secularization of the Texas establishments with the longest tenure, beginning with the missions along the upper San Antonio River. Less than a generation later, in the transition from Spanish dominion to Mexican rule in the nineteenth century, the Franciscan institutions, woefully in a condition of material neglect, engendered widespread secular avarice as numerous applicants with political contact in municipal government energetically competed to obtain land grants among the former mission temporalities.


Costume ◽  
2016 ◽  
Vol 50 (1) ◽  
pp. 63-89 ◽  
Author(s):  
Rachel Silberstein

Figural motifs have received little attention in Chinese dress and textile history; typically interpreted as generic ‘figures in gardens’, they have long been overshadowed by auspicious symbols. Yet embroiderers, like other craftsmen and women in Qing dynasty China (1644–1911), sought inspiration from the vast array of narratives that circulated in print and performance. This paper explores the trend for the figural through the close study of two embroidered jackets from the Royal Ontario Museum collection featuring dramatic scenery embroidered upon ‘narrative roundels’ and ‘narrative borders’. I argue that three primary factors explain the appearance and popularity of narrative imagery in mid- to late Qing dress and textiles: the importance of theatrical performance and narratives in nineteenth-century life; the dissemination of narrative imagery in printed anthologies and popular prints; and the commercialization of embroidery. By placing the fashion for these jackets firmly within the socio-economic context of nineteenth-century China, the paper provides a novel way of understanding the phenomena of narrative figures on women’s dress through the close relationship between popular culture and fashion in nineteenth-century Chinese women’s dress.


2014 ◽  
Vol 90 (1) ◽  
pp. 287-303 ◽  
Author(s):  
Judith Richards

Although the reputation of Englands first queen regnant, Mary Tudor (died 1558) had remained substantially unchanged in the intervening centuries, there were always some defenders of that Catholic queen among the historians of Victorian England. It is worth noting, however, that such revisionism made little if any impact on the schoolroom history textbooks, where Marys reputation remained much as John Foxe had defined it. Such anxiety as there was about attempts to restore something of Marys reputation were made more problematic by the increasing number and increasingly visible presence of a comprehensive Catholic hierarchy in the nineteenth century, and by high-profile converts to the Catholic faith and papal authority. The pre-eminent historians of the later Victorian era consistently remained more favourable to the reign of Elizabeth, seen as the destroyer,of an effective Catholic church in England.


2012 ◽  
Vol 16 (2) ◽  
pp. 319-338 ◽  
Author(s):  
LYDA FENS-DE ZEEUW ◽  
ROBIN STRAAIJER

It is a generally accepted fact that the use of long-s, or <ſ>, was discontinued in English printing at the close of the eighteenth century and that by the end of the first quarter of the nineteenth century this allograph had all but disappeared. This demise of <ſ> in printing has been fairly well documented, but there is virtually no literature on what happened to it in handwritten documents. The disappearance of <ſ> and <ſs> (as in ʃeems and buʃineʃs) in favour of <s> and <ss> is generally ascribed to the printers’ wishes to simplify their type-settings. But at what point and to what extent did this simplifying process influence private writing of the period? In this article we have documented the rules, as observed by printers, for the use of long-s in the Late Modern English period, and we illustrate how printing practice during this period compared to the usage of this particular grapheme in letters written by two well-known codifiers of the English language, the grammarians Joseph Priestley and Lindley Murray.


1969 ◽  
Vol 10 (2) ◽  
pp. 279-303 ◽  
Author(s):  
Eunice Thio

In the last quarter of the nineteenth century Britain converted her paramountcy into effective control in the central and southern states of the Malay Peninsula (except Johore) through the device of British Residents whose advice the several Malay rulers were obliged to accept in “all matters of administration”. But strong local pressure for the extension of this system northwards into the Siamese part of the Peninsula was neutralized by the Foreign Office which sought alternative means of safeguarding British interests there. This paper examines the various arrangements considered when the intrusion of another European power appeared likely, culminating in a secret convention between Britain and Stem signed in April 1897.


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