filipino diaspora
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Plaridel ◽  
2020 ◽  
Vol 17 (2) ◽  
pp. 153-173
Author(s):  
Imelda De Castro

Culture is the identification of a person or community’s origin. It is a set of values taught since birth and implemented throughout living. The variation of culture in the global setting is vast and allows other cultures to be affected by another. Filipino culture is very rich and passed down through generations, but Filipinos find it necessary to live and work away from their homeland. This study aims to prove the cultural ramifications experienced by the Filipino diaspora through selected Filipino movies. Anak, Barcelona, Dubai, and Milan shed light on the experiences of Filipino people overseas, especially their sufferings and sacrifices. With the guidance of Rank, Freire, and Propp, cultural ramification was observed in the portrayal of the selected movies which are not far from the real experiences of the Filipino diaspora.


2019 ◽  
Vol 24 (2) ◽  
pp. 221-239
Author(s):  
Sharon Madriaga Quinsaat

Over the last century, the activities of migrants and refugees have been crucial in homeland democratization. How does the relationship between the homeland and hostland shape their strategies? Comparing the activism of Filipinos in the U.S. and in the Netherlands from 1972–1982 against the dictatorship of Ferdinand Marcos, this study shows that linkage influences the demands, arenas, and tactics of movement actors. Analysis of archival and interview data shows that activists in the U.S. pursued foreign policy lobbying due to strong linkage between the U.S. and the Philippines, which provided activists an accessible institutional target, channel, and resources for their claims making. In contrast, through transnational advocacy networks, Filipinos in the Netherlands engaged in naming and shaming in nongovernment tribunal due to weak Dutch-Philippine state relations. The article considers the relationship between two polities and societies as a shifting transnational field of relations that shapes the agency of actors in cross-border activism.


2019 ◽  
Vol 29 ◽  
Author(s):  
Sarah Christina Villanueva Ganzon

In an analysis of AlDub (the romantic pairing of actor Alden Richards and dubsmasher Maine Mendoza) and its fandom, I focus on the show's combined usage of old and new media, which has implications for media convergence in the Philippine context as well as the ways in which fandom in this context is used to negotiate identity and belonging in the context of diaspora and deterritorialization.


2018 ◽  
Vol 22 (2) ◽  
pp. 234-252
Author(s):  
Rowan Lopez Rebustillo

Abstract In the contemporary theological landscape Filipino theology has remained marginal compared to Latin-American theologies. Hence, this paper attempts to present Bahala Na as a Filipino articulation of Astley’s Ordinary Theology in the context of Filipino diaspora. With this, we assert that the importance of ordinary Filipino migrants’ input in the current theological enterprise cannot be overlooked because the churches in the world are now phenomenally populated by the millions of Filipinos who possess a unique faith that has sustained them amidst the precariousness of their diasporic life. We believe that ignorance of this inculturated theology is ignorance of the real essence of “catholic” theology.


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