The epilogue, which opens by tracing the legacy of Frieda Kliem’s Berlin throughout the rest of the twentieth century, insists that we cannot understand this famous twilight of “old” Germany and its transition into “new” Germany unless we take seriously the tensions surrounding love, intimacy, and dating that play out in Love at Last Sight. It further contends that the modern world—epitomized by the modern metropolis—not only exacerbated some of the long-standing and inherent risks of love, but also created a whole new set of dilemmas with which men and women throughout Germany, Europe, and the United States continue to grapple as they pursue love using similarly radical methods and technologies (most notably, online dating). The story of the Berliners who negotiated these same tensions at the turn of the century, the epilogue concludes, is thus eminently relevant to and instructive for our own contemporary world.