This chapter will engage with the work of the artist and photographer
Hiroshi Sugimoto in order to reflect on the nature of the cinematic apparatus
in the digital era. Sugimoto’s photographic work Theatres consists
in a series of photographs of cinema theatres taken by the artist from
the 1980s applying a wide-open aperture and an exposure as long as the
film itself, capturing de facto an average of 170,000 frames in a single
shot. The result is a ‘film in a single frame’, and a profound reflection
on the role that time, lights, and the space of the audience play in the
cinematic experience. The chapter looks from a cinematic perspective
at the regenerative aspect of the photographic medium in its after-shot,
a question called by Sugimoto a ‘resurrection’.