2. The Publishing Business

2021 ◽  
pp. 67-96
Keyword(s):  
2021 ◽  
Vol 48 (2) ◽  
pp. 298-309 ◽  
Author(s):  
M. A. Taylor

John Johnstone was an Edinburgh printer and publisher, from 1849 in partnership with Robert Hunter. In 1839, Johnstone and the printer Robert Fairly established a separate firm, Johnstone & Fairly, to publish the Witness, a newspaper edited by the geologist Hugh Miller. The firm became Miller & Fairly in 1844 when Miller bought out Johnstone's share. The editorial office was in the High Street. The steam-powered printing office was in Horse Wynd, in the former gatehouse of Minto House and later also in the former house of the physician Dr John Clerk of Listonshiels. Johnstone's own publishing business specialized in religious and ecclesiastical works. Nevertheless, Miller chose that firm to publish The Old Red Sandstone (1841), and later books, until the firm ran into financial trouble in the mid-1850s, and Miller placed The testimony of the rocks (1857) with Shepherd & Elliot of Edinburgh. Miller's original choice of Johnstone was perhaps to protect the reputation of Miller and the Witness when geology was often regarded with suspicion on religious grounds. It may also have given Miller more creative freedom. Miller & Fairly printed many, but not all, impressions of Miller's books for Johnstone and other publishers. This was to Miller's, and Miller's heirs', presumed double profit as copyright holder and printer, with implications for his relationships with publishers. Miller's dual role may help explain his reluctance to resign the newspaper's editorship even at the cost of his health and life.


2021 ◽  
Vol 17 (1) ◽  
pp. 18
Author(s):  
Mikihiro Moriyama

The indigenous book publishing business for Sundanese-speaking communities started in the early 20th century, when the nationalist movement was set in motion. The modern school system had continued to spread in colonial society from the mid–19th century. The more education spread, the more literate people there were among the indigenous population. The indigenous book publishing business responded to the demands of this newly-emerging readership. Book publishing finally turned into a business by the 1920s. It seems to have provided distinctive readings from those provided by Balai Poestaka. The indigenous publishers played a supplemental role in nurturing print culture in the colonial context. Both government and private indigenous publishers contributed to promote modern readership and a colonial print culture. The book publishing and print culture in regional languages like Sundanese were nurtured in the colonial period and grew to constitute a medium to decolonize knowledge and knowledge culture.


Quaerendo ◽  
1984 ◽  
Vol 14 (4) ◽  
pp. 247-272 ◽  
Author(s):  
Paul Valkema Blouw

AbstractFrom the chronicles of the Family of Love we know that, besides printers in Deventer and later in Cologne, both Plantin and Augustijn van Hasselt printed for this religious sect. On the basis of this information quite a large number of publications have hitherto been attributed to Plantin, while only one single edition in Latin was reckoned to be the work of Augustijn. An analysis of the typography, however, shows that apart from Hendrik Niclaes's chief work, Den Spegel der Gherechticheyt, Plantin only printed two of his minor writings and that all the other ascriptions to Plantin must be revised in favour of Augustijn van Hasselt. In 1561-2 Augustijn was running a printing shop in the Dutch town of Kampen, specially set up by HN for the purpose of publishing those of his works that had not previously been printed. Plantin, who was partly involved in this enterprise, took the opportunity to have a book printed on this press for his publishing business. The analysis providing the typographical evidence of this collaboration proves for the first time the accuracy of the literary sources as regards Plantin's involvement in the publication of the works of Hendrik Niclaes. In the presentation of the new evidence it was necessary to establish more clearly the date of Plantin's '[1561]' inventory and which roman and German types he owned at what times. The article ends with some notes regarding the end of the 'Bohmbargen' press at Cologne.


The general aim of this chapter is to show digitalization is one of the main threats that is shaping the publishing industry value chain and company business models. The analysis of the publishing industry structure is conducted from the perspective of international features. The value chain system of printed media publishing business is explored with more in-depth analysis of its elements. The primary objective of this research is to establish practical outcomes of Internet influence on the structure and business model of publishing companies. As rapid development in the IT sector and the Internet can be considered a crucial risk factor for contemporary publishing business, it creates new business models and changes the industry structure. Publishers progressively respond to changing consumer demands, especially around digital content. Effective pricing strategies for digital content will be the major challenge for magazine publishers.


2020 ◽  
pp. 1696-1717
Author(s):  
Nabyla Daidj

The general aim of this chapter is to show digitalization is one of the main threats that is shaping the publishing industry value chain and company business models. The analysis of the publishing industry structure is conducted from the perspective of international features. The value chain system of printed media publishing business is explored with more in-depth analysis of its elements. The primary objective of this research is to establish practical outcomes of Internet influence on the structure and business model of publishing companies. As rapid development in the IT sector and the Internet can be considered a crucial risk factor for contemporary publishing business, it creates new business models and changes the industry structure. Publishers progressively respond to changing consumer demands, especially around digital content. Effective pricing strategies for digital content will be the major challenge for magazine publishers.


2007 ◽  
Vol 36 (1) ◽  
pp. 158-166 ◽  
Author(s):  
Patricia Nascimento Souto

New and alternative scientific publishing business models is a reality driven mostly by the information and communication technologies, by the movements towards the recovery of control of the scientific communication activities by the academic community, and by the open access approaches. The hybrid business model, mixing open and toll-access is a reality and they will probably co-exist with respective trade-offs. This essay discusses the changes driven by the epublishing and the impacts on the scholarly communication system stakeholders' interrelationships (publishers-researchers, publishers-libraries and publishers-users interrelationships), and the changes on the scientific publishing business models, followed by a discussion of possible evolving business models. Whatever the model which evolves and dominates, a huge cultural change in authors' and institutions publishing practices will be necessary in order to make the open access happen and to consolidate the right business models for the traditional publishers. External changes such as policies, rewarding systems and institutions mandates should also happen in order to sustain the whole changing scenario.


2016 ◽  
Vol 50 (3) ◽  
pp. 299-312
Author(s):  
Irina Andrianova

This article analyzes Anna Dostoevskaia’s (1846–1918) publication work on the basis of new evidence drawn from hitherto unpublished archival materials. Dostoevskaia’s contribution to the world of publishing has never before been the subject of a special investigation; the documents testifying to her massive work, such as her memoir, correspondence and notebooks, all kept in archives, have never been published. Anna Dostoevskaia was not only the wife of the great Russian author Feodor Dostoevsky, but also one of the first female publishers and book-sellers in Russia. In the second half of the nineteenth century, when women were struggling for economic independence and equal rights to take up “men’s jobs,” Dostoevskaia managed to start out and successfully handle a publishing business. The article expands on Dostoevskaia’s educational and professional development, the history of her publishing and book-selling business, and the difficulties she encountered in the process. Her most outstanding achievement was Dostoevsky’s Complete Works which underwent seven editions (1882–1906). Anna Dostoevskaia had an immense contribution to the publishing business of the late nineteenth and early twentieth centuries and played an important role in the enhancement of the cultural life and feminist movement in Russia.


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