Introduction. The article examines the motif of heroic duel (combat) as an important segment of the epic plot, and our comparative analysis of the nuclear basis of the motif and its variation list proves instrumental in delineating a structural-meaningful model motif invariant inherent to the epic of Mongolic peoples and depicting military conflicts. The issue has never been dealt with in this perspective. Goals. The work seeks to determine a variation row of the invariant motif in national epic traditions of Buryats, Kalmyks, Mongols, and Oirats. Materials. The variation row to be extracted from Mongolic epic narratives, namely: Buryat uligers of Abai Geser (Ungin version of P. Petrov) and Abai Geser Khubun (Ekhirit-Bulagat version of M. Emegenov), Baga Dorbet and Eelyan Ovla’s cycles of the Kalmyk Epic of Jangar, Xinjiang Oirat version of the Jangar, Oirat Mongolian tuuli texts titled Daini Kyurel and Khan Kharangui, and a Khalkha tuuli titled Agiyin Ulan Khan. Methods. To identify the typology and variable interpretations of the motif, the study uses elements of the comparative-typological and comparative-historical methods. The ‘heroic duel (combat)’ motif model is viewed as an element that hypothetically can act as the most important lever within the plot development mechanism, e.g., evolving from a motif ― a ‘simplest narrative unit’ ― to a plot, and vice versa. When it comes to identify the motif, its dualistic nature, variety of its properties and features noted by Russian and foreign scientists are taken into account. Results. The comparative insight into the motif of heroic duel (combat) makes it possible to single out the motif as an essential constructive and meaningful element of the plot, examine the degree of productivity and mobility of the motif in genetically related though stadially differing epics, as well as in ones belonging to various taletelling traditions, observe heroic confrontation patterns in epics of Mongolic peoples. Conclusions. The study concludes that motif invariants tend to form a plot basis, while motif variants express certain features (stadial, national, local) of each epic tradition.
Moving Beyond the ^|^lsquo;National-Local^|^rsquo; DivideThe Notion of Interoolitical Relations and Its Potentials for Comparative Analysis