scholarly journals Deception and Reception in the Commemorative Landscape of Newcastle, Australia, 1970 to 2020

2021 ◽  
Vol 2021 (3) ◽  
Author(s):  
Nikolas Orr
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Government Spending ◽  
Nation Building ◽  
Abstract Art ◽  
Political Elites ◽  
Aboriginal Rights ◽  
Progressive Politics ◽  
Political Biography ◽  
James Cook

Contemporary reception of colonial monuments in Australia is informed by global debate on race, memory and representation in public space, typified in the decolonial and anti-racist movements Rhodes Must Fall and Black Lives Matter. While art historians and anti-colonial iconoclasts alike easily conceive of statues as objects for critique, non-figurative sculpture is no less effective when deployed as an ideological tool. Given the typically progressive politics of twentieth-century abstractionists, this study asks how comfortable these artists are with the nation-building function often ascribed to their work by political elites. Through a thematic survey of the commemorative landscape of Newcastle, NSW, this article describes a city punctuated by patriotic references to war, colonialism, and Indigenous absence, exemplified in modernist sculptor Margel Hinder’s (1906–1995) *Civic Park Fountain* (1966). Recounting its relaunch in 1970 as a memorial to Captain James Cook and its vandalism in 2020, the article examines changes in public reception of the fountain, from hostility towards abstract art and government spending to outrage at colonial symbols. Archival reconstruction of Hinder’s responses to local government demonstrates her silence on the fountain’s assimilation to colonial celebration. When contrasted with Hinder’s activities as a lobbyist and camouflage designer, this finding reveals a complex political biography. Without ignoring Hinder’s concern for Aboriginal rights, her attitude towards the instrumentalisation of her work is at best ambivalent. Beyond challenging the apolitical readings of Hinder’s work in existing scholarship, this study provides a key example of the ideological malleability of abstract public art. By producing “empty” signifiers to then “fill” with meaning, abstract sculptors and administrators together help to shape the semiotic and racial topography of urban space.

From Tahrir to the world: The camp as a political public space

2013 ◽  
Vol 20 (1) ◽  
pp. 145-149 ◽  
Author(s):  
Adam Ramadan
Keyword(s):  
North America ◽  
Middle East ◽  
Public Space ◽  
Urban Space ◽  
Political Change ◽  
Political Order ◽  
Progressive Politics ◽  
East Europe ◽  
The World ◽  
Political Act

The year 2011 was when the camp defeated the dictator. At Tahrir Square, the camp was a space of freedom, resistance and liberation, beyond the control of the state and outside the normal political order, in which a more progressive politics was forged and made real. In the months that followed, political protesters across the Middle East, Europe and North America emulated the tactics of the Egyptian protest camp. In light of these transnational events, the protest camp deserves attention as a specific political act and vehicle for political change. The occupation of urban space, and subversion of the normal political order within those spaces, is a key strategy for protesters to articulate an alternative political future.

Sacred Space Becomes Public Space

2018 ◽  
Author(s):  
Deonnie Moodie
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Sacred Space ◽  
First Century ◽  
Tourist Attraction ◽  
Public Interest Litigation ◽  
Middle Classes ◽  
Governmental Organizations ◽  
Non Governmental Organizations ◽  
The Temple

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.

scholarly journals “The street is ours”. A comparative analysis of street trading, Covid-19 and new street geographies in Harare, Zimbabwe and Kisumu, Kenya

Food Security ◽  
2021 ◽  
Author(s):  
Richard Kiaka ◽  
Shiela Chikulo ◽  
Sacha Slootheer ◽  
Paul Hebinck
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Street Vendors ◽  
Urban Food Security ◽  
Street Trading ◽  
Food Economy ◽  
City State ◽  
Abstract Spaces ◽  
The Impact ◽  
The City

AbstractThis collaborative and comparative paper deals with the impact of Covid-19 on the use and governance of public space and street trade in particular in two major African cities. The importance of street trading for urban food security and urban-based livelihoods is beyond dispute. Trading on the streets does, however, not occur in neutral or abstract spaces, but rather in lived-in and contested spaces, governed by what is referred to as ‘street geographies’, evoking outbreaks of violence and repression. Vendors are subjected to the politics of municipalities and the state to modernize the socio-spatial ordering of the city and the urban food economy through restructuring, regulating, and restricting street vending. Street vendors are harassed, streets are swept clean, and hygiene standards imposed. We argue here that the everyday struggle for the street has intensified since and during the Covid-19 pandemic. Mobility and the use of urban space either being restricted by the city-state or being defended and opened up by street traders, is common to the situation in Harare and Kisumu. Covid-19, we pose, redefines, and creates ‘new’ street geographies. These geographies pivot on agency and creativity employed by street trade actors while navigating the lockdown measures imposed by state actors. Traders navigate the space or room for manoeuvre they create for themselves, but this space unfolds only temporarily, opens for a few only and closes for most of the street traders who become more uncertain and vulnerable than ever before, irrespective of whether they are licensed, paying rents for vending stalls to the city, or ‘illegally’ vending on the street.

scholarly journals Zero-Tolerance in Catalonia: Policing the Other in Public Space

2020 ◽  
Author(s):  
Martin Lundsteen ◽  
Miquel Fernández González
Keyword(s):  
Public Space ◽  
Case Studies ◽  
Urban Space ◽  
Zero Tolerance ◽  
The Other ◽  
Social Effects ◽  
Main Argument ◽  
Sociocultural Practices

AbstractRecent studies have argued for more nuanced understandings of zero tolerance (ZT) policing, rendering it essential to analyze the significance and actual workings of the policies in practice, including the context in which they are introduced. This article aims to accomplish this through a comparison of two case studies in Catalonia: one in the neighborhood of Raval in Barcelona and one in Salt—a municipality in the comarca (or county) of Girona. We identify a transformation in the use of ZT policies in Catalonia and a contradiction between their social effects and proclaimed objectives. This article attempts to address how specific sociocultural groups gain power and privilege from these policies. The main argument is that a set of commonsensical ideas have become hegemonic, which allows and naturalizes certain sociocultural practices in urban space, while persecuting others, fundamentally pitting two categories against each other: the desired civil citizen and the undesirable and uncivil stranger.

Mocking Parades and the Place of Pagan Statuary in Late Antique Alexandria

2020 ◽  
Vol 24 (2) ◽  
pp. 270-288
Author(s):  
Jonathan Stutz
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Religious Communities ◽  
Late Antique ◽  
Mob Violence ◽  
Visual Contact ◽  
The Public ◽  
Sacred Objects ◽  
The One ◽  
The City

AbstractWith the present paper I would like to discuss a particular form of procession which we may term mocking parades, a collective ritual aimed at ridiculing cultic objects from competing religious communities. The cases presented here are contextualized within incidents of pagan/Christian violence in Alexandria between the 4th and 5th centuries, entailing in one case the destruction of the Serapeum and in another the pillaging of the Isis shrine at Menouthis on the outskirts of Alexandria. As the literary accounts on these events suggest, such collective forms of mockery played an important role in the context of mob violence in general and of violence against sacred objects in particular. However, while historiographical and hagiographical sources from the period suggest that pagan statues underwent systematic destruction and mutilation, we can infer from the archaeological evidence a vast range of uses and re-adaptation of pagan statuary in the urban space, assuming among other functions that of decorating public spaces. I would like to build on the thesis that the parading of sacred images played a prominent role in the discourse on the value of pagan statuary in the public space. On the one hand, the statues carried through the streets became themselves objects of mockery and violence, involving the population of the city in a collective ritual of exorcism. On the other hand, the images paraded in the mocking parades could also become a means through which the urban space could become subject to new interpretations. Entering in visual contact with the still visible vestiges of the pagan past, with the temples and the statuary of the city, the “image of the city” became affected itself by the images paraded through the streets, as though to remind the inhabitants that the still-visible elements of Alexandria’s pagan topography now stood as defeated witnesses to Christianity’s victory.

The Private Eye of Public Life: Surveillance, Security, and Urban Governance in the City of Toronto

2018 ◽  
Author(s):  
Michael Carter
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Urban Governance ◽  
Private Property ◽  
Private Security ◽  
Rapid Expansion ◽  
Legal Rights ◽  
Market Forces ◽  
Governance Model ◽  
Private Policing

Market forces increasingly drive the development of urban space in globalized cities. Following deindustrialization, some municipalities have become dependent upon tax revenues derived from office towers. City managers and officer tower developers work under the pressure of competition to ensure their spaces are attractive to this highly mobile work force; safety and security are key selling points. In Toronto, large sections of urban space have been privatized and are policed by private security. Much of the privately owned space is designed to be publicly accessible, creating new dynamics between private security and public police. Changes to federal and provincial legislation, combined with a rapid expansion in the deployment of private security guards, signal an emerging urban governance model that supports private-public partnerships in policing. Under the supervision of David Murakami Wood, I conducted interviews with high-ranking politicians, security professionals, and social services executives in Toronto. These interviews revealed concerns about the erosion of public space, the treatment of marginalized populations, and inadequate private security regulations. Some argue the legal rights of private property owners permit security and surveillance practices that violate democratic values. Clearly, there is tension between the market forces that inform private policing, and the civic accountability of public police forces that remains unresolved. My research suggests new legislation is required to ensure this emerging urban governance model, which features private policing, preserves the democratic rights and freedoms of all citizens.

scholarly journals Exploring Successful Small Urban Spaces’ Criteria with Emphasis on Cultural Context

2021 ◽  
Vol 15 (4) ◽  
pp. 475-482
Author(s):  
Parvin Partovi ◽  
Kebria Sedaghat Rostami ◽  
Amir Shakibamanesh
Keyword(s):  
Conceptual Model ◽  
Public Space ◽  
Urban Space ◽  
Cultural Context ◽  
Public Spaces ◽  
Urban Spaces ◽  
Cultural Issues ◽  
Human Needs ◽  
Short Time ◽  
The City

In the crowded cities of the present age, public spaces can provide a quiet area away from the hustle and bustle of the city that citizens can interact with by incorporating utility features and meeting human needs and Relax there. Small urban spaces are among the most important and effective urban spaces to achieve this goal. Because these spaces due to their small size and lower costs (compared to larger spaces) for construction can be created in large numbers and distributed throughout the city. In this way, citizens will be able to reach a public urban space on foot in a short time. If these spaces are well designed, they can encourage people to stay in and interact with each other. It is not difficult to identify and experience high-quality successful places, but identifying the reasons for their success is difficult and even more difficult, understanding if similar spaces in other places can be considered successful. This question is important because public space with deep social content is considered a cultural product. Public space is the product of the historical and socio-cultural forces of society. Therefore, one of the most important issues that should be considered in the study of public spaces and the reasons for their success is the cultural context. In Iranian cities that have been influenced by the values and principles of Islam,recognizing Islamic principles and their role in shaping public spaces can lead us to desirable results. The purpose of this article is to develop a conceptual model of successful small urban spaces with an emphasis on cultural issues, especially in Iranian-Islamic cities. In this regard, the effective criteria for the success of urban spaces in general and small urban spaces in particular in the two categories of Western countries and Iranian Islamic cities were examined and then, taking into account the criteria derived from cultural theorists, the conceptual model of research with 38 subcriteria is provided.

scholarly journals KULTUREL DYNAMIK I OPLEVELSESBYRUMMET – EN ANALYSE AF BRANDTS KLÆDEFABRIK

2010 ◽  
Vol 38 (109) ◽  
pp. 55-69
Author(s):  
Hjørdis Havsteen Brandrup
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Homeless People ◽  
Public Domain ◽  
Wide Field ◽  
Textile Mill ◽  
Urban Experience ◽  
Wide Range ◽  
The City ◽  
Cultural Dynamic

CULTURAL DYNAMIC IN THE URBAN EXPERIENCE SCAPE – AN ANALYSIS OF BRANDTS KLÆDEFABRIKBrandts Klædefabrik (Brandt’s Textile Mill) is a cultural cluster in the city of Odense, Denmark. The cultural experiences available at Brandts Klædefabrik cover a wide field and are relevant for people of all levels of education and all ages, embracing as they do not only fine culture but also triviality and excitement. Brandts Klædefabrik is therefore a culturally inclusive place, although its symbolic power is dominated by a cultural and economic elitetrying to maintain an exclusively controlled social and physical order in the urban space. However, Brandts Klædefabrik is part of a city which contains a wide range of cultural groups: a Danish cultural elite, immigrants, homeless people and drug addicts. In this cultural multiplicity Brandts Klædefabrik is a cultural cluster and an urban entertainment district which does not include marginalised groups. Paradoxically, the attempt to maintainan exclusive order to satisfy an audience with buying power runs against the creative profile of the area, in which cultural and social multiplicity are important values. The area around Brandts Klædefabrik is a public space; but if it is going to be a public domain and the scene of cultural exchanges between different groups in the city, it needs to become more culturally inclusive. Brandts Klædefabrik may turn into a public domain if a cultural dynamic and multiplicity are given the chance to unfold there.

scholarly journals The Virtual Public Thing: de-re-territorialisations of public space through shopping in Auckland’s urban space

2015 ◽  
Author(s):  
Manfredo Manfredini ◽  
Ross Jenner
Keyword(s):  
Public Space ◽  
Urban Design ◽  
Urban Space ◽  
Social Relationship ◽  
Urban Public Space ◽  
De Re ◽  
Digital Era ◽  
Shopping Centres ◽  
Important Challenge ◽  
Urban Places

New recombinant factors emerging in urban public space counteract the increasing disjunction of urban places subject to commodification and privatisation. In low-density cities within neoliberal political frameworks, these factors have developed peculiar places of social relationship: the integrated urban enclosures devoted to lifestyle consumption that are the latest evolution of shopping centres. These enclosures are heterotopic places mobilised by spectacle that quickly subsume the fundamental changes occurring in the relations between architecture and associative life in our contemporary post-consumerist, digital era. The paper discusses a comparative analysis of the new mall typology recently introduced into Auckland, exploring the important challenge they pose to architecture and urban design in defining the future of public space.

scholarly journals Wpływ kapitału społecznego mieszkańców na kształtowanie przestrzeni wspólnych w środowisku mieszkaniowym

2020 ◽  
pp. 42-54
Author(s):  
Anna Cudny
Keyword(s):  
Social Capital ◽  
Built Environment ◽  
Public Space ◽  
Development Strategy ◽  
Urban Space ◽  
National Development ◽  
Local Communities ◽  
Aesthetic Quality ◽  
The Social ◽  
The City

Influence of social capital of inhabitants on shaping common spaces in a housing environment The last two decades of the century have brought unusually many changes in the built environment. These include not only changes directly related to the emergence of a new urban fabric, but also changes in social attitudes towards common spaces located in residential areas. The built environment has never been evaluated so strongly. This assessment translates not only into the everyday outdoor activities of residents (necessary, optional and social activities), but also to economic projects (purchase, sale and rental of real estate). At the same time, the city ceases to be, as it has been so far, mainly subjected to criticism, and the residents are gradually changing their demanding attitude concerning the development of space to participate in the process of its creation. Society wants to have a real impact on urban space, especially on the space closest to them. Thus, the right to the city is no longer a privilege or a duty, but it becomes a need. Trying to meet this need results in a phenomenon which we can increasingly observe in Poland, and which we have been witnessing abroad for many years: activities in public space are changing into activities for public space. They include the transformation of common spaces related to the place of residence—improving their aesthetic quality, functional changes, modernization of development elements. Observing numerous examples of public participation in shaping public spaces, it was noticed that the initiation, course and effects of activities largely depend on the social capital of the group undertaking said activity. Accordingly, there is a need for research on the mutual relation between the level of social capital and the issue of shaping and managing public space with the participation of local communities, which will be the main topic of the paper. To investigate the above-mentioned issue, qualitative research methods were used in relation to the relationship: site visit, non-participant observation and focus interviews. This contributed to a comparative study of three selected Warsaw case studies. They were analysed in terms of meeting the qualitative criteria selected for the study. These criteria have been indicated on the basis of the Social Capital Development Strategy 2020, which is one of the parts of the Medium-Term National Development Strategy. The result of the analyses is an indication of derived factors from within the group of space users and external factors that have a positive and negative impact on initiating, carrying out and maintaining the effects of changes in common spaces developed with the participation of local communities in Polish conditions. The conclusions can be used to improve future participation processes related to urban space - both by non-professionals participating in them, as well as experts - architects and town planners.

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