EFEITOS PSICOTERAPÊUTICOS EM UM PARTICIPANTE DE UM ATO SOCIONÔMICO

This article aims to highlight the psychotherapeutic effects of public socionomic acts. A public psychodrama experience took place at the São Paulo Cultural Center in 2018. One of the participants in this act, which brought the protagonist theme in an intense way, was later individually attended to during four psychotherapeutic sessions. During individual consultations, it was possible to elaborate what was experienced in public psychodrama, reaffirming the effectiveness of the work. In the socionomic act in question, we used theatrical language, a fundamental part of the device created by the Gota D’Água group, as a guide for the work. Initially seen as a socio-educational intervention device, I defend, in this article, its psychotherapeutic potential given by the dramatic action.

SOCIODRAMA AS A RESEARCH METHODOLOGY

We conducted an action research with students of the Psychodrama Course, with the objective of identifying the characteristics valued by a researcher. With regard to Sociodrama as a method, we show especially the greater ease of collecting, analyzing and validating the data with the group itself, while also performing a critical analysis of the information obtained. Lastly, to acknowledge that this methodology allowed facilitated reflection, decision making and construction of coping strategies for the situations that the students themselves experienced as researchers.

ROJAS-BERMÚDEZ’S NUCLEUS OF THE EGO THEORY AND ITS CORRELATION WITH IMAGODRAMA

The purpose of this article is to present a theoretical reading of the nucleus of the ego, closer to the theory of the identity matrix by J. L. Moreno, deeply developing the Rojas-Bermúdez’s concept of incipient ego. I associate this egoic experience with the relationships established between the baby and its family nucleus, right after recognizing a minimally stable ego, in neuropsychological conditions to link itself to the maternal, paternal and fraternal images. According to this reading, the nucleus of the ego completes its structuring at the age of four, following the Rojas-Bermúdez School, after carrying out the process of synthesis of this nuclear matrix, from which the natural ego emerges and, later, the social ego, as a product of the triangulation and circularization of roles. The image construction technique is the method that supports the theory in question.

SISTEMAS VINCULARES VITIMIZADO E CIDADÃO: UMA PROPOSTA SOCIONÔMICA

In this experience report as a therapist in a governmental program on the outskirts of the city of São Paulo, the goal was to understand, focusing on the socionomic methodology, how technicians and users of assistance service managed their day-to-day challenges in the community context. Two socio-dynamics were identified in the observed roles: the first one, named Victimized Bond System (VBS), assumes that most of the responsibility of the events belongs to third parties, involving expectation, guilt, scapegoating and consequent social exclusion; and the so-called Citizen Bond System (CBS), which attributes co-responsibility, involving dialogue and negotiation in search of viable solutions and generating social inclusion. VBS was proved less efficient in overcoming challenges and the socionomic intervention facilitated a transition from VBS to CBS.

O SOCIODRAMA COMO METODOLOGIA DA PESQUISA

Realizamos uma pesquisa-ação junto aos estudantes de um Curso de Psicodrama, com o objetivo de conhecer as características valorizadas para um pesquisador. Com relação ao Sociodrama como método, evidenciamos a facilidade de recolher, analisar e validar os dados com o próprio grupo, paralelamente a uma análise crítica das informações obtidas. Consideramos que essa metodologia facilitou a reflexão, a tomada de decisões e construção de estratégias de enfrentamento para as situações que os próprios estudantes vivenciavam enquanto pesquisadores.

TEORIA DO NÚCLEO DO EU DE ROJAS-BERMÚDEZ E SUA CORRELAÇÃO COM O IMAGODRAMA

O objetivo deste artigo é apresentar uma leitura teórica da Núcleo do Eu, mais próxima à teoria da Matriz de Identidade de J. L. Moreno, desenvolvendo com maior profundidade o conceito de Eu incipiente de Rojas-Bermúdez. Associo essa vivência egoica às relações estabelecidas entre o bebê e seu núcleo familiar, logo após o reconhecimento de um Eu minimamente estável, em condições neuropsicológicas para vincular-se às imagos materna, paterna e fraterna. De acordo com essa leitura, o Núcleo do Eu completa sua estruturação aos 4 anos de idade, em conformidade com a Escola Rojas Bermúdez, após realizar-se o processo de síntese dessa matriz nuclear, de onde emerge o Eu Natural e posteriormente, o Eu Social, como produto da triangulação e circularização de papéis. A técnica de construção de imagens é o método que fundamenta a teoria em questão.

CARTOGRAFIA DA ALEGRIA: ENCONTROS ENTRE PALHAÇARIA E PSICODRAMA

This writing proposes to share joyful encounters between the art of clowning and the sociopsychodramatic approach. The methodology adopted was cartography to accompany the process experienced in the Group of Studies and Practices in Psychology, Clowning, and Psychodrama (GEP). During the years 2017 and 2018, the GEP held monthly meetings for twelve months in which they studied and experienced the principles of these two approaches inspired by the performing arts. In the field diary reports produced with GEP, the morenian concept of spontaneity-creativity and the logic of joy present in the art of clowning stood out. Finally, the conclusion is that clowning and psychodrama are approaches that offer tools to achieve common existential goals.

O JOGO DRAMÁTICO EM SUPERVISÃO: DO DESENVOLVIMENTO DO PAPEL DO PSICOTERAPEUTA AO PROCESSO PSICOTERAPÊUTICO DO PACIENTE

From the relationship with the patient emerge feelings, doubts, fantasies, and fears that eventually escape from the inner world of a therapist. These are obstacles that often reflect blockages and fears, which also limit the release of the patient’s spontaneity. The article discusses the supervision with psychodramatic techniques as an element in the training and development of the therapist’s role, reporting a case study in the psychotherapeutic scope. Its objective is to highlight the dramatic game as a possibility of recognizing personal aspects of the supervisee that interfere in the psychotherapeutic process and the spontaneous-creative strategy of his interventions, integrating knowledge to the experiential dimension. The study concluded that the supervisee felt professionally safer, also recognizing the significant importance of the supervisor in this process.