‘Paul Morel I’ and the Death of Lydia Lawrence, August–December 1910

Author(s):  
Neil Roberts

It was after breaking with Jessie in the summer of 1910 that Lawrence wrote the first draft of Sons and Lovers, which he initially called Paul Morel. All that survives of this attempt is a sketchy chapter plan. In August his mother fell ill and under the strain of her illness he abandoned work on the novel. In December his mother died, throwing him into emotional chaos. He saw Jessie at this time and confessed to her the Oedipal nature of his feelings for his mother. Remarkably, while attending her deathbed, he wrote a comedy about a dying mother and her excessively attached son, The Merry-go-Round, which reads like an attempt to exorcise his feelings, though it was probably in reality little more than a distraction. This play strikingly counterpoints the poems that Lawrence was writing at the time, such as 'The Virgin Mother', which are symptomatic of the emotional condition that he confessed to Jessie. He impulsively proposed to another old friend, Louie Burrows. Louie was also a teacher, whom Lawrence described as 'swarthy and passionate as a gypsy' but 'awfully good, churchy'. This last was the most irksome fly in the ointment during their year-long engagement.

2010 ◽  
Vol 34 (8) ◽  
pp. S33-S33
Author(s):  
Wenchao Ou ◽  
Haifeng Chen ◽  
Yun Zhong ◽  
Benrong Liu ◽  
Keji Chen

Author(s):  
Fabrice B. R. Parmentier ◽  
Pilar Andrés

The presentation of auditory oddball stimuli (novels) among otherwise repeated sounds (standards) triggers a well-identified chain of electrophysiological responses: The detection of acoustic change (mismatch negativity), the involuntary orientation of attention to (P3a) and its reorientation from the novel. Behaviorally, novels reduce performance in an unrelated visual task (novelty distraction). Past studies of the cross-modal capture of attention by acoustic novelty have typically discarded from their analysis the data from the standard trials immediately following a novel, despite some evidence in mono-modal oddball tasks of distraction extending beyond the presentation of deviants/novels (postnovelty distraction). The present study measured novelty and postnovelty distraction and examined the hypothesis that both types of distraction may be underpinned by common frontally-related processes by comparing young and older adults. Our data establish that novels delayed responses not only on the current trial and but also on the subsequent standard trial. Both of these effects increased with age. We argue that both types of distraction relate to the reconfiguration of task-sets and discuss this contention in relation to recent electrophysiological studies.


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