scholarly journals Concept of Fallenness and Patriarchy in Anuradha Sharma Pujari’s Novel “Kanchan”

2021 ◽  
pp. 61-70
Author(s):  
Anamika Devi
Keyword(s):  
Sexual Practices ◽  
The Novel ◽  
Fallen Woman ◽  
Woman Character ◽  
Patriarchal System ◽  
Research Article ◽  
Patriarchal Society ◽  
Male Power ◽  
Fallen Women ◽  
To Come

Patriarchy places women in a marginalised position. Women always bare same feeling and same status of their lives in patriarchal oppression and exploitation. Men often speak about virtues and vices of women and on the basis of that categorise them as chaste or unchaste. Women in patriarchal society should be pure to get societal honour. The society decides what a woman should do, how a woman should behave and these views are the cultural determinant of a society or a community. If a woman challenges these lessons of morality, she will get the identity of fallen woman in a patriarchal society. The novelist Sharma Pujari through the portrayal of Kanchan as a fallen woman does not want to condemn her fundamental disorder but attempts to expose the exploitation and oppression that exist in sexual practices and thereby wants to challenge it. A patriarchal society mirrors some cultural views and attitudes of sexuality. On the basis of these norms a woman is relegated to the rank of fallen woman. The man being the superior section of the society proves his male power in the emotional, physical and material sphere of a woman’s life. This power of patriarchal authority determines the fallenness of a woman and thereby deprives her from availing the pleasures and securities which are only permissible for a wife. The culturally constructed feminine myth looks at her as an exception. People’s psyche is moulded by this cultural affinities constructed by patriarchal system. The novel Kanchan describes the discrimination on gender relation and sexual responses between two genders that exists in a patriarchy. Anuradha Sharma Pujari narrates the complexities in the life of the woman character who tries to come out of her destitute situation by using her body. Adopting a feminist perspective this research article attempts to discuss the construction of the idea “fallen women” by patriarchy and the experiences and struggles of the marginalised protagonist Kanchan in the novel Kanchan.

Analytical Study of Violence Theme in Victoria Schwab’s This Savage Song

2019 ◽  
Keyword(s):  
Analytical Study ◽  
Research Paper ◽  
The Novel ◽  
Vicious Cycle ◽  
Aggressive Approach ◽  
Research Article ◽  
The People ◽  
The Social ◽  
Different Dimensions ◽  
The Right

This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.

Identifying Ethics: Dysfunction as Representation of Societal Relationship in Ian McEwans’s Sweet Tooth

Think India ◽  
2019 ◽  
Vol 22 (2) ◽  
pp. 1-6
Author(s):  
A. Yacob ◽  
S. Veeramani
Keyword(s):  
Code Of Conduct ◽  
The Self ◽  
The Other ◽  
Ethical Code ◽  
The Novel ◽  
Field Of Study ◽  
Research Article ◽  
Ian Mcewan

In the novel, Sweet Tooth, McEwan has employed an ethical code of conduct called, Dysfunction of Relationship. The analysis shows that he tries to convey something extraordinary to the readers. If it is not even the reader to understand such a typical thing, He himself represents a new ethical code of conduct. The character of the novel, Serena is almost a person who is tuned to such a distinct one. It is clear that the character of this type is purely representational. Understanding reality based on situation and ethics has been a new field of study in terms of Post- Theory. Intervening to such aspect of Interpretation, this research article establishes a new study in the writings of Ian McEwan. In the novel, Dysfunction is not on the ‘Self’ but it is on the ‘Other’. The author tries to integrate the function of the Character Serena, instead of fragmenting the self. Hence, Fragmentation makes sense only in the dysfunction of relationship.

Vision

2018 ◽  
Author(s):  
Robin Holt
Keyword(s):  
The Novel ◽  
Strategic Vision ◽  
Henry Mintzberg ◽  
To Come

If knowledge does not create a sustained and unified sense of organizational self (skepticism is rife) then strategic inquiry can turn to vision, a move advocated by Henry Mintzberg amongst others. The chapter considers what it is to author a strategic vision, using the novel The Shape of Things to Come by H. G. Wells as an indicative and provocative example of an organizational attempt to present its own form to itself and others. The risks associated with propaganda and dogmatic assertion are discussed, as are the strategy documents by which many modern organizations attempt to instil an equivalent vision to that envisaged by Wells.

scholarly journals Belonging in the Coronaverse: Will There Be Time?

2021 ◽  
Vol 1 (1) ◽  
pp. 100-115
Author(s):  
Kate Fischer ◽  
Malika Rakhmonova ◽  
Mike Tran
Keyword(s):  
College Experience ◽  
The United States ◽  
Limited Time ◽  
The Novel ◽  
Residential University ◽  
To Come ◽  
Novel Coronavirus ◽  
University Experience ◽  
The U.S ◽  
Older Siblings

Abstract Since the spring of 2020 SARS-CoV-2, the novel coronavirus, has upended lives and caused a rethinking of nearly all social behaviors in the United States. This paper examines the ways in which the pandemic, shutdown, and gradual move towards “normal” have laid bare and obfuscated societal pressures regarding running out of time as it pertains to the residential university experience. Promised by movies, television, and older siblings and friends as a limited-time offer, the “typical” college experience is baked into the U.S. imaginary, reinforcing a host of notions of who “belongs” on campus along lines of race, class, and age. Fed a vision of what their whole lives “should be”, students who enter a residential four-year college are already imbued with a nostalgia for what is yet to come, hailed, in Althusser’s (2006[1977]) sense, as university subjects even before their first class. The upheaval of that subjecthood during the pandemic has raised important questions about the purpose of the college experience as well as how to belong to a place that is no longer there.

scholarly journals Critiquing Anthropocentrism in Henry Ole Kulet’s Vanishing Herds

2019 ◽  
Vol 3 (1) ◽  
pp. 52-55
Author(s):  
Pushpa Raj Jaishi
Keyword(s):  
Environmental Degradation ◽  
Physical Environment ◽  
Critical Issue ◽  
The Novel ◽  
Contemporary Society ◽  
Human Beings ◽  
East African ◽  
To Come

Vanishing Herds (2011) is Henry Ole Kulet’s novel that hovers around the ecological depletion caused by the anthropocentric attitude of the human beings. Set in the East African Savannah, the novel grapples with the critical issue of anthropogenic environmental degradation. The novel is based on the tribulations of a young Maasai couple –Kedoki and Norpisia whose epic journey through the wilderness provides a window through which the destruction of the physical environment can be viewed. Additionally, the text catalogues the challenges faced by a pastoralist community’s attempt to come to terms with the socio-economic realities of a fast-evolving contemporary society. The paper is an attempt to study this novel under the surveillance of green lens and throw light on the ecological destruction especially the clearing of the forest by human self centered endeavors and to critique the anthropocentric attitude of the human beings that render the environment at the verge of destruction.

Queer Masculinities: Gender Roles, the Abject and Bottomhood in Ocean Vuong’s On Earth We’re Briefly Gorgeous

2021 ◽  
Vol 139 (4) ◽  
pp. 739-757
Author(s):  
Christina Slopek
Keyword(s):  
Gender Roles ◽  
Coming Out ◽  
Sexual Intimacy ◽  
The Novel ◽  
Language Politics ◽  
White American ◽  
Sexual Orientations ◽  
Gender Performances ◽  
To Come ◽  
And Gender

Abstract This article analyzes queerness in Ocean Vuong’s On Earth We’re Briefly Gorgeous (2019), teasing out how the queer relationship at the core of the novel is framed. Ocean Vuong’s novel mobilizes queerness to straddle boundaries between cultures, gender roles and bodies. On Earth We’re Briefly Gorgeous places the queer sexual orientations and gender performances of its protagonists, one Vietnamese American, one white American, in firm relation to the formative force of cultural contexts. Zooming in on two young boys’ queerness, the novel diversifies gender roles and makes room especially for non-normative masculinities. What is more, On Earth We’re Briefly Gorgeous mobilizes the abject to showcase how queer sexual intimacy straddles boundaries between bodies and subjects. The article attends to language politics in connection with the novel’s coming-out performance, striated constructions of gender roles and their interplay with the abject and “bottomhood” (Nguyen 2014: 2) to come to grips with the novel’s diversification of queer masculinities.

scholarly journals Paraphrase Strategy in Translating Indonesian Novel into English

2021 ◽  
Vol 04 (01) ◽  
Author(s):  
Erlina Zulkifli Mahmud ◽  
Keyword(s):  
Mixed Method ◽  
Comparative Method ◽  
Target Language ◽  
The Novel ◽  
Translation Strategies ◽  
Quantitative And Qualitative Research ◽  
Research Article ◽  
Data Source ◽  
Linguistic Units ◽  
Language Text

This research article discusses one of the translation strategies namely paraphrase. The method used is a mixed method of descriptive-comparative method with both quantitative and qualitative research approaches. The data source is the translation of a novel, Tarian Bumi written in Indonesian language as the source language text and ‘Earth Dance’ in English as the target language text. The data used for this research are taken from the first part of the novel. The background of this research is the phenomenon showing that from all the sentences in the first part of the novel, more than 50% are being paraphrased. To identify what linguistic units are paraphrased, what kinds of paraphrase involved and which paraphrase is used more than others are the objectives of this research. The results show that the paraphrases involve all linguistic units ranging from word, phrase, clause, to sentence. The paraphrase can be used individually or in a combination consisting of two paraphrases and among the four kinds of paraphrase, the explicative paraphrase is used more than others either it is used individually or in combination.

scholarly journals Research Article

2021 ◽  
Vol 19 (1) ◽  
Author(s):  
Amir Abbasi
Keyword(s):  
Political Economy ◽  
Human Rights ◽  
Local Culture ◽  
The Novel ◽  
Research Article ◽  
Great Game ◽  
Human Rights Violation

The article examines The Wasted Vigil, a post-9/11 novel by  Nadeem Aslam to find out how the writer articulates imperialist ideology in his composition. The study reveals that the writer internalizes the imperialist discourses on the war in Afghanistan and becomes a voice of the imperialist powers by consolidating their ideology. Some of the ideologies that the novel incorporates are Western cultural supremacy, fear of the ‘evil empire’, mystic East, human rights violation, stereotyping, Islamophobia, patriarchy, white man’s burden, rehabilitation and political economy. Inspired by the theories of Said, Dabashi, and Chomsky, the paper approves that the writer, obliterating some ground realities, extends on the persistent misrepresentation of the local culture and stereotypes the war-affected people of Afghanistan as established by the imperialists during the New Great Game.  

scholarly journals Nicholas Urfe’s Masculine Trap or the Construction of Manhood, its Ambivalences and Limitations in John Fowles’s The Magus

2017 ◽  
pp. 73-86
Author(s):  
Irina Strout
Keyword(s):  
Western Society ◽  
The Novel ◽  
John Fowles ◽  
Lone Wolf ◽  
Male Characters ◽  
Power And Control ◽  
Male Power ◽  
Personal Level ◽  
In The Beginning ◽  
And Control

Western society and its fiction faces the overwhelming problem of masculinity and its modeling. The era of war, capitalism, the challenges of feminism affect the ideology within which men are constructed both as individuals and as a social group. John Fowles’s fi ction tackles the crucial issue of male power and control as masculinity is put to test and trial in his 1965 novel The Magus. The defi nition of manhood, male virility and social respectability of the period shape the 20th century male characters in Fowles’s fi ction. This paper aims to explore how John Fowles investigates the role of masculinity and power myths on the personal level of relationship and a wider scale of war and capitalism in The Magus. Notions of masculinity off er the protagonist, Nicholas Urfe, a sense of a superiority and power over women in the course of the novel. Among the goals of the project is to examine the mythical journey of Nicholas, which becomes a testing ground of his masculinity and maturity, as well his trial and ‘disintoxication,’ which is intended to help him to reevaluate his life and his relationships with women. One of the issues posed is whether Nicholas Urfe is reborn as a new man at the end of his search for redemption or if he remains the same egotistic, ‘lone wolf’ as he appears in the beginning of the novel.

scholarly journals Maïssa Bey : romancière de l’agentivité de femmes Entre réécriture de l’Histoire et invention de soi

Il Tolomeo ◽  
2020 ◽  
Author(s):  
Lila Lamrous
Keyword(s):  
Literary Tradition ◽  
Point Of View ◽  
The Novel ◽  
Female Characters ◽  
Patriarchal Society ◽  
The Feminine ◽  
The Right

The study of Maïssa Bey’s novel Surtout ne te retourne pas allows to examine how the Francophone novel represents an earthquake as a poetic, metaphorical and political shockwave. The novel is part of a literary tradition but also shows the singularity of the writing and the engagement of the Algerian novelist Maïssa Bey. It allows to examine the feminine agentivity in the context of the disaster camps in Algeria: from the ravaged space/country emerge the voices of women who enter into resistance to improvise, invent their lives and their identities. The earthquake allows them to free themselves, to take a subversive point of view at society and their status as women in an oppressive patriarchal society. The staged female characters arrogate to themselves the right to reread history and take their destiny back.

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