scholarly journals Aristotelian Theories in Abraham ibn Ezra's Commentaries to the Bible

2018 ◽  
pp. 35
Author(s):  
Mariano GÓMEZ ARANDA
Keyword(s):  
The Bible ◽  
The World ◽  
Genesis 1 ◽  
The Creation ◽  
Biblical Commentaries ◽  
The Universe

Some of Abraham ibn Ezra’s philosophical ideas exposed in his biblical commentaries are the same as those of Aristotle. The purpose of this article is to analyse some of the Aristotelian ideas appearing in Abraham ibn Ezra’s biblical commentaries and explain how he adapts the Aristotelian concepts to the explanation of the specific biblical verses. Ibn Ezra uses these concepts in his explanation of the structure of the Universe as found in some Psalms, the creation of the world in Genesis 1, and the origin of evil according to the book of Ecclesiastes. This paper also attempts to provide a hypothesis on how Ibn Ezra was able to apprehend Aristotelian philosophy.

scholarly journals Theophany in the Old Testament and its Interpretation in Aramaic Translations (The Concept of the Divine Word in the Targum)

2007 ◽  
pp. 27-37
Author(s):  
Dmytro V. Tsolin
Keyword(s):  
Old Testament ◽  
Epic Poetry ◽  
Material World ◽  
The World ◽  
Genesis 1 ◽  
History Of ◽  
Repeated Use ◽  
The Creation ◽  
The Universe ◽  
Experienced Researcher

Every reader of the Old Testament, both experienced researcher and newcomer, cannot fail to pay attention to one peculiarity in the presentation of the idea of ​​God: it is a harmonious (and, at times, amazing) combination of transcendence and immanence. The History of the Creation of the World (Genesis 1: 1 - 2: 3), which begins the first book of the Strictly Testament - Genesis - is an example of an exquisite prose genre with elements of epic poetry. In it, the Creator of the Universe appears to the Almighty, the Wise, and the All-Powerful, standing above the created world: Only one word of it evokes the material world from nothingness. This is emphasized by the repeated use of the formulas אלהים וימר / wa-yyo'mer 'ělohîm ("And Elohim said ...") and ויהי־כן / wa-yəhî khēn ("And so it became"). This use of two narrative constructs at the beginning and at the end of messages about the creative activities of God clearly emphasizes the idea of ​​reconciling the divine Word and being. God is shown here to be transcendental.

Il Dio Creatore nelle testimonianze esamerali di Teofilo di Antiochia e Clemente di Alessandria

Augustinianum ◽  
2018 ◽  
Vol 58 (1) ◽  
pp. 7-44
Author(s):  
Matteo Monfrinotti ◽  
Keyword(s):  
Early Christian ◽  
Working Through ◽  
Clement Of Alexandria ◽  
The World ◽  
Genesis 1 ◽  
The Creation ◽  
God The Father ◽  
The One ◽  
The Universe ◽  
The Way

Early Christian authors were challenged by the impenetrable question of the origin of the world, but persevered in tracing the creation of the universe back to the one and only God. Part of their response was to defend the truth of God, the Father and Creator by meditating and commenting on the biblical account of the six days of creation. The commentaries on the Hexameron which we have are by Theophilus of Antioch and Clement of Alexandria. Theophilus, author of the oldest commentary on Genesis 1:1-25, pursues a primarily apologetic aim in favour of Christian monotheism and of faith in God who, through his Logos, is the Creator of all things; Clement, through statements scattered throughout his works, confirms in opposition to Gnostic-Marcionite ditheism that God the Father, working through the Logos, created the universe according to a plan of salvation whose fulfillment will be redemption at the end of time. Exegesis is combined with theology and – on the basis of a philosophical substratum which also includes predominantly Judaic traditions – translates into principles which will later open the way to protological reflection.

A book of protection: Hoja Ahmad Yassawi's "Devoni Hikmat"

2020 ◽  
Vol 3 (1) ◽  
pp. 156-160
Author(s):  
Khurshida Salimovna Safarova ◽  
Shakhnoza Islomovna Vosiyeva
Keyword(s):  
Moral Status ◽  
The World ◽  
The Creation ◽  
The Universe

Every great fiction book is a book that portrays the uniqueness of the universe and man, the difficulty of breaking that bond, or the weakening of its bond and the increase in human. The creation of such a book is beyond the reach of all creators, and not all works can illuminate the cultural, spiritual and moral status of any nation in the world by unraveling the underlying foundations of humanity. With the birth of Hoja Ahmad Yassawi's “Devoni Hikmat”, the Turkic nations were recognized as a nation with its own book of teaching, literally, the encyclopedia of enlightenment, truth and spirituality.

Psalm 104: The Panorama of Life

2021 ◽  
Vol 51 (1) ◽  
pp. 4-14
Author(s):  
Robert Gnuse
Keyword(s):  
Global Warming ◽  
Ecological Crisis ◽  
Biblical Text ◽  
Modern Age ◽  
The World ◽  
Formal Presentation ◽  
Genesis 1 ◽  
The Creation ◽  
Insight Into

Psalm 104 is a majestic hymn to creation, a dynamic corollary to the more formal presentation of the creation of the world in Genesis 1. Reflection upon some of the passages provides us with insight into the biblical author’s appreciation for nature, an attitude that needs to inspire us in this age of ecological crisis. Though the biblical text is unaware of such an ecological crisis; nonetheless, passages shine forth that can speak to us in our modern age of global warming and environmental collapse.

scholarly journals Synet på natur og historie hos Grundtvig og Løgstrup

1994 ◽  
Vol 45 (1) ◽  
pp. 92-106
Author(s):  
Hans Henningsen
Keyword(s):  
Sense Perception ◽  
Historical View ◽  
Self Recognition ◽  
The World ◽  
Art Forms ◽  
History Of ◽  
Different Dimensions ◽  
The Creation ◽  
The Universe ◽  
Historical Life

The View of Nature and History in Grundtvig and LøgstrupBy Hans HenningsenGrundtvig’s and K.E. Løgstrup’s thoughts move in two different dimensions, but with the same intention of demonstrating that it was not the capacity of man to create culture that first gave significance to the world. But where Grundtvig speaks about history, Løgstrup speaks about »phenomena«, »nature«, and »universe«.While Grundtvig was largely unaffected by Kant, the latter - with his concepts of the selfexistent subject and the idea of the faculty of cognition as productive - became a challenge to Løgstrup. Kant heralds an era whose relationship with the universe is characterized as a »marginal existence«. Our culture became an emancipatory culture which was all to the good, but the era lost its sense of the .pre-cultural. structures in which life is »encased«.The era has also emancipated itself from Grundtvig’s historical view. But a history on the premisses of relativism is no history. Or, in Løgstrup’s words, there is no other history than the history of what is essential in life. Therefore, in reality, Løgstrup’s phenomenological and philosophical endeavours become a defence of history. Grundtvig’s view of nature was determined by his radical prioritization of history. He prefers to view nature as part of the historical life of man, which again determines his use of nature images. In Grundtvig there is no religious interpretation of any experience or perception of nature in spite of the fact that everything in the Creation is to be understood as images of the eternal.In Løgstrup there is no such cautions attitude towards nature. Here nature and sense perception are liberating, but as is the case with Grundtvig, nature is seen as the foundation of man’s life, as immediate experience.Grundtvig’s radical prioritization of history colours his view of art. The Creation itself is the greatest work of art; part of it is the upbringing through which all history must be the object of the individual’s own experience. Among the art forms, poetry ranks highest, with the song above all other forms, while Grundtvig only uses disparaging words about painting and sculpture because these art forms are wordless and preclude changes. Løgstrup, however, attaches much greater importance to sense perception and self-recognition through art.These contrasts may be regarded as what Løgstrup calls uniting opposites; it must be remembered, however, that such disparities cannot be harmonized so as to disappear, but are uniting precisely by virtue of the tension that exists between them. The actual existence of the contrasts does not preclude the possibility that in a wider sense the two views may be contained within the same framework and express a common intention.

scholarly journals Why anything rather than nothing? The answer of quantum mechanics

2020 ◽  
Author(s):  
Vasil Dinev Penchev
Keyword(s):  
Quantum Mechanics ◽  
Free Will ◽  
Big Bang ◽  
Mathematical Truth ◽  
The Bible ◽  
Philosophical Interpretation ◽  
The World ◽  
The Creation ◽  
The Big Bang ◽  
In Virtue Of

Many researchers determine the question “Why anything rather than nothing?” as the most ancient and fundamental philosophical problem. Furthermore, it is very close to the idea of Creation shared by religion, science, and philosophy, e.g. as the “Big Bang”, the doctrine of “first cause” or “causa sui”, the Creation in six days in the Bible, etc.Thus, the solution of quantum mechanics, being scientific in fact, can be interpreted also philosophically, and even religiously. However, only the philosophical interpretation is the topic of the text.The essence of the answer of quantum mechanics is:1. The creation is necessary in a rigorous mathematical sense. Thus, it does not need any choice, free will, subject, God, etc. to appear. The world exists in virtue of mathematical necessity, e.g. as any mathematical truth such as 2+2=4.2. The being is less than nothing rather than more than nothing. So, the creation is not an increase of nothing, but the decrease of nothing: it is a deficiency in relation of nothing. Time and its “arrow” are the way of that diminishing or incompleteness to nothing.

scholarly journals Ethics and the Theological Principles in Bible

2021 ◽  
pp. 11-16
Author(s):  
Paulians A
Keyword(s):  
The Bible ◽  
The World ◽  
The Creation ◽  
Holy Book ◽  
The Way

The scriptures of the Eighteen Books of the Caṅkam'maruviya period and the Christian holy book, the Bible, are the divine lyrics of the Lord. The article explains that humanity is cultured by the admiration of sovereignty and the removing of evils and the good and good. The article explains the importance of the world being the creation of God and the atom without him, the merit of the lord's nature and the way of worshipping God, its benefits and the merits of the sovereignty.

scholarly journals Divine Love as the Reason for Creation in Islam—An Exploration of Nursi’s Epistles of Light

Religions ◽  
2020 ◽  
Vol 11 (12) ◽  
pp. 667
Author(s):  
Nasrin Rouzati
Keyword(s):  
Final Section ◽  
Critical Role ◽  
Spiritual Journey ◽  
Divine Love ◽  
God's Love ◽  
The World ◽  
Magnum Opus ◽  
The Creation ◽  
The Universe ◽  
Shed Light

This paper aims to answer the question “why did God create the world” by examining Bediuzzaman Said Nursi’s magnum opus, the The Epistles of Light (Risale-i Nur), to demonstrate that, from a Nursian perspective, divine love is the raison d’etre for the creation of the world. The first section will investigate the notion of divine love as reflected in the wider Muslim scholarly literature. This will be followed by a discussion on the theology of divine names, with special attention to Nursi’s perspective, illustrating the critical role that this concept plays in Nursian theology particularly as it relates to cosmic creation. The third section will explore the metaphysics of love, the important implications of God’s love in the creation of the world, and its role as the driving force for the dynamism and activities within the structure of the universe. The Qur’anic presentation of love, maḥabba, as well as the significance of the reciprocal nature of love between God and humankind will be explored next. The final section will shed light on the synergy between divine love and the Qur’anic notion of ibtilā, trial and tribulation, to demonstrate its instrumentality in man’s spiritual journey.

How to Start a Cosmogony: On the Poetics of Beginnings in Greece and the Near East

2012 ◽  
Vol 12 (1) ◽  
pp. 30-48
Author(s):  
Carolina López-Ruiz
Keyword(s):  
Near East ◽  
Eastern Mediterranean ◽  
Close Reading ◽  
Near Eastern ◽  
Genesis 1 ◽  
The Creation ◽  
Written Word ◽  
Enuma Elish ◽  
The Universe

AbstractIn this essay I explore the beginning lines of the most relevant cosmogonies from the eastern Mediterranean, focusing on theEnuma Elish, Genesis 1 and Hesiod’sTheogony. These opening lines reveal some of the challenges faced by the authors of these texts when committing to the written word their version of the beginning of the universe. Hesiod’sTheogonywill be treated in more length as it presents an expanded introduction to the creation account. This close reading is followed by a few reflections on the question of authorship of these and other Greek and Near Eastern cosmogonies.

Ghazâlî's Argument from Creation. (I)

1971 ◽  
Vol 2 (1) ◽  
pp. 67-85 ◽  
Author(s):  
Leen E. Goodman
Keyword(s):  
Existence Of God ◽  
Design Argument ◽  
The World ◽  
The Creation ◽  
The Universe

One achievement of the philosophy represented by Ghazâlî is disentangling the creation argument for the existence of God from rival forms of design argument which allow or assume the eternity of the world. From its earliest expressions as an isolated insight which might easily be explained away as myth, the notion that the universe had been brought to be out of what is not was gradually tranformed under pressure of severe Aristottelian criticism into a precise concept, and the argument implicit in such a notion metamorphosed into an elegant and sophisticated demonstration. Backed up by the closely reasoned philosophy of being into which it was now integrated, the argument from creation might confidently hope to be proof against attack.

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