After 1851

2017 ◽  
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
Crystal Palace ◽  
The Social ◽  
Long Time ◽  
History Of ◽  
Great Exhibition

‘The 10th of June, 1854, promises to be a day scarcely less memorable in the social history of the present age than was the 1st of May, 1851’ boasted the Chronicleon 10 June 1854, comparing the opening of the Crystal Palace, newly installed on the crown of Sydenham Hill, to that of the Great Exhibition. Many contemporary commentators deemed the Sydenham Palace’s contents superior, the building more spectacular and its educative potential much greater than its predecessor. Yet their predictions proved to be a little wide of the mark, and for a long time, studies of the Great Exhibition of 1851 have marginalised the Sydenham Palace. This collection of essays will look beyond the chronological confines of 1851 and address the significance of the Crystal Palace as a cultural site, image and structure well into the twentieth century, even after it was destroyed by fire in 1936.

Music in the British Workplace: From Voice to a Technique of Control?

2020 ◽  
Author(s):  
Marek Korczynski
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Social History ◽  
Singing Voice ◽  
Industrial Noise ◽  
The Third ◽  
The Social ◽  
History Of

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.

Italian-Jewish Patrons of Modern Art in Nineteenth- and Twentieth-Century Italy

2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Social History ◽  
Modern Art ◽  
European Countries ◽  
The Social ◽  
History Of ◽  
Public Museums

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.

Project Report on the "Investigation of the Present Situation and Development of Ethnic Minorities in China"

2002 ◽  
Vol 24 (1) ◽  
pp. 6-9
Author(s):  
Hao Shiyuan
Keyword(s):  
Social History ◽  
Ethnic Minorities ◽  
Social Relations ◽  
Warring States Period ◽  
Warring States ◽  
The Social ◽  
Spring And Autumn Period ◽  
Long Time ◽  
History Of ◽  
Shi Ji

When viewed from the perspective of history, China has not had a flourishing anthropology and ethnology. However, China's traditions of ethnographic-like perspectives have flourished for a long time. Since the Spring and Autumn Period (770-476 BC) and Warring States Period (475-221 BC), multiethnic structure and social relations have been recorded in China's history. Ever since Sima Qian's Shi Ji (the Historical Records), the first general history of China compiled around 100 BC, the social history and cultural customs of ethnic minorities had been covered in each dynasty's history. Moreover, some special chapters had been dedicated to keeping the records of ethnic minorities. Of course such records were not completely unbiased.

Metal Mirrors from Altai Sites of the Xiongnu Time

2019 ◽  
Vol 25 (2) ◽  
pp. 357-375
Author(s):  
Alexey A. Tishkin ◽  
Nikolay N. Seregin
Keyword(s):  
Social History ◽  
Metal Alloys ◽  
Visual Examination ◽  
The West ◽  
The Social ◽  
Archaeological Materials ◽  
Long Time ◽  
History Of ◽  
Made In ◽  
Comprehensive Study

Abstract Metal mirrors are important indicators when reconstructing the history of the ancient peoples of Altai on the basis of archaeological materials. Among the latter there are imported products, recorded in the mounds of the Xiongnu time (2nd century BC – 1st century AD). The article gives an overview of the results of a comprehensive study of the mirrors. Only one mirror was found intact, and the rest are represented by fragments. This collection of 19 archaeological items is divided into two groups, reflecting the direction of contacts of the Altai population in this period. The first demonstrates Chinese products that could have entered the region indirectly from the Xiongnu who dominated Inner Asia. Some of them were made in the previous period, but were used for a long time. The analyses of metal alloys from the Yaloman-II site supplements the conclusions made during the visual examination. The second group, through its origin, is associated with the cultures of the so-called Sarmatian circle, whose sites were located to the west of the Altai. A separate section of the article is devoted to a discussion of reconstruction of some aspects of the social history of the nomads and their world.

Caribbean and Latin American Reverberations and the First Birth of Latin Jazz

Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne
Keyword(s):  
Twentieth Century ◽  
New Orleans ◽  
Social History ◽  
Latin American ◽  
Political Development ◽  
Formative Period ◽  
Latin American Music ◽  
The Social ◽  
History Of ◽  
Latin Jazz

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.

scholarly journals Solidarity: The Social History of an Idea in Nineteenth Century France

1959 ◽  
Vol 4 (2) ◽  
pp. 261-284 ◽  
Author(s):  
J. E. S. Hayward
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social History ◽  
Grand Nombre ◽  
Human History ◽  
The Social ◽  
Nineteenth Century France ◽  
History Of

The survival of a concept is generally only secured at the price of an intellectual odyssey in the course of which it is transformed out of all recognition. The nineteenth century fortunes of the idea of solidarity exemplify this axiom only too strictly. It became the victim of a multiplicity of ingenious puns and metaphors as well as outright malicious distortions that rendered a simple, technical word, drawn from the sphere of jurisprudence, at once emotive and obscure, influential and diffuse. As the eminent and caustic critic of the twentieth century, Julien Benda, formulated this vital problem of the fate of concepts, “pour l'historien des idées des hommes, la réalité ce n'est point ce qu'ont été les idées dans l'esprit de ceux qui les ont inventées, mais ce qu'elles ont été dans l'esprit de ceux qui les ont trahies… car il est clair qu'une doctrine se propage d'autant plus largement qu'elle est apte à satisfaire un plus grand nombre de sentiments divers.” This pessimistic view has been all too frequently verified in human history.

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