Chapter 5 explores how people used photographs to make sense of violence. From the late 1960s, there is a notable increase in the number of people going out onto the streets with newer, faster, lightweight cameras, to record crime and injustice. In so doing, they attempted to provide those without power with a new way of holding authority to account. However, the impact of their photographs was not always as they anticipated. The central focus of this chapter is on the collection and use of images at the Scarman Tribunal, which investigated the disturbances of the summer of 1969, and the Widgery Tribunal, which sought to ascertain the sequence of events surrounding Bloody Sunday. Through close readings of how photographs were used at these two tribunals, the chapter explores how the existence of certain photographs served to anchor discussions of trajectories of violence around certain places and moments, illustrates how photographs taken for publication in newspapers were reread as evidential documents, and indicates the range of plausible truths each photograph was understood to provide. Photographers, who saw themselves and their medium as working to tell stories of injustice, instead found that their images were read to reinforce the actions the state and security forces had already taken.