scholarly journals “Attractive to Strangers and Instructive to Students.” The McCullochs’ 19th Century Bird Collection in Dalhousie College

Author(s):  
Eric L. Mills

Thomas McCulloch, Presbyterian minister and educator, founder of Pictou Academy, first President of Dalhousie College 1838-1843, established a museum in Pictou, NS, by 1828, including a bird collection. To McCulloch, the order of the natural world instilled in students principles of a liberal education and a model of society. His first collections were sold, but when McCulloch came to Dalhousie in 1838 he started a new collection, hoping to make it the basis of a provincial museum. In this he was aided by his son Thomas, who had been trained as a taxidermist. The younger McCulloch kept and expanded the collection until his death, after which it passed to Dalhousie College. The current McCulloch Collection, mainly the work of Thomas McCulloch junior, seems to exemplify purposes and practices of 19th century natural history. But research shows that the collection has a hybrid origin and must be viewed with great caution as an historical artifact. This is a case study in the difficulty of interpreting 19th century natural history collections without careful examination of their history.

2015 ◽  
Vol 29 (1-2) ◽  
pp. 1-21 ◽  
Author(s):  
Bethany L. Abrahamson

AbstractNatural history collections (NHCs) are used in many fields of study, but general knowledge regarding their uses is poor. Because of this, funding and support for NHCs frequently fluctuate. One way in which collections professionals can illustrate a collection’s contribution to a variety of fields is based on the collection’s history of use. Tracking NHC utilization through time can increase NHC value to others outside of the collection, allow for the analysis of changes in specimen-based research trends, and assist in effective collection management. This case study focuses on NHC usage records held by the Museum of Southwestern Biology (MSB), a currently growing university collection used in many research fields, and presents methods for quantifying collections utilization through time. Through an exploration of these data, this paper illustrates MSB’s growth and changes in research produced over time and offers explanations for the changes observed. Last, this study provides suggestions for how collections professionals can most greatly benefit from considering NHC records as a data source. Understanding NHC usage from “the collection’s perspective” provides a new way for NHC professionals to understand NHCs’ value in the context of the research it supports and demonstrates the importance of this key infrastructure to a broader audience.


Author(s):  
Tamar Dayan ◽  
Bella Galil

This chapter discusses the importance of museum specimens and samples. Natural history collections are archives of biodiversity, snapshots that provide a way to physically retrieve an individual specimen and through it track changes in populations and species across repeatable surveys in time and space. Growing international awareness of the potential effects on humanity due to the loss of biodiversity and the ensuing erosion of ecosystem services has reinforced the value of natural history collections, museums, and herbaria worldwide. The chapter summarizes the strengths and weaknesses of natural history collections for repeated surveys and other historical studies that require replication. Through a case study of the historical surveys and resurveys of the taxonomic exploration of the marine biota of the eastern Mediterranean Sea, it highlights the relevance of collections for ecology and conservation. Finally, it discusses prospects for future uses of natural history collections in the context of replicated research.


Author(s):  
Alice Would

Taxidermy specimens are cloaked in animal skin; organic material that can decay or be eaten by insects. This essay examines the tactile relationship between this changeable skin-creature, and the figures of the taxidermist and the natural history curator in the turn of the twentieth century museum. Using Bristol Museum as a case study, it argues that specimens were not inert or stilled within museum collections. It explores how taxidermy specimens were meeting places between animal remains and human bodies, as natural history curators sought to remount existing specimens, and prevent them from deteriorating further. Taking a material approach, it examines how animal skins were physically shaped by human hands, and figuratively woven into stories of science, the British Empire and the natural world.


2017 ◽  
Vol 26 (12) ◽  
pp. 2791-2802 ◽  
Author(s):  
Francisco Otero-Ferrer ◽  
José A. González ◽  
Mafalda Freitas ◽  
Ricardo Araújo ◽  
José M. N. Azevedo ◽  
...  

2012 ◽  
Vol 39 (1) ◽  
pp. 111-125 ◽  
Author(s):  
Jennifer M. Thomas

While much critical attention has been paid to the British Museum's early collections of natural history, less has been made of the way in which the items were catalogued and recorded. This paper will examine how information was organized within the Museum from its inception in 1753 to 1836, following the publication of the second Report from the Select Committee on the condition, management and affairs of the British Museum. Drawing on the Museum's avian collections as a case study, it will become apparent that while the Trustees and staff recognized the need for detailed catalogues of their natural history collections, their attention and resources were diverted from this task for various reasons during the early years of the Museum.


Author(s):  
Marcus De Almeida ◽  
Ângelo Pinto ◽  
Alcimar Carvalho

Natural history collections (NHC) are guardians of biodiversity (Lane 1996) and essential to understand the natural world and its evolutionary processes. They hold samples of morphological and genetic heritages of living and extinct biotas, helping to reconstruct the timeline of life over the centuries (Gardner 2014). Primary data from specimens in NHC are crucial elements for research in many areas of biological sciences, considered the “bricks” of systematics and therefore one of the pillars for evolutionary studies (Troudet 2018). For this reason, studies carried out in NHC are essential for the development of the scientific knowledge and are pivotal for the scientific-technological progress of a nation (Camargo 2015). The digitization and availability of primary data on biodiversity from NHC represents a inexpensive, practical and secure means of exchanging information, allowing collaboration between institutions and researchers. In this sense, initiatives such as the Sistema de Informação sobre a Biodiversidade Brasileira (SiBBr), a country-level branch of the Global Biodiversity Information Facility (GBIF) platform, aim to encourage and establish ways for the informatization of biological collections and their type specimens. Known for housing one of the largest and oldest collections of insects in the world focused on Neotropical fauna, the Entomological Collection of the Museu Nacional of Federal University of Rio de Janeiro (MNRJ) had more than 3,000 primary types and approximately 12,005,000 specimens, of which about 96% were lost in the tragic fire occurred at the institution on September 2, 2018. The SiBBr project was active in that collection from 2016 to 2019 and enabled the digitization and preservation of data from the type material of many insect orders, including the charismatic dragonflies (order Odonata). Due to the end of the agreement between SiBBr and the Museu Nacional, most of the obtained primary data are pending full curation and, therefore, are not yet available to the public and researchers. The MNRJ housed the biggest and most important collection of dragonflies among all Central and South American institutions. It assembled most of the physical records of neotropical dragonfly fauna gathered over the last 80 years, many of which are of undescribed taxa. Unfortunately, almost all material was permanently lost. This study aims to gather, analyze and publicize primary data of the type material of dragonflies housed in the MNRJ, ensuring the preservation of its history, as well as providing data on the taxonomy and diversity of this marvelous group of insects. A total of 11 families, 50 genera and 131 species were recorded, belonging to the suborders Anisoptera and Zygoptera with distributional records widespread in South America. The MNRJ housed 105 holotypes of dragonflies' nomina representing 11.7% of the richness of the Brazilian Odonata fauna (901 spp.), a country with the highest number of species of the biosphere. The impact of the loss of this collection to studies of these insects is unprecedented, since some enigmatic and monotypic genera such as Brasiliogomphus, Fluminagrion and Roppaneura lost 100% of their type series, while others most diverse such as Lauromacromia, Oxyagrion and Neocordulia lost 50%, 35% and 31% of their holotypes. Therefore, due to the registration and preservation of primary biodiversity data, this work reiterates the importance of curating and digitizing biological scientific collections. Furthermore, it shows extreme relevance for preserving information on existing biodiversity permanently and providing support for future research. Digitization and interconnecting digital extended specimen data proves to be one of the main and most effective ways to protect NHC heritage and their primary data against catastrophic events.


2011 ◽  
Vol 19 ◽  
pp. 2
Author(s):  
Fabiano Lemos

From the beginnings of what we now know as our modernity, man has been surprised with his own finitude. The 18th and 19th  century bourgeois needed to formulate complex ways of preserving the past and of linking with it. In the philosophes’ circle, time concept starts to double itself in the idea of origin, that, for them, had become opaque. We just need to think of the broad-range process of structuring museums and restructuring natural history collections in cities such as Paris and Berlin, around the turn to the 19th century, so that we can be convinced that the surprise with that origin that one cannot recognize anymore, that becomes object of popular and scientific interest, leads each and all of the decisions in this process. Museum is just one of the institutions in which man, through a complex series of idealizations of space, show himself the spectacle of a lost time and, thus, of a culture whose educational thrive can only be understood by associating to these institutions. Our task is to investigate – and the case study of the grounding of the Altes Museum in Berlin, between 1822 and 1830, will perform this concretely – which educational policy made the emergence of this new ideological model possible, and , on the opposite way, which conceptual elaborations confirmed or legitimated the new pragmatic topography of time in modernity within the institution that had as aim, precisely, articulate and administrate past and memory.


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