More on the Mathematics of Musical Scales
AN INTERESTING article by Paul S. Malcom entitled “The Mathematics of Musical Scales” appeared in the November 1972 issue of the Mathematics Teacher. The present article may be viewed as a sequel to that one, although it may also be read independently. We propose to explore in a bit more detail the just-intonation scale natural to stringed instrument players and singers and the relation to it of the equal-temperament scale used in tuning pianos. We shall make constant use of fructions, and along the way we shall encounter an analogue of the idea of compound interest and a simple exercise in exponents and logarithms. At the end, we shall comment very briefly on an advanced branch of mathematics, called harmonic analysis and involving trigonometric sine and cosine functions, some basic ideas of which are illustrated by the analysis of a musical tone into its harmonic components or overtones.