Adaptive Video Caption Detection and Extraction Method Based on Color Filtering Principle

Based on the principle of color (RGB) filtering, an improved adaptive video caption detection and extraction method is proposed. Firstly, the principle of the color filtering algorithm used in the video caption detection and extraction method is analyzed, and then the algorithm is improved adaptively according to the caption pixel size to filter the noise. Finally, experiments verify the effect of this method in extracting subtitles from video. The experimental results show that the accuracy of detecting and extracting subtitles in color video is as high as 99.3%.

Review of Driving Waveform for Electrowetting Displays

Electrowetting display (EWD) is the most potential technology among new electronic paper technologies. It not only has the advantages of electrophoretic display (EPD) technology but also can realize color video playback. Therefore, this technology has been widely studied in recent years. Driving waveform is a voltage sequence which can drive pixels to display gray scales in EWDs. As one of the key technologies, it directly affects the display effect of pixels. In this paper, we give a review of the display principle of EWDs and the research status of driving waveforms. At the same time, the contact angle hysteresis, charge trapping, and oil splitting are also reviewed, which can provide a reference value for designing driving waveforms.

«Noi non riprendiamo la realtà: la inventiamo»: Eugenio Carmi

In the late 1960s, at the invitation of Umberto Eco, Eugenio Carmi began to collaborate with Servizio Programmi Sperimentali in Rai. After some research on perception, the artist proposed an actual “transgression” for the use of television medium: using cameras not to film the reality, but to create a completely abstract color video work. From an exchange with Rai technicians, the idea was born to use in an artistic way the disturbance generated when you point a video camera at its own playback video monitor. Thus began the first Italian videoart experiments of so-called “feedback” process, to get between 1972 and 1974 to the documentary Arte elettronica, arte della luce and the video work C’era una volta un re, and then, in 1977, the animated fairy tale Olivo verde vivo created by the painter’s daughters Antonia and Francesca Carmi with Giulio Masoni.

Visualization of diesel spray and combustion from lateral side of two-dimensional piston cavity in rapid compression and expansion machine

Effect of spray/wall interaction in a rapid compression and expansion machine on mixture formation, ignition location, and soot generation was investigated. A two-dimensional piston cavity designed as the cross section of a reentrant piston was utilized to observe the spray and combustion process from the lateral side. The experiment was conducted at 120 MPa injection pressure under single and split injection strategies with an ambient gas of 15% O2 concentration. A shadow methodology was applied to investigate the interaction between the fuel spray and the piston cavity. Combined with the natural flame luminosity captured by a high-speed color video camera, the behaviors of the impinging spray and the combustion process were studied. The combustion characteristics of the in-cylinder pressure, heat release and combustion phase were recorded and analyzed simultaneously. The results showed that the split injection strategies effectively softened the heat release trace and promoted the onset of the main combustion. The cool-flame phenomenon was captured by using the high-speed color video camera, and the intense ignition was observed when the pilot spray was controlled to impinge on the lower lip of the piston rim. Moreover, results also showed that further extending the mixing process of the pilot spray is inclined to form a homogeneous mixture which was beneficial for the promotion of low-temperature combustion and the reduction of soot generation. This research provides a detailed investigation on the spray and combustion process and it highlights the significant effect of spray/wall interaction on the subsequent combustion process.

HFR Projector Camera Based Visible Light Communication System for Real-Time Video Streaming

This study develops a projector–camera-based visible light communication (VLC) system for real-time broadband video streaming, in which a high frame rate (HFR) projector can encode and project a color input video sequence into binary image patterns modulated at thousands of frames per second and an HFR vision system can capture and decode these binary patterns into the input color video sequence with real-time video processing. For maximum utilization of the high-throughput transmission ability of the HFR projector, we introduce a projector–camera VLC protocol, wherein a multi-level color video sequence is binary-modulated with a gray code for encoding and decoding instead of pure-code-based binary modulation. Gray code encoding is introduced to address the ambiguity with mismatched pixel alignments along the gradients between the projector and vision system. Our proposed VLC system consists of an HFR projector, which can project 590 × 1060 binary images at 1041 fps via HDMI streaming and a monochrome HFR camera system, which can capture and process 12-bit 512 × 512 images in real time at 3125 fps; it can simultaneously decode and reconstruct 24-bit RGB video sequences at 31 fps, including an error correction process. The effectiveness of the proposed VLC system was verified via several experiments by streaming offline and live video sequences.