Excavating the Bible

Author(s):  
Fergus Millar

This chapter examines the pronounced variations in the expression of biblical monotheism found in commentaries written in the Roman Near East during the fourth and fifth centuries. In particular, it looks at a number of biblical commentaries composed in four different languages and four different scripts; all offer interpretations of the account of the Creation in the first chapter of Genesis, accompanied by a remarkably free Jewish translation (Targum) into Aramaic of part of the same chapter. Five texts are analysed: the Jewish commentary, Midrash; its translation into Jewish Aramaic, Targum Neofiti; Ephrem's Commentary on Genesis; and the commentaries by Eusebius of Emesa and Jerome. These examples show the overwhelming importance of the Bible as a source of meaning, its currency in several different languages within the Near East, and the different traditions and methods of interpretation applied to it.

Author(s):  
Mariano GÓMEZ ARANDA

Some of Abraham ibn Ezra’s philosophical ideas exposed in his biblical commentaries are the same as those of Aristotle. The purpose of this article is to analyse some of the Aristotelian ideas appearing in Abraham ibn Ezra’s biblical commentaries and explain how he adapts the Aristotelian concepts to the explanation of the specific biblical verses. Ibn Ezra uses these concepts in his explanation of the structure of the Universe as found in some Psalms, the creation of the world in Genesis 1, and the origin of evil according to the book of Ecclesiastes. This paper also attempts to provide a hypothesis on how Ibn Ezra was able to apprehend Aristotelian philosophy.


2008 ◽  
Vol 7 (1) ◽  
pp. 64-76
Author(s):  
Andy Stirrup

This paper considers an implicit trend in youth ministry to present Jesus as the archetypal superhero and asks if this is a valid and a helpful approach. The paper examines the relationship between the biblical category of hero and the contemporary notion of superhero and a broader appreciation of the use of myth for communicating Christian apologetics as seen in Lewis and Tolkien. The starting point for the paper is that an arguable starting point for the creation of Superman is in the epic character of Hercules and the biblical hero Samson. Through an examination of biblical and other Near East material the paper calls for a deeper and more nuanced appreciation of the relevance of modern western myth in the task of communicating theological narratives and concepts.


Author(s):  
Adam Mohr

The goal of this chapter is to explain how healing and deliverance practices were instituted in the Presbyterian Church of Ghana (PCG). The first half of this chapter examines the PCG’s initial transformation, which was driven by three factors: the decision by the leadership to introduce healing practices into the church, the creation of the Bible Study and Prayer Group to manage the afflicted within congregations, and the influence of two parachurch organizations. The second half of this chapter focuses on Catechist Ebenezer Abboah-Offei, who since 1996 has been leading Grace Presbyterian Church in Akropong, the primary site of healing and deliverance practices within the PCG. With regards to Abboah-Offei, this chapter describes how he came to teach and practise deliverance and the process by which Grace Presbyterian was established. Finally, this chapter describes the various healing and deliverance activities that occur at Grace Presbyterian Church.


Author(s):  
Kathleen C. Oberlin

The typical story about creationist social movements centers on battles in the classroom or in the courtroom—like the Scopes Trial in 1925. But there is a new setting: a museum. “Prepare to Believe” is the slogan that greets visitors throughout the Creation Museum located in Petersburg, Kentucky. It carries the message that the organization Answers in Genesis (AiG) uses to welcome fellow believers as well as skeptics since opening in 2007. The Creation Museum seeks to persuade visitors that if one views both the Bible (a close, literal reading) and nature (observational, real world data) as sources of authority, then the earth appears to be much younger than conventionally understood in mainstream society. This book argues that the impact of the Creation Museum does not depend on the accuracy or credibility of its scientific claims, as many scholars, media critics, and political pundits would suggest. Instead, what AiG goes after by creating a physical site like the Creation Museum is the ability to foster plausibility politics—broadening what the audience perceives as possible and amplifying the stakes as the ideas reach more people. Destabilizing the belief that only one type of secular institution may make claims about the age of the earth and human origins, the Creation Museum is a threat to this singular positioning. In doing so, AiG repositions itself to produce longstanding effects on the public’s perception of who may make scientific claims. Creating the Creation Museum is a story about how a group endures.


2016 ◽  
Vol 29 ◽  
pp. 193-222 ◽  
Author(s):  
Andreas J. M. Kropp

The sculpture of Roman Syria is a mighty tree with roots so deep and branches so far-flung that they have defied all attempts at systematic and comprehensive study. This article deals with one of these branches of artistic traditions, a series of unusual marble Aphrodite statuettes found in Roman Syria, and in particular at Emesa . In what little attention these statuettes have received, scholars have listed up to 10 extant specimens, but a closer look has uncovered dozens, many of which have surfaced on the art market in recent years. In all likelihood, they reproduce a cult statue of Aphrodite at Emesa. They merit attention on a number of levels. Unlike much of the marble statuary of the Roman Near East, they do not reproduce an opus nobile from the Graeco-Roman canon; the Emesa Aphrodites, although based on Graeco-Roman divine iconography, draw on a Roman Venus type, while their style has much in common with local sculpture made of basalt, sandstone and limestone. This study examines, first, the character, origins and development of this statuary type and its links to well-established Graeco-Roman Aphrodite types. Many years ago, M. Bieber identified these statuettes as miniature versions of the statue of Venus Genetrix created by Arkesilaos for the Temple of Venus in the Forum of Julius Caesar. As there is still no consensus on the exact appearance of that famous statue, I will also comment on this question. Second, I look at the statuettes in context. Through their unusual style, format and iconography, they portray an Aphrodite of a distinct and unique character that raises questions about the significance of marble sculpture in the religious life of Roman Syria.


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