The article focuses on the selected examples of the blurring of a book’s genre status by means of specifi c editorial solutions, such as the use of a spatial layout of the text, the differentiation of fonts, the selection of printing paper, the cover design etc. This mechanism is discussed
on the example of six experimental works of contemporary Polish non-fi ction literature. Books
by Filip Springer and Jarosław Mikołajewski, bordering upon literary reportage, show how the use
of typography enhances the formal hybridity or even amorphousness of the text. In turn, Mariusz
Szczygieł and Wojciech Tochman, their documentary narratives, emphasize the mutual synergy between the physical components of the book, which undermines the standard genre classifi cation.