Nietzsche on the Soul as a Political Structure

Symposium ◽  
2019 ◽  
Vol 23 (1) ◽  
pp. 260-280
Author(s):  
Daniel I. Harris ◽  

A critic of metaphysically robust accounts of the human self, Nietzsche means not to do away with the self entirely, but to reimagine it. He pursues an account according to which the unity of the self is born out of a coherent organization of drives and yet is not something other than that organization. Readers of Nietzsche have pointed to a so-called “lack of fit” between this theoretical account of the self, according to which the self is nothing apart from the organization of drives, and Nietzsche’s practical account of human agency, which often seems to require that the self be something more than mere drives. I suggest Nietzsche’s interest in Greek agonistic norms of contest sheds light on this apparent incongruity. Agonistic relationships, insofar as they cultivate contest among diverse forces, are for Nietzsche one appropriate model for the subjectivity of beings whose psychology is similarly characterized by contest among diverse forces—that is, beings like us.Nietzsche est un critique des théories métaphysiques de l’ego. Cependant, il a l'intention de ne pas entièrement éliminer l’ego, mais de le réinventer. Selon Nietzsche, l’ego est le produit d'une organisation cohérente des pulsions et pourtant il n'est pas autre chose que cette organisation. Certains ont souligné une contradiction entre ce récit de soi et le récit de l'action humaine de Nietzsche, qui semble souvent exiger que le soi soit autre chose que de simples pulsions. Je suggère que l'intérêt de Nietzsche pour le concours grec soit important pour cette discussion. Selon Nietzsche, la contestation, parce qu'elle organise diverses forces, est un modèle approprié pour la subjectivité des personnes, dont la psychologie est caractérisée de la même manière par la lutte entre diverses forces.

2020 ◽  
Vol 8 (1) ◽  
pp. 100-114
Author(s):  
Karoline Gritzner

AbstractThis article discusses how in Howard Barker’s recent work the idea of the subject’s crisis hinges on the introduction of an impersonal or transpersonal life force that persists beyond human agency. The article considers Barker’s metaphorical treatment of the images of land and stone and their interrelationship with the human body, where the notion of subjective crisis results from an awareness of objective forces that transcend the self. In “Immense Kiss” (2018) and “Critique of Pure Feeling” (2018), the idea of crisis, whilst still dominant, seems to lose its intermittent character of singular rupture and reveals itself as a permanent force of dissolution and reification. In these plays, the evocation of nonhuman nature in the love relationships between young men and elderly women affirms the existence of something that goes beyond the individual, which Barker approaches with a late-style poetic sensibility.


This section tells the story of my mother's stroke and what I have learnt from it about mind, body, consciousness, and the self, arguably the most cross-disciplinary topic of all. What gives us our sense of personal identity – our body? Our mind? Their union? And what if one of them is diminished – say, as a result of an accident; what then, do we stop being ourselves? This opening chapter sets the scene for the debate that follows, on this most fascinating mystery of all – our own self and consciousness. We question the still dominant dualist approach of the mind, seeking a more holistic view of the self; to this end, we believe that adding relevant experiential aspects will help complement the theory. Thus, an interdisciplinary, trans-theoretical account is needed in this endeavour. In this chapter, we introduce the dilemma and draw the main lines of argumentation related to it. In Chapter 2, we discuss the first experiential (in other words, the clinical) aspects of the mind, and neuroscientists' view of it, followed – in Chapter 3, by social aspects and psychologists' contributions to the subject. Chapter 4 will add more idiosyncratic aspects to the debate, such as the spiritual profile of a person, more often discussed in philosophy, religion, and art.


2019 ◽  
Vol 34 (1) ◽  
pp. 101-119
Author(s):  
Blake Allen

Abstract Samuel Taylor Coleridge’s conversation poem, The Eolian Harp, configures a complex and highly significant relationship between activity and passivity. A merely passive poet, under the influence of natural or divine inspiration, would in Coleridge’s view be reduced to a mere automaton. Yet the poem is often thought to represent just such a poet. Similarly, it is thought to represent Sara, the speaker’s interlocutor, as a surrogate self. I shall argue, instead, that the poem presents the self in a ‘middle voice’, at once active and passive, such that inspiration does not efface human agency. I shall also consider the senses in which Sara evinces a middle voice and thus a distinct and substantial subjectivity. The implications of this argument for Coleridge’s broader corpus, and for some recent critiques of his aesthetics, will be suggested.


1997 ◽  
Vol 94 (12) ◽  
pp. 638 ◽  
Author(s):  
Brian P. McLaughlin ◽  
Stephen L. White
Keyword(s):  
The Self ◽  

Dialogue ◽  
1964 ◽  
Vol 2 (4) ◽  
pp. 424-441
Author(s):  
Douglas Browning

An adequate theory of the self must provide for the fact of human agency. I would like to show that (1) we can put together a theory of human agency from Whitehead's later writings, but that (2) this theory is not satisfactory. This discussion will be, first, expository and then critical of Whitehead's position. An elaboration of Whitehead's theory has two moments. For Whitehead, all factors of the universe are finally derivative from the ultimately actual things, which he calls actual entities. The fact of agency is no exception. The establishment of such agency is the job of what I shall call Whitehead's microscopic theory. We are interested here, however, in the human being as agent. A person, according to Whitehead, is not an actual entity, but a society of actual entities. Whitehead's theory of human agency may be called the macroscopic theory. After an examination of these theories, I shall conclude by briefly criticizing them in two ways. First, for Whitehead there are no acts but only processes. Second, an adequate theory requires a doctrine of the persistence of the agent which Whitehead is unable to provide.


2018 ◽  
Vol 48 (2) ◽  
pp. 175-194 ◽  
Author(s):  
Shuchen Xiang ◽  

Through a key passage (Xici 2.2) from the Book of Changes, this paper shows that Ernst Cassirer’s philosophy of symbolic forms shares similarities with the canonical account of symbolic formation in the Chinese tradition: the genesis of xiang (象), often translated as image or symbol. xiang became identified with the origins of culture/civilisation itself. In both cases, the world is understood as primordially (phenomenologically) meaningful; the expressiveness of the world requires a human subject to consummate it in a symbol, whilst the symbol in turn gives us access to higher orders of meaning. It is the self-conscious creation of the symbol that then allows for the higher forms of culture. For both the Xici and Cassirer, symbols and the symbolic consciousness that comes with it is the pre-condition for the freedom, ethics and the cultivation of agency. As for both the Xici and Cassirer, it is human agency that creates these symbols, it will be argued that the Xici is making a Cassirerian argument about the (ethical) relationship between human agency, symbols and ethics/freedom.


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