Philosophical Poetry Nature and Genesis

Research relevance: philosophical poetry expands the level of not only the poet, but also the reader, enriches his inner world, and teaches him to short, clear, figurative speech, showing the power of verbal art. Research purpose: is to consider the features of philosophical poetry, the relationship between philosophy and philosophical poetry. Philosophical poetry focuses on the philosophical meaning of being, man and the philosophical views of the lyrical character. Research methods and materials: attempts are being made to study worldview orientations and philosophical problems on the basis of their artistic heritage. The article also characterizes the nature and basis of philosophical poetry. Philosophical anthropological concepts, views and ideas of poets are studied. The article deals with the difference from philosophy, philosophical lyricism expresses the poet's artistic perception of the poetic world. Research results: direct contact between the author and the reader, as an old friend who shares good and evil, joy and sadness with him, creates a close and trusting atmosphere between them. Conclusions: Despite this universality, philosophical lyricism reflects the fundamental features and national worldview.

3RT INTERVENTION ON COGNITIVE DISTORSIONS REGARDING THE JUSTIFICATION OF SEXUAL OFFENDERS

Mean-making is a very complex process, involving social, moral and psychological aspects. When it comes to trauma or crimes, the ability to “make sense” of the events and to find meaning in the midst of chaos is associated with greater psychological resilience (Chan et al., 2006). However, when it comes to sexual offenders, the existence of a usual stuck-point in mean-making. Specifically, given the many levels of the crime the offender is usually not able to access all these levels, as some are deeper than their awareness. At that moment, the talk therapy and cognitive behavioral therapy for developing adaptive skills are crucial, as they have to create a safe context, in which the person can think freely and explore their inner world.

Musical and theatrical reflection of the creative practice of N.N. Sinelnikov: a cultural dimension

The purpose of the article is to carry out a culturological dimension and define as a synthetic phenomenon the musical-theatrical aspect of the artistic activity of the outstanding actor, director, theater teacher, and entrepreneur Mykola Mykolayovych Sinelnikov (late 19th – early 20th century). The methodology of research is based on the use of a complex of general scientific and specific scientific methods in accordance with the cultural discourse. In order to study the problem in a historical sequence, the historical method was applied. Setting the goal of illumination and analytical measurement of the constituent components of the problem under study, the system-analytical method is applied. The system-structural method is used to study a cultural phenomenon as a system of interrelated and interacting elements. The hermeneutic method is used to study and interpret the theoretical provisions of the problem under study. In order to study the life path of a creative person, illuminate her inner world, and understand the motives of her activity, the biographical method is used. The generalization method was applied to determine the general conclusions of the study. The scientific novelty lies in the musical and theatrical reflection of the creative phenomenon of the outstanding artist-reformer of the late 19th – early 20th centuries Mykola Sinelnikov. Conclusions. Consideration of the issue raised in the article made it possible to state the importance of the presentation of the creative practice of N.N. Sinelnikov as a representative of musical and theatrical syncretism. Research of the phenomenon of N.N. Sinelnikov made it possible to illuminate the system of artistic principles of the creator, which fully corresponded to the nature and content of the modern era. It was determined that the musical and theatrical segments of N.N. Sinelnikov’s works are harmonious integrity, that is, they represent musical and theatrical syncretism. Keywords: musical and theatrical syncretism, a creative phenomenon, syncretism, cultural studies, theater, music, musical and theatrical reflection, socio-cultural space.

Poetizing Everyday Life in the Works by Wilhelm Genazino

Increased interest in everyday life and routine explains a new and relevant perception of the creative agenda of contemporary German writer Wilhelm Genazino (1943-2018), known as “poetizing everyday life”. The article, thus, aims to offer a comprehensive view into the poetics of the German novelist to identify ways in which everyday life is poetized, which is an example of linguistic mastery, narrative skill, and philosophical generalization. A close reading method is used to analyze specific scenes from the novels (An Umbrella for One Day, Happiness in Unhappy Times, The Foolishness of Love, If We Were Animals), in which the characters actively practice the “extended gaze”, theoretically validated in W. Genazino’s essay, to reveal a system of special ties important to their inner world behind the routine situations and worn clothes. The writer believes that in such a way, characters experience an epiphany, which provokes further musing about art and the mystery of everyday life. In this connection, it is established that Genazino’s characters manage to avoid the negative influences of society by distancing from it via self-invented aesthetic processes. They are constantly searching for individual vision. It is also noted that the writer focuses on prolonged disappearance scenes, works with time accumulated in objects, and projects distancing from one’s own self to clothes. The extended gaze which the protagonists use to watch their own portrayals helps them overcome identity crisis and generate art, which promises salvation, through simple observance. It is concluded that W. Genazino talks about the aesthetic link between the subject and object perceived as individual “cultural significance”. It enables the protagonists to discard the routine and enter a space outside the limits they have themselves created. Everyday objects and familiar situations have the capacity to stimulate memories and boost creative perception. Their fleeting nature provides for compensatory narration, which means dropping the inessential and petty and is, consequently, perceived as a productive narration. Everyday reality emerges as something that may be perceived as visible existence, which upon some consideration may reveal unique dimensions and gain particular significance based on intermediary space between what is perceived by the eye and the invisible, actualized by the inner vision. Such reflexive vision transcends the limits of things, transforming them and constituting new reality. Such is the underlying principle that the writer used to recreate everyday life in his works.

Feto-mone Gender Paradigm in the Culture and Architecture of the Dawan Tribe Settlement in Kaenbaun Village

This article aimed to show the existence of gender concepts in the culture and settlement of the Dawan tribe in Kaenbaun Village, as indicated with its strong presence in the everyday life of the community, including the formal and ritual aspects. The concept exists in the inner world and mindset of every villager and has also become the guiding element of their world view, behaviour, place arrangement, and living space structures. This study was, there, conducted using participatory observation based on the Husserlian phenomenology paradigm supported by the inductive-empirical and qualitative descriptive methods to discover and understand the gender concept as well as its application and background in the selected tribe. The results showed the fetomone gender concept has become a paradigm of the thought expressed broadly and consistently through words, behaviour, as well as place and spatial arrangements among the villagers. Its function and meaning were further clarified in relation to the life and settlement architecture of the people. The core principle observed to be behind the concept is the separation and integration of life elements in an intense and permanent mutualism symbiotic relationship. Therefore, it was necessary to research the concept, function, and meaning of gender in ethnic cultures throughout Indonesia in order to form a collection of knowledge on gender and spatial planning which is useful to the understanding of ethnic settlements’ uniqueness based on local or ethnic perspectives and their preservation.

The Conflict of Realism and Surrealism in Anime Movies – Taking the Works of Hayao Miyazaki as Examples

Anime movie is a branch of cinematics. Unlike traditional movies, anime movies stand out with special characteristics in terms of how they shape the personality of the characters and how they portray the inner world of those characters. “Realism” and “surrealism” are important elements in anime movies to portray the stories. In this article, the special aesthetic of anime movies is analyzed using the works produced by Hayao Miyazaki. The internal conflict between “realism” and “surrealism” is analyzed in order to understand the character image and story theme in an in-depth manner.

The Application of Psychology in Literary Creation

Creation of literary is derived from people's thinking activities, which is an art that reflects the inner world of writers with language as the carrier. Psychology is a science that studies the occurrence, development and activity rules of psychological phenomena, as well as a broad subject. With the development of the times and the research of many scholars, the relationship between psychology and literature is more and more obvious, showing the characteristics of mutual interpretation and interdependence. Through the purification theory and psychoanalysis theory in psychology, the author further expounds the importance of psychology in literary research and the application of psychology in modern literary creation.

Dialogue of Cultures in the Early Lyrics of the Udmurt Poet Flor Vasiliev

The article is devoted to the analysis of lyrics by Flor Vasiliev (1934–1978) which is a new page in the history of Udmurt Soviet poetry. The young poet went beyond the generally accepted standards thanks to the rich literary context. This article is devoted to the study of the early lyrics of Flor Vasilyev in the aspect of the dialogue of cultures. The subject of analysis is poems written in the early 1960s. The purpose of the study is to identify and describe literary contacts with representatives of different cultures. The method of analysis is comparative studies. The result of the study is as follow: Flor Vasiliev introduces the names Remarque, Picasso, Grieg, Rembrandt into his poems to depict the general cultural atmosphere of Russia in the 1950s – 1960s, the poet follows the tradition of Russian pop lyrics. Interest in impressionism (Renoir and others) helps to hone style when portraying landscapes and the inner world of the hero. Irony begins to play a large role in the poems of early Flor Vasiliev, the poet learns in this direction from Heinrich Heine. Thus, thanks to the dialogue of cultures, there is a transition from «loud» to «quiet lyrics», humanistic traditions raise the poetry of Flor Vasiliev to a new qualitative level.

FOREIGN LAND AND A FOREIGNER IN ASKOLD MELNYCZUK’S NOVEL "WHAT IS TOLD"

The article examines Askold Melnyczuk’s novel "What is Told". It focuses on the concept of the foreign land and the identity of a foreigner. The author used the theoretical approach of Yu. Kristeva that deals with the peculiarities of the foreigner’s worldview and her/his attitudes to the new surroundings. Yu. Kristeva considers that patience and humility determine the existence of newcomers. At the same time, their inner world is full of melancholy and longing for the idealized in their imagination abandoned land. The author of the article considered different types of geographical spaces: the mythologized town of Rozdorizzhya, where the identity of the main characters was formed, camps for temporarily displaced persons and the New World. The space of ancestors and the space of the new land are in opposition in the imagination of the main character Arkadyi. America is a technology while left behind the village in Polissya region is a deep province. The idea of a foreign land as a locus of freedom and self-realization changes after the characters arrive in the United States. Only the habitus of the Ukrainian community remains safe and understandable for newcomers. The identity of a stranger and the bitter realization of deprivation cause constant characters’ inner anxiety. They seek recognition at the individual level as well as at the collective level. However, America prefers to absorb the diversity of collectivities and creates a new community based on them. In Melnyczuk’s novel, a foreign land remains strange to Ukrainian migrants. After many decades of living in the new territory, they still dream of the abandoned Rozdorizzhya, which in their memory has become almost an image of paradise. An offspring of migrants born in the United States is integrated into the new reality. Bo Voroh does not feel melancholy and longing for the country from which his parents come. It exists for him as a myth or fiction, which his mother and father cannot abandon.