scholarly journals Translations, Transcreations and Transrepresentations of India in the Italian Media

2008 ◽  
Vol 53 (1) ◽  
pp. 26-43 ◽  
Author(s):  
Elena Di Giovanni

Abstract This paper explores the dynamics of cultural representation through the media, making special reference to the translation of cultural traits that occur in the cinema and television. By taking into account several films and television commercials which were broadcast in Italy over a five-year span, featuring variously complex and stratified translations of India, an attempt is made to define and explore the different guises which translation can take when the object of transfer is not merely language and its purpose is not merely communication. The transformations which have been identified in the use and transfer of Indian cultural traits through the Italian media are here discussed in terms of translation, transcreation and transrepresentation.

2015 ◽  
Vol 10 (1) ◽  
Author(s):  
Reena Gupta

This paper is a delineated attempt to analyze the impact of media on Domestic violence in India. The purpose of the paper is to understand the meaning of domestic violence and to analyze various theories of causation of domestic violence as well as positive and negative impact of media. The author also attempts to highlight the main reliefs provided in the Protection of Women Against Domestic Violence Act 2005 The Author is also attempting to highlight the various psychological impact of media like printed and electronic media, with special reference to the Aristotle, Sigmund Freud (catharsis)and Bandura (imitation) behaviorism along with other psychologists and criminologists views on the impact of media on domestic violence. As media plays a very important role there is need for setting Agendas for more effective implementation of the media for curbing the domestic violence.


1970 ◽  
pp. 16-17
Author(s):  
Randa Abul-Husn

The question of mass media as creator versus mirror of culture is one of the most debated issues in the relationship between mass media and society. Some critical media sociologists emphasize the value producing function of mass media, whereas others are foremost interested in demonstrating how social reality is reflected in the media.


2018 ◽  
Vol 30 ◽  
Author(s):  
Noora Karjalainen

This article examines the narratives of cosy other in the media representations of folk singers Julie Fowlis, Muireann Nic Amhlaoibh, Emily Portman, and Kate Rusby. I argue that the concept of cosy otherness derives from that of the internal other, but unlike it and the conventional post-colonial other, the cosy other is not ominous, competing, and negative, but something charming and unthreateningly different with singular cultural traits.  Here, the narratives of cosy other combine the narratives of origins, authenticity, and performance, which in turn are connected in the active processes of remembering and premediation, and construct the four singers as nostalgic, authentic, and feminine in the media. Thus, the concept of the cosy other is also built on remembering, the process of premediation within it, and cultural memory with its individual and collective levels affecting each other and working together in the process. The aim of the study is to examine how the female folk singers are constructed as the cosy other in the media. The article endeavours to define the concept, to show how the narrative of cosy other is shaped, and to find out how cultural memory, remembering, and premediation work in this construction process. The theoretical framework of the paper is based on the concept of centre versus periphery (Chapman 1994), strategies of assimilation and projection in diminishing the threat of the other (Middleton 2000), discussions about the internal other (Bohlman 2000; O’Flynn 2014; Gelbart 2007), and studies on the concept of cultural memory (Erll 2009, 2011; Keightley & Pickering 2012).


2019 ◽  
Vol 19 ◽  
pp. 85-94
Author(s):  
Kinga Kowalewska

The purpose of the article is to find the answer to the questions whether television commercials have an impact on creating the image of the elderly and what image of old age and lifestyle of the elderly is built on the basis of television ads. Studies have confirmed the hypothesis and have shown that the media through the content presented in TV commercials have a real impact on the shape of the image of the elderly population. The results allow the media to be seen as strong and efficient tools in the process of creating the image as such, also of other populations or individuals. The qualitative results have shown that the image of old age is seen mainly as positive and neutral, whereas their lifestyle is perceived as real, idealized and attractive.


2020 ◽  

In an ever-changing world, the family continues to simultaneously symbolise persistence and transformation. This book looks at various shifts, ruptures and continuities in representations of contemporary Indian families. How the media conveys family norms and images as well as the nature of romantic relationships constitutes the book’s central approach, which connects the different discussions in it. Its chapters analyse documentary and feature films, promotional material, such as television commercials, and the usage of new media technologies in communication. The authors look at visualisations of familial change, ranging from split motherhood, new fatherhood and dysfunctional families to intergenerational relationships, including the pre-marriage stage of life. Aimed at an interdisciplinary readership interested in South Asian, gender and media studies, this book thus contributes to our understanding of the current—ideological and ‘lived’—reality of an Indian family. With contributions by Parul Bhandari, Nadja-Christina Schneider, Stefanie Strulik, Fritzi-Marie Titzmann


1996 ◽  
Vol 29 (2) ◽  
pp. 81-101 ◽  
Author(s):  
Alison Young

Recent research in criminology has taken up the question of the representation of crime. This article seeks to show, by means of a case study, that the question of representation should be addressed less in terms of its correspondence to reality, but rather in terms of its own structures. These structures enable us to see how crime is staged as a problem in and of cultural representation. The case study analysed is that of the James Bulger case in Britain: the murder of a two year old boy by two 10 year old boys, the ensuing trial and sentencing of the boys for murder and abduction. The article analyses three themes which were prominent in the media reports (representations of the nature of childhood; the maternal relation; and the paternal figure). The article also demonstrates, by means of an analysis of the reliance upon a technology of the image in the case, that there are limits to representation: as the desire or demand for representation seeks to see the event of abduction and murder, that event can only be represented as lack or absence.


2016 ◽  
Vol 50 (8) ◽  
pp. 1055-1085 ◽  
Author(s):  
Phillip M. Ayoub ◽  
Jeremiah Garretson

Global attitudes involving homosexuality are changing rapidly. Tolerance toward lesbian and gay relationships has increased in almost every continent. More often than not, younger people have been at the forefront of this change. In this article, we explore explanations for this cross-national phenomenon. Specifically, we test to see whether contextual factors, those that allow lesbian women and gay men to freely express themselves or to gain cultural representation in the media, have driven this transformation. The results show that inter-cohort effects, or more liberal attitudes among younger people, are related to the pervasiveness of a nation’s mass media and to the presence of press freedom. This research suggests a strong link between increasing mass support for minority rights and the factors that encourage and allow minorities to express their viewpoints to others. These findings have broad implications, in that they help us understand the growing global acceptance around gay rights.


Author(s):  
Serpil Kır

Advertisements sell a lifestyle, a feeling, and a behavior as well as a product to the viewer. Competition in the market is so intense that they feel as much as the rational utility of the product, and they become marketable. For this reason, the child has been turned into a consumable object. When the ways in which children are represented in the media are examined, it is often the case that the opinions expressed by the children are used to make adults laugh, or the use of children's miserable photographs and descriptions of emotional exploitation of children is popularized, if there is no contribution from the child's self-esteem or adult's respect for the child. In this study, the representation of childhood, which is turned into a consumption object in the media, is explained in detail. In the content of the study, the advertisement was briefly defined, the concept of child and childhood clarified, and then how the child was represented in television commercials in Turkey was shown.


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