Borderland literature, female pleasure, and the slash fic phenomenon

In the discussion of media and borderlands theory, current scholarship primarily attends to investigating borderlands as metaphors for broader minority critique, where niche, representative publications resist hegemonic mass-market productions. However, scholarship has yet to formally extend the borderlands paradigm to slash fan fiction—that is, examining a subaltern where residents display a hybridity of opposing culture. Looking at slash and its predominantly female, often queer, writers through the lens of Gloria Anzaldúa's notion of a borderlands offers insight into the values and motivations of writers and consumers in their production of fan fiction, not just within the microcosm of fandom but also pertaining to wider social and cultural transformations. This investigation considers the circumstances dictating female fan experience by examining the practical and contextual dimensions of fandom and illustrating how fan works differ ontologically, epistemologically, and functionally from mainstream productions, thus facilitating a critique on how fans construct and mobilize imaginary as means of negotiating the real social structures that otherwise limit their enjoyment of consumable media and the transformative works they create that nonetheless mirror the systems of marginalization found in the real world.

From Slash Fan Fiction to Crip Fan Fiction: What Role Does Disability Have in Fandom?

Slash fiction is perceived by scholars like Henry Jenkins as capable of presenting a counterhegemonic message that critically questions and disrupts power structures in the production of fiction. Slash fiction presents a critical queering of characters, disrupting the heterocentrism of canonical fiction. Slash fiction is a creation of fan fiction where canonically heterosexual couples are paired with one another in love relationships, allowing for an imagined queer potential. Even though slash, with its queering of relationships would seem to be a doorway into empowerment for disability fiction - replacing one oppressed identity (queer) for another (disability), many of the conventions of slash, mixed with the overwhelming social power of stereotypes around disability serve to further replicate patterns of oppression upon disabled characters. One of the conventions of slash fiction is the need to make canonically straight male characters more vulnerable, more willing to explore their vulnerability in relationships. This vulnerability allows for male protagonists to disrupt the rigid boundaries of patriarchal, heterosexist constructions of masculinity by making the characters more open to vulnerabilities, which tend to be constructed as threats to the construction of patriarchal masculinity. Because of disability’s cultural association with vulnerability in the cultural imagination, disablement is often utilized by slash fiction authors as a means of achieving vulnerability of the characters in a slash fiction relationship. These relationships are often referred to as “Hurt/Comfort” or “H/C” and often depend on the assumption that disablement represents a weakening of the disabled character, problematically representing disability as weakness. Through an examination of the association between slash and disability on the popular fan fiction site Archive of Our Own, this paper illustrates that although slash fiction has the potential to represent a liberatory counterhegemonic text, it fails to do so where disability is concerned and relies on tropes and assumptions about disability in order to ‘queer’ hegemonic texts.

Homophobia, heteronormativity, and slash fan fiction

I analyze the relationship between homophobia/heteronormativity and slash fan fiction. Through reading and coding almost 6,000 pages of Kirk/Spock fan fiction written from 1978 to 2014, I illuminate shifts in how normative gender and sexuality are portrayed by K/S authors. Writers of K/S, while ostensibly writing about the 23rd century, consciously or unconsciously include cultural norms from the 20th and 21st centuries. Thus, slash becomes a lens through which readers can view a decrease in both homophobia and heteronormativity in US culture over the past several decades.

The creation of football slash fan fiction

Although sports fandom and fan fiction are often thought of as different worlds, in the contemporary media environment, this is not the case. Sport is a popular source text for fan fiction, and high-level European football, one of the world's most watched sports, has long had an online fan fiction presence. In a study of the LiveJournal community Footballslash over the 2011–12 European football season, I investigate what makes football a suitable source text for fan fiction, especially slash fan fiction; what fan fiction authors are doing with football; and what this suggests about how football and fan fiction are used in the present day. I present a new understanding of football as a media text to be transformed as well as provide an in-depth look into how this type of real person slash is developed and thought of by its practitioners. In doing so, I show what happens when fandoms and fan practices converge in the 21st century.

"The epic love story of Sam and Dean": Supernatural, queer readings, and the romance of incestuous fan fiction

This article examines incestuous slash fan fiction produced for the CW television series Supernatural. I argue that "Wincest" fan fiction is best understood not as perverse, oppositional resistance to a heterosexual, nonincestuous show, but an expression of readings that are suggested and supported by the text itself. I examine the literary, cultural, and folkloric discourses of incest and queerness invoked by the series, paying special attention to Romanticism, the Gothic, and horror as underliers to those discourses, and how those genres inform both the series and the fan fiction. I discuss a number of Wincest stories in detail, focusing upon how these stories build upon thematic elements within the series. In conclusion, I argue that the most resistive aspect of Wincest fan fiction is that it gives the main characters a lasting happiness that the series eternally defers.

Painful pleasures: Sacrifice, consent, and the resignification of BDSM symbolism in The Story of O and The Story of Obi

This paper examines slash fan fiction's contributions to BDSM discourses and symbolism. BDSM is culturally delegitimated as a sexual pathology, and protest against it highlights broad concerns about sexual consent within patriarchy while also misdirecting unease about sexual coercion onto the ritualized and eroticized exchange of power rather than social systems of domination. Contrasting the BDSM classic The Story of O with The Story of Obi, a Star Wars–based slash rewrite, facilitates a conceptual separation between erotic domination and the historical and cultural contexts that give shape to individual enunciations of sexualized power exchange, particularly by shifting from a psychoanalytic paradigm to consideration of chivalric "suffering for love." By calling upon the extensive shared knowledge of fan readers and the symbolism attached to the sexual conjunction of two same-sexed bodies, authors of slash fan fiction produce a constantly proliferating array of BDSM representations that challenge the speciation of erotic domination as an inherently destructive, unidirectional deadlock. They thus create unique narrative and semiotic tools for rethinking erotic uses of power.