Biographies in talk: A narrative-discursive research approach

This paper demonstrates the contribution a synthetic narrativediscursive approach can make to understanding biographical work within a research interview. Our focus is on biographical work as part of the ongoing, interactive process through which identities are taken up. This is of particular interest for people who, for example, are entering a new career and can be seen as “novices” in the sense that they are constructing and claiming a new identity. Following a discussion of the theoretical and methodological background in narrative, discourse analytic and discursive work in social psychology (e.g. Bruner, 1990; Edley, 2001; Potter and Wetherell, 1987; Wetherell, 1998), the paper presents an analysis of biographical talk from an interview study with postgraduate Art and Design students. Our interest is in their identity work, including biographical work, as novices in their fields. The analysis illustrates the approach and the key analytic concepts of, first, shared discursive resources, such as interpretative repertoires (e.g. Edley, 2001) and canonical narratives (e.g. Bruner, 1991), and, secondly, troubled identities (e.g. Wetherell and Edley, 1998; Taylor, 2005a) . It shows how speakers’ biographical accounts are shaped and constrained by the meanings which prevail within the larger society. For our participants, these include established understandings of the nature and origins of an artistic or creative identity, and the biographical trajectory associated with it. The particular focus of our approach is on how, in a speaker’s reflexive work to construct a biographical narrative, the versions produced in previous tellings become a constraint and a source of continuity.

Myth-Historical Quantum Erasure

An unhappy complaint by celebrated Irish physicist John Stuart Bell, who challenged an unchecked quantum orthodoxy, opens Chapter 2. At first his quote seems little more than a disgruntled student blowing off steam. Closer examination reveals much higher stakes. This chapter probes Bell’s frustrations toward his physics training at Queen’s University Belfast in the late 1940s. He complained bitterly about an entrenched quantum orthodoxy supported by canonical narratives that took hold in the early 1930s and continued to dominate the field for decades. The orthodox quantum interpretation eventually became synonymous with the city of Copenhagen and was used widely in the international physics community to filter out unwanted alternate interpretations, shut down interpretational debate, and promote a pragmatically productive culture of scientific consensus.

What Do We Mean by THE Qur’ān: On Origins, Fragments, and Inter-Narrative Identity

This essay questions the two canonical narratives that hinder our understanding of the Qur’ān as a literary masterpiece: the canonisation of its unwarranted unity as a Sacred Book and the parallel canonisation of a historiographical concept, i.e. the absolute beginning of a presumed Arab conquest of the Near East, the meta-narrative of which unduly reverses cause and effect. Unity and order thereby constitute a twofold obsession ultimately ossified into what may be labelled as the unusual ‘otherness’ of Islam.

Revisiting Asian American Poetics

The most discussed and cited works of Asian American writing in literary studies include mainly novels, memoirs, short fiction, essays, and plays. To use Sau-ling Wong’s terms Necessity and Extravagance, the study of prose narrative has become a Necessity in the establishment of an Asian American literary canon, while poetry appears to occupy the status of the Extravagant—not excluded, but not as important or basic as prose. However, considering Asian American studies through the framework of not just poetry as a genre but also the poetic as a mode leads to some fresh understandings of canonical narratives, as well as criticism and theory. The power of poetry and the poetic do lie in their alignment with Extravagance, especially in their play with rules and expectations of language, convention, and form. Poems by Asian American writers point to the underside of play, the ways in which play can threaten minority subjects. At the same time the poems enact their own forms of play, through literary allusion and figurative language, for example. Asian American poetry and the Asian American poetic harness the energies of recreation and enjoyment to build and repurpose literary and discursive forms that articulate racial, ethnic, and gendered perils and promises.

Backgazing: Reverse Time in Modernist Culture

The focus of this book is on how time is represented in reverse forms throughout modernist literature and culture, from about 1900 until the middle years of the twentieth century. It is particularly concerned with how antipodean reorientations of chronological scale reconfigure ways in which the conventional temporal categories of modernism are understood. It treats time neither as a philosophical nor as a theological concern but, rather, as a phenomenon shaped by material forces across different spatial and temporal trajectories. By foregrounding the antipodean slant of this project, it not only integrates the literature of Australia and other parts of the Southern Hemisphere into the broader trajectories of modernism, but also considers ways in which canonical narratives might productively be considered in relation to their antipodean dimensions, thereby opening up modernist narratives to various forms of systematic reversal. Backgazing thus reads canonical authors (Proust, Conrad, Joyce, Woolf, Eliot, Mann, Auden) in relation to Australasian modernist writers (Mansfield, H. H. Richardson, Dark, White, and others), and it considers how the shape of modernism appears different if viewed from an antipodean perspective. It also considers various neglected modernist writers (Cunard, Farrell, Powell, Slessor, R. D. FitzGerald) and suggests how their modernist idiom becomes more recognizable in relation to an aesthetics of backwardness and burlesque.

The Interpretation of Scripture

This essay will offer, first, an overview of Craig Keener’s Spirit Hermeneutics, and then a response from a biblical specialist in the charismatic tradition. To explore the contributions of Keener’s volume further, some suggestions are made on the following subjects: the conceptualization of his proposed global readings, the role of canonical narratives in biblical hermeneutics, the construction of biblical theology, and the implications of his thesis for the development of future theological leaders in both the church and the academy.

A Call to Arms: The Centrality of Feminist Consciousness‐Raising Speak‐Outs to the Recovery of Rape Survivors

This article explores the various challenges that survivors of rape and sexual violence face when attempting to construct a narrative of their experience under political and epistemic conditions that are not supportive: including the absence of adequate language with which to understand, articulate, and explain their experiences; narrative disruptions at the personal, interpersonal, and social levels; hermeneutical injustice; and canonical narratives that typically further the harms experienced by survivors. In response, I argue that feminist consciousness‐raising speak‐outs should be revived by contemporary feminists since they are able to do significant work to ameliorate the above‐mentioned challenges and thereby aid in the recovery of rape survivors.

Weighing Ourselves Down

Bodyweight—the number on the scale—has been constructed as an objective measure of health, and weight loss as synonymous with healthier. Weight has been used as a way of classifying and controlling people, ignoring the embodied, relational, and cultural meanings attached to health and weight. Instead, these subjective experiences are lumped into a numerical category. Our society's obsession with weight is weighing us down and most of us should toss out our scales. Scale stories offer a departure from canonical narratives about physical health and body image by emphasizing emotions and lived experiences instead of bodyweight and numerical categories.

Narrative as construction and discursive resource

Discursive psychologists (Edley, 2001; Potter & Wetherell, 1987; Wetherell, 1998) have analysed identity work in talk, including the ways in which understandings which prevail in a wider social context are taken up or resisted as speakers position themselves and are positioned by others. In these terms, a narrative is generally understood in two ways. The first is as an established understanding of sequence or consequence, such as a potential life trajectory, which becomes a discursive resource for speakers to draw on (cf. Bruner’s ‘canonical narratives’, 1991). The second is of a narrative as a situated construction, such as the biography produced by a speaker within a particular interaction. In this article, I propose an expanded analytic focus which considers how the versions of a biographical narrative produced in previous tellings become resources for future talk, thus setting constraints on a reflexive speaker’s work to construct a coherent identity across separate interactions and contexts (Taylor & Littleton, forthcoming).