An investigation into the relationship between fiction and nonfiction reading exposure, and factors of critical thinking

Reading fiction has been associated with improved social and imaginative reasoning that could lead to improved critical thinking. This observational study investigated the relationship between fiction and nonfiction exposure, narrative transportation, and factors of critical thinking (critical thinking disposition, and epistemological orientation). Self-selecting participants (N = 335) completed an online survey including an author recognition test and self-report scales. Fiction scores were significantly associated with higher critical thinking disposition, while nonfiction had an inverse effect correlating with lower disposition. Fiction reading was associated with decreased absolutism, and nonfiction score conversely with higher absolutism. Total and nonfiction print exposure were associated with lower multiplism, with no significant association for fiction. Total and fiction print exposure were associated with higher evaluativism, with no significant association for nonfiction. Narrative transportation mediated some of these relationships. These findings provide a basis for further research into reading fiction and nonfiction, and critical thinking.

Drawing Kafka’s Castle

We investigated the effects of narrative perspective on mental imagery by comparing responses to an English translation of Franz Kafka’s Das Schloß (The Castle) in the published version (narrated in the third person) versus an earlier (first-person) draft. We analysed participants’ pencil drawings of their imaginative experience for presence/absence of specific features (K. and the castle) and for image entropy (a proxy for image unpredictability). We also used word embeddings to perform cluster analysis of participants’ verbal free-response testimony, generating thematic clusters independently of experimenter expectations. We found no effects of text version on feature presence or overall entropy, but an effect on entropy variance, which was higher in the third-person condition. There was also an effect of text version on free responses: Readers of the third-person version were more likely to use words associated with mood and atmosphere. We offer conclusions on “Kafkaesque” aesthetics, cognitive realism, and the future of experimental literary studies.

Sound-meaning relations in Japanese Tanka

This study aimed to test sound-meaning relations in Japanese poetry. To this end, participants assessed the sentiments expressed in a random selection of Tanka (a specific form of Japanese poetry) on six bipolar scales comprising Evaluation (emotional valence), Potency (dominance), and Activity (arousal). The selected Tanka differed with regard to their average formant-dispersion (i.e., the distance between the first and second formant). Corroborating results of a previous study that tested the relation between formant dispersion and emotional tone in German poetry, results suggest that poems with an extremely low average formant dispersion have a significantly higher likelihood of expressing dominance and activity than poems with an extremely high formant dispersion. No significant differences regarding the Evaluation dimension were found.

Absorbing narratives and Motivation to Read

Digital reading has established its position, and thus research on how reading mode affects reading experience and enjoyment is needed. This study is based on a reading experiment with 89 14–15-year-olds who read or listened to an entire book in four different reading modes: paperbook, ebook, audiobook, and via a commercial subscription service. Using quantitative methods, we examine whether reading mode affects story world absorption as well as seek connections between gender, motivation, absorption and reading mode preferences. Based on the study, reading mode has no statistical impact on narrative absorption experience, measured by the Story World Absorption Scale. Instead, the experience correlates with reading motivation; an adolescent with higher motivation is more likely to feel absorbed while reading, regardless of reading mode. On average, girls experience higher reading motivation and absorption than boys. Less motivated seem to prefer audiobook whereas more motivated choose reading over listening.

Fact or fiction?

Many studies have claimed to find that reading fiction leads to improvements in social cognition. But this work has left open the critical question of whether any type of narrative, fictional or nonfictional, might have similar effects. To address this question, as well as to test whether framing a narrative as fiction matters, the current studies presented participants (N = 268 in Study 1; N = 362 in Study 2) with literary fiction texts, narrative nonfiction texts, expository nonfiction texts, or no texts. We tested their theory-of-mind abilities using the picture-based Reading the Mind in the Eyes task and a text-based test of higher-order social cognition. Reading anything was associated with higher scores compared to reading nothing, but the effects of framing and text type were inconsistent. These results suggest that prior claims regarding positive effects of reading fiction on mentalizing should be seen as tenuous; other mechanisms may be driving previously published effects.

Reader reactions to psychological perspective

In this study, we used latent variable analysis to distinguish two components of reader reactions to narrative fiction: Evaluative reaction is the extent to which a character is seen as reasonable and rational, and experiential reaction is the extent to which the reader feels similar to and identifies with the character. We found that evaluative reaction was more negative when mental access to the character was provided, while experiential reaction was decreased by the use of a first-person (as opposed to third-person) narrator. These results were explained in terms of the additional cognitive processing engendered by the these narrative techniques. In particular, we hypothesized that a paucity of mental access leads readers to make their own inferences about the character’s mental state, while the use of third-person narration leads readers to draw on their personal experience in order to appreciate the circumstances of the character.

How professional readers process unnatural narrators

In an experiment, the authors tried to find out how professional readers deal with unnatural narrators (such as a narrating parrot and a speaking coin). The hypotheses and research questions were mostly derived from Jan Alber’s proposed reading strategies and operationalized to be measured with the help of a close-ended questionnaire. Thirty-two students of English from RWTH Aachen University took part in the study and were presented with four text passages that featured two natural and two unnatural first-person narrators. These excerpts represented a gliding scale of defamiliarization or estrangement in the sense of Shklovsky that ranges from (1) a realist backpacking tourist in India to (2) a narrator who suffers from hallucinations (both natural), and from there to (3) a narrating parrot and, finally, (4) a speaking coin (both unnatural). The results indicate that the participants perceived the narratives that featured unnatural narrators as being more estranging than the ones that contained natural narrators, and that unnaturalness was regarded as an indicator of fictionality. Furthermore, it was easier for the participants to emotionally engage with the natural (compared to the unnatural) narrators. The study also shows that blending was used as a strategy to make sense of the unnatural narrators, and that the participants thought that fictional worlds were relevant for their own world experiences – regardless of whether the narrators were unnatural or not. Furthermore, most of the participants were reminded of familiar genres (fantasy stories or fairy tales) when they dealt with the unnatural narrators.