Ostend through the Eyes of British Writers (1830-50)

This article analyzes how the British writers Frances Trollope (1779–1863) and William Makepeace Thackeray (1811–1863) described the Belgian coastal resort Ostend in the 1830s and 1840s. A special focus is placed on both the British travelers passing through Ostend and the British resident communities at Ostend. The article will highlight how the assessments of Frances Trollope and William Makepeace Thackeray of Ostend as a coastal resort frequented by the British can be unpacked fruitfully within two overarching themes: the theme of “genteel poverty” and “respectability” on the one hand, and the theme of “national identity” and “religious identity” on the other. These assessments by Frances Trollope and William Makepeace Thackeray are contextualized against the background of contemporary British guidebooks and travel accounts on Ostend, and against some statistics on the British traveller and resident communities in mid-nineteenth century Belgium. (PF)

American Claimants

This book recovers a major nineteenth-century literary figure, the American Claimant. The claimant was used to imagine cultural contact and exchange across the anglophone Atlantic, especially between Britain and the United States. Later, claimants were exported to South Africa, in fictions representing black students who acquired American degrees. The book argues that the claimant was a major and pervasive motif, with literary, rhetorical, and political uses. It was invoked to imagine cultural difference, in relation to identity, inheritance, relationship, or time. It could dramatize tensions between tradition and change, or questions of exclusion and power: it was wielded against slavery and segregation, or privileges of gender and class. American Claimants explores the figure’s implications for writers and editors, and also for missionaries, artists, and students, in works created and set in Britain, in the United States, in South Africa, and in Rome. The book touches on theatre history and periodical studies, literary marketing and reprinting, and activism, education, sculpture, fashion, and dress reform. Texts discussed range from Our American Cousin to Bleak House, Little Lord Fauntleroy to Frederick Douglass’ Paper; writers include Frances Trollope, Julia Griffiths, Alexander Crummell, John Dube, James McCune Smith, Nathaniel Hawthorne, and Mark Twain.

“Fraud, Fun, and Feeling”: Slavery, Industrialism, and the Mother-Machine in Frances Trollope's Fiction

For Frances Trollope, the nineteenth century was defined by what she perceives to be a pervasive mechanization of emotional life, a phenomenon similar to what Tamara Ketabgian has recently described as the “industrialization of affect” in this period. At the center of this phenomenon, for Trollope, is the disquieting specter of the mother-machine, a figure in whom the processes of mechanical production and maternal reproduction collide. The figure originates, in Trollope's fiction, in the character Juno, an enslaved woman whose alienation from her children under slavery serves as a major plot point in her groundbreaking 1836 antislavery novel The Life and Adventures of Jonathan Jefferson Whitlaw; or Scenes on the Mississippi. That figure is then reworked in the violent relationship between children and machines Trollope would go on to depict in her 1839–40 novel, The Life and Adventures of Michael Armstrong, the Factory Boy, one of the first industrial novels published in Victorian England. In these early fictions, Trollope documents what she perceives to be the mechanization of the maternal body under, alternately, slavery and industrialism, and its consequences for both the work and experience of care under nineteenth-century capitalism in its varied forms.

American Slavery Through the Eyes of British Women Travelers in the First Half of the 19th Century

My paper investigates 19th-century travel writing by British women visiting America: texts by such authors as Frances Trollope, Isabella Bird, or Frances Kemble. I analyze to what extent these travelers’ gender influences their view of race. On the one hand, as Tim Youngs stresses, there seems to be very little difference between male and female travel writing in the 19th century, as women, in order to be accepted by their audience, needed to mimic men’s style (135). On the other hand, women writers occasionally mention their gender, as for example Trollope, who explains that she is not competent enough to speak on political matters, which is why she wishes to limit herself only to domestic issues. This provision, however, may be seen as a mere performance of a conventional obligation, since it does not prevent Trollope from expressing her opinions on American democracy. Moreover, Jenny Sharpe shows how Victorian Englishwomen are trapped between a social role of superiority and inferiority, possessing “a dominant position of race and a subordinate one of gender” (11). This makes the female authors believe that as women they owe to the oppressed people more sympathy than their male compatriots. My paper discusses female writing about the United States in order to see how these writers navigate their position of superiority/inferiority.

Domestic Manners of the Americans

It appeared to me that the greatest and best feelings of the human heart were paralyzed by the relative positions of slave and owner.’ In Domestic Manners of the Americans, Frances Trollope recounts her travels through America between 1827 and 1830, describing her voyage up the Mississippi from New Orleans, a two-year stay in Cincinnati, and a subsequent tour of Washington, Baltimore, Philadelphia, and New York. A transatlantic best-seller on publication in 1832, its forthright criticisms of American manners encompassed spitting, religious extremism, ladies’ dress, the relentless pursuit of money, and the unequal treatment of women, slaves, and Native Americans. Witty, satiric, and hugely entertaining, Trollope also had a serious purpose in warning her compatriots of the consequences of democratic freedoms at a time of great social change in England. Deploring slavery and the hypocrisy that sanctioned it, she fuelled abolitionist debate on both sides of the Atlantic and so impressed Mark Twain that fifty years later he considered her book to be the most accurate portrait of American life in the nineteenth century.