philosophical concept
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2022 ◽  
pp. 131-140
Author(s):  
Daniela Sacco

Theatre, because of its ability to represent through restaging, would seem to be the quintessential platform for reenactment. The Orestea (una commedia organica?) by R. Castelluci and Socìetas Raffaello Sanzio, restaged at the Paris Automne Festival in 2015, twenty years after its 1995 world premiere in Prato, is the starting point for a reflection on the status of restaging in theatre. This case study is the occasion to apply Walter Benjamin’s philosophical concept of the Jetztzeit to a theatrical context, and to consider also the ‘citational’ value of theatrical reenactment. These concepts are useful to study not only the reenactment of theatrical gesture and acting but also to consider the practice of restaging related to the theatrical event conceived in its entirety.


Author(s):  
ISABEL MARÍN GÓMEZ

The difficulties presented by the study of the relationship between gender, family and social change, can be presented as an entelechy, in all its senses, from its linguistic meaning of unreality to the Aristotelian philosophical concept, therefore, the problem is studied with the model essayistic that allows to resort to analysis from the perspective of social history, showing its historiographic implication in the emergence of these phenomena, and in the methodological possibility offered by said social perspective of history to integrate cultural, literary and artistic aspects, which allow to explain said phenomena and their contribution to human knowledge of the processes of inequality and equality that historically affect relations between men and women. La complejidad omnicomprensiva que presenta el estudio de fenómenos históricos como la relación entre género, familia y cambio social, pueden presentarse como una entelequia, en todos sus sentidos, desde su significado lingüístico de irrealidad al concepto filosófico aristotélico, por ello, el problema se ha estudiado con el modelo ensayístico, que permite recurrir al análisis desde la perspectiva de la Historia social, mostrando su implicación historiográfica en la emergencia de dichos fenómenos, y en la posibilidad metodológica que ofrece dicha perspectiva social de la Historia de integrar las fuentes culturales, literarias y artísticas, que permiten explicar dichos fenómenos y su contribución al conocimiento humano de los procesos de desigualdad e igualdad que afectan históricamente a las relaciones entre hombres y mujeres.


2021 ◽  
Vol 26 (4) ◽  
pp. 751-760
Author(s):  
Oleg V. Defye

An intensive study of V. Rozanovs work naturally actualizes the question of the reasons for the contradictory assessments that have accompanied it for more than a century. The author explains their polarity by the prevalence of subjective or stereotypical ideas about the fundamental novelty of V. Rozanovs approach to the psychology of literary creativity and to the aesthetics of secluded nudity, which the creative subject of his books invariably followed. The article examines the space of solitude as a sphere of creative realization of Rozanov, where the main attention is paid to the intuition of intimacy, interpreted by the writer as a genuine spiritual act underlying the true creativity of life and literature. In solitude the authors intuition of intimacy penetrates into the phenomena and objects of life, endows them with related intimate meanings, is reflected in them and contributes to the creation of a mythopoetic picture of the world, filled with a variety of subjective and personal ideas of V. Rozanov about God, the world, cultural and literary values, about to yourself. In the above examples, V. Rozanovs faces appear in the process of intimate rapprochement with the Absolute and revealed in ontological insights. Disguises are figurative dialectical projections of the intimate faces of the author, opposed to the traditional views on the writers personality. These are polar, familiarly traversed projections of his intimate faces designed to enhance their ontological and aesthetic significance. The philosophical concept of detachment in myth and literature, developed by A.F. Losev in Dialectics of Myth , served as a methodological basis for the study of the phenomenon of solitude and unity in V. Rozanov of the myth-maker and writer.


2021 ◽  
Vol 1 (1) ◽  
Author(s):  
Segun Ogungbemi

This comparative study of Olodumare in Yoruba thought and the Judeo-Christian God reviews the reasons why these two deities from different cul­tures are so often equated, when they are not necessarily so. This paper uses a philosophical-theological method of inquiry that is apt in giving a concise clarification of theological interface between the two religious and cultural be­liefs. It Is not the intention of this paper to argue that the Yoruba concept of 016dumare Is superior to the Christian concept of God. Rather, it is argued that they are not necessarily the same. Finally, the essay establishes that the Yoruba before the advent of Christianity had a philosophical concept of the existence of 016dumare, the Creator of everything that is in the primordial existence and the material world.


2021 ◽  
Vol 8 ◽  
Author(s):  
Yingjie Du ◽  
Xinqing Zhang ◽  
Jinjing Zhang ◽  
Guyan Wang

Since ancient times, the Chinese have had a special understanding of the “Three”. Chinese philosophy originates from the I Ching, and the philosophical concept of “Three” is the core of the I Ching. The philosophical thinking about “Three” entails a complete dialectical thinking method that is consistent with the Western philosophical concept of “One Dividing into Three”. In this paper, we explain the philosophical concept of “Three” and suggest its application to medical education, including the learning and application of new technology, shared decision making between doctors and patients, and integration of medical humanities and medical science.


Author(s):  
Vladimir N. Artyomov ◽  

The antagonisms in the development of modern social relations make working out the idea of creating comfortable life conditions for a person in society topical again. This circumstance suggests reconsidering the theory of a just state within the context of the philosophical conception of the institutional person with a substantial comprehension of the institutional organization of society comparing it with the variability of the tasks of modern democracy. The philosophical concept of the institutional person concerning a just state as a rational concept-construct for a human life and the organization of society continues a series of scientific articles on the concept of the institutional person: the ontological and value foundations which reveal its new possibilities for the analysis of social being. When considering the problem of the formation of a social state as a rational concept-construct for a human life and the organization of society through the prism of the philosophical concept of the institutional person, the principles and mechanisms of its solution are revealed. The paper draws attention to the natural processes of the formation of the middle class and the development of value consciousness which, while maintaining functional differentiation in society, form its social and class homogeneity defining the common tasks of modern democracy aimed at aligning the private interests of the domestic bourgeoisie with the national and regional interests of the country’s development and the personal interests of a human being, and to the painless transformation of domestic oligarchs into aristocrats, into allies of the middle class.


2021 ◽  
pp. 197-215
Author(s):  
Jan Biedny

This article is an attempt to investigate contemporary film theory highlighting the inseparable connection between cinema and the human body and seeing, in which sense this theory complements academic recognition about neomodernism. The author expands on the philosophical concept of experience, showing problems posed by its conceptualization, and also points to the connection of this term with the body and sensuality. In the next part, the main distinguishing features characterizing the dramaturgy of cinematic neomodernism are given. The author argues that the dramaturgy of this movement creates a different kind of cinema experience in general. The final part presents an analysis of two films which are examples of the theory of cinema as senses, as well as exemplifying the dramaturgy characteristic for neomodernism, and thus creating a specific type of experience in the viewer.


2021 ◽  
Vol 25 (1) ◽  
pp. 139-155
Author(s):  
Galina G. Kolomiets

The article presents philosophical views on music in the context of the transformations of the worldview from Antiquity to the Modern Time. In this research author also mentions the contemporary issues, and uses her own philosophical concept of the music, which can be described as following: the value of music as a substance and the way of the valuable interaction of a person with the world affirm the essence of musical being, in which the invariable principle of Harmony, the principle of Chaos-Form movement, is preserved (see "The Value of the Music: Philosophical Aspect"). Music expresses the fluid essence of the world and changes of being in space and time. Philosophy of music as a field of philosophical knowledge considers music from ontological-epistemological and phenomenological-axiological prospectives, as something more than just a form of art. It explores the deep, ultimate foundations of the existence of music as such and the philosophical and aesthetic foundations of musical art. Since ancient times music has been a representation of the world in the human conscience and served as the harmonic equivalent of cosmological philosophy, mathematics, astronomy, and astrophysics (Pythagoras, Plato, Aristotle, Aristoxenus, Porphyry et als.). The scientific view on music was enriched in the Modern Time by the expanded view on the cosmo-sound space reflected in musical art, which at the same time transforms the mathematical ideas of geometricity, squareness etc. The tendency to create integral world music in the musical practice of the XX-XXI centuries explains the attempt of mankind to present music by modern methods of composing musical art as an expression of fear towards the secret Harmony of universal existence, and, on the other hand - as a form of search for salvation and mental balance, intuitively reflecting what is happening in natural science, which more and more points to the abyss of unknowable universe, and the unstable place of man in the world.


2021 ◽  
Vol - (4) ◽  
pp. 153-162
Author(s):  
Anna Laktionova

Will is a very old important philosophical concept, an analysis of which is very specific, if not odd, comparatively with the others (when it fruitfully proceeds in terms of criteria). This concept (‘will’) is going to be used to provide and clarify conditions of possibility for person of being an agent. In doing that I refer to the correspondent pieces of Wittgenstein’s Tractatus and Philosophical Investigations; and to their interpretations by M. Alvarez in “Wittgenstein on Action and Will” (2009) and D. K. Levy in “Morality without Agency” (2017). Person is essentially constituted by ‘powerless’ will in terms of ‘understanding’ that is experienced during her life. Action depends on and manifests understanding by will of a personal attitude to some states of affairs. Will does not incline a person to particular desires about preferable states of affairs or actions. Will is not about states of affairs. By willing I value the world, its portions, they appear significant, important to me. Volition is treated as related to will. Both are personal conditions of being an agent with priority of agency as capacity realized by rational actions.


Author(s):  
Alexander Dumov

The present research featured the content of complexity in philosophical contexts in the aspects of its validity, consistency, and compliance with the pragmatics of philosophical comprehension of reality. The article considers both explicit and implicit attempts to define complexity as a philosophical concept. The author addressed the validity of using the term complexity in a philosophical context by standardizing its meaning, i.e. building a pattern in accordance with the basic linguistic denotations of this concept. A review of its ontological and epistemological use made it possible to identify some cases of redundancy, unreasonableness, and semantic shift. The article introduces some possible ways of using the concept of complexity. The limited implementation of its epistemic function makes it possible to establish the boundaries of its applicability. The concept of complexity is important for metaphysics; however, such ideas as "metaphysics of complexity", "ontology of complexity", or "epistemology of complexity" have no ground. The article also provides a comparative analysis of the concept of complexity in specific scientific and philosophical contexts. Based on the revealed discrepancies in its interpretation, the author speculates whether the so-called philosophy of complexity can act as a context for understanding the philosophical problems of complexity science with its ambiguous nature.


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