The article examines the specificity of the artistic language of the contemporary artist Tеtiana Rusetska.
It analyses the appeals to the motives of the Ukrainian traditional folk and decorative and applied art.
The article examines the concept of “inner emigration”, observes and researches the materials of Western European and American scholars on this issue, as well as determines the consequences of the phenomenon of “inner emigration” in the post-totalitarian society.
The article conducts a historical review that shows development of golden ratio theory and memories of it for centuries beginning with Ancient Egypt and finishing with modern samples. It gives different points of view that confirms the existence of ancient knowledge about golden ratio.
The article explores the features of the art of Ukrainian Easter eggs decorating at present stage. It analyses the changes in traditional Easter eggs decorating and innovative techniques in egg decoration. It is noted that the continuity of traditions influence positively the ethnic identity, impove communication between generations, and encourage share in life experience.
The article discusses aspects of visual language of illustrating Ivan Kotliarevsky poem “Еneidа” by prominent foreign artists of book graphics of Germany, Russia, Bulgaria, in particular, Adalbert Shtiren, Maxim Ushakov-Poskochyn, Ivan Beketov, Dmitry Biesty, Danielа Zekinа. It is defined peculiarities of stylistic techniques, means of artistic expression of prominent foreign artists in book design interpretation of literary images of Ivan Kotliarevsky.
The article analyses the portrait art by D. Velazquez, F. Hals and Rembrandt in the context of their creative method and sociocultural problems of the 17th century.
The article aims to research particular aspects of theatrical and art groups in Kalisz camp for the UNR interned army in Poland. They played the important role for a moral ascension of the camp prisoners who missed their homeland. The principal source materials are the programs of various art premieres, which were prepared by the amateur groups and presented for the Ukrainian interned soldiers in Kalisz camp as well as Polish audience.
The article analyses the situation in Polish art education after 1990. It is indicated that higher art education in Poland can be obtained in eighteen universities and five affiliates in eleven Polish cities. The complex situation of higher art education is examined. The role of applied arts is noted.
The article investigates the origins and analyses the semantics of the sacred female figure of a womangoddess in the context of arts and crafts of archaic cultures in Ukraine. The connection between the religious beliefs and images of stylized female figures on the pottery of the Cucuteni-Trypillian culture and in the toreutics of Scythia.
Based on the introduced concept of the “semantic y halo of the book cover” an attempt is made to show the interconnection between artistic tradition and imaginative innovation, relationship between the graphic and the mental in the covers of the first half of the 1920s.
Interpretation of Motives of Ukrainian Folk Art in Works of Contemporary Artist Tеtiana Rusetska
