Галерея мужских образов в рассказе А.К. Гольдебаева Галчонок

The motif of the Apocalypse passes through all the works of the Samara writer A.K. Goldebaev (Semenov). But if in his early works he did not highlight the end of the world (It seems distant and therefore not so scary to the author), years later he realizes the seriousness of what is happening – death isapproaching. In the story The Young Jackdaw (In the Established Order), published in 1910 in the short story collection Knowledge, the writer starts a conversation about the fallen women. However, this topic is not the leading one, and the female characters are not central ones. In this article, the author attempts to reveal the true meaning of the work through the analysis of the system of male characters.

Concept of Fallenness and Patriarchy in Anuradha Sharma Pujari’s Novel “Kanchan”

Patriarchy places women in a marginalised position. Women always bare same feeling and same status of their lives in patriarchal oppression and exploitation. Men often speak about virtues and vices of women and on the basis of that categorise them as chaste or unchaste. Women in patriarchal society should be pure to get societal honour. The society decides what a woman should do, how a woman should behave and these views are the cultural determinant of a society or a community. If a woman challenges these lessons of morality, she will get the identity of fallen woman in a patriarchal society. The novelist Sharma Pujari through the portrayal of Kanchan as a fallen woman does not want to condemn her fundamental disorder but attempts to expose the exploitation and oppression that exist in sexual practices and thereby wants to challenge it. A patriarchal society mirrors some cultural views and attitudes of sexuality. On the basis of these norms a woman is relegated to the rank of fallen woman. The man being the superior section of the society proves his male power in the emotional, physical and material sphere of a woman’s life. This power of patriarchal authority determines the fallenness of a woman and thereby deprives her from availing the pleasures and securities which are only permissible for a wife. The culturally constructed feminine myth looks at her as an exception. People’s psyche is moulded by this cultural affinities constructed by patriarchal system. The novel Kanchan describes the discrimination on gender relation and sexual responses between two genders that exists in a patriarchy. Anuradha Sharma Pujari narrates the complexities in the life of the woman character who tries to come out of her destitute situation by using her body. Adopting a feminist perspective this research article attempts to discuss the construction of the idea “fallen women” by patriarchy and the experiences and struggles of the marginalised protagonist Kanchan in the novel Kanchan.

W obliczu (post)prawdy, czyli inna historia frankistowskiego Patronato de Protección a la Mujer w esejach Consuelo Garcíi del Cid Guerry

Facing the (Post)Truth or Alternative History of Francoist Board for the Protection of Women in Essays by Consuelo García del Cid Guerra The paper is an attempt at shedding light on the unknown actions of Spanish Board for the Protection of Women. In Francoist Spain, this organization was originally founded to control and to dignify morality of “fallen women” in order to reeducate them in accordance with the National Catholicism ideology propagated by the Francoists. Although the aim of this powerful institution was to reeducate young women, many of them were hidden away in interments and suffered from different kinds of abuse. The violence applied against them was covered up and their voices silenced by authorities. The history of young women, completely unknown among Spanish society, was revealed and denounced by García del Cid Guerra. A former victim, she is the author of three political essays: Ruega por nosotras (2015), Las desterradas hijas de Eva (2012), and La niña del rincón (2018), books on which this article is based to present a different history of the Board for the Protection of Women, remembered by its young victims.

Gender role reversal, female solidarity, and fallen women in Oscar Wilde's plays

Wilde's plays The Importance of Being Earnest, A Woman of No Importance, Lady Windermere's Fan and Salomé all feature female characters and themes relevant to the domains of research of feminist literary theory, including relationships between men and women, marriage, the complexity of female characters, their treatment in literature, gender roles and how they are portrayed. This paper explores the themes of role reversal, female solidarity and fallen women with the aim of showing that Wilde's works were progressive for their time in terms of pointing out problematic societal expectations and norms. In The Importance of Being Earnest, Wilde satirized the gender roles of the Victorian society and how men had power over women and their choices, while in the plays A Woman of No Importance, Lady Windermere's Fan and Salomé, the main characters are fallen women, a stereotype the Victorian society invented to mark women they considered impure. A Woman of No Importance and Lady Windermere's Fan are plays about the struggles of fallen women who made mistakes in the past and formed important friendships with other female characters, while the tragedy Salomé tells the tale of a woman who falls and dies as a consequence of her fall. Additionally, the paper will examine closely related themes, such as motherhood, sexuality, and negative gender stereotypes related to the one of the fallen women.

Amazons and fallen women: transgressive female behaviour in the novels of Giuseppe Garibaldi

This article draws attention to the understudied literary career of one of Italy's most famous patriots, Giuseppe Garibaldi. From 1868 to 1874, Garibaldi wrote and published three novels: Clelia (1870), Cantoni (1870), and I Mille (1874). Scholars have recognised the works as evidence of Garibaldi's anticlericalism and dissatisfaction with Italy's political moderatism, but have not yet sufficiently shown how the novels reveal the influence of Garibaldi's involvement with the female emancipation movement and his personal relationships with unconventional women. While Garibaldi is less well-known for his feminism than other men of the left, like Giuseppe Mazzini, his fictional heroines celebrate female physical strength and violence, offer women a means of participating in the nation outside the home, and challenge the predominant sexual double standard. While acknowledging that Garibaldi often conformed to prevailing patriarchal literary conventions, this article argues that his novels simultaneously offer support for the values of female emancipation.