Chapter 3 shows how the logic of noise reduction is anchored in historical discourses on sound and technology, taking a closer look at the development, from the early nineteenth century onward, of some of the most important concepts in physical acoustics and sound engineering. First, it discusses two uncertainty principles fundamental to information theory and communication engineering, which entail compromises that limit the accuracy of any reproduction. Second, it focuses on the mathematical principles of Fourier analysis, which gave rise to the now-familiar representation of sound in terms of a “spectrum” of singular frequencies or “sine waves.” The chapter thereby explores the difference between a timeless, mathematical plane of the ideal filter in which clear, noiseless reproduction always seems possible, and a physical domain of technical filters in which transience and noise haunt every transmission. The contrast between the two, in turn, highlights the important relation between noise and time.