Studying the Meta-Accuracy First Impressions in the Pandemic and Post-Pandemic Reality: Challenges and Opportunities Presented by Internet Research

Aim. Studying first impressions meta-accuracy (how accurately we understand thefirst impressions others form about us) is central to enhancing the communication process.It typically requires experimental settings with at least minimal interactions between targets and perceivers. The COVID-19 pandemic has rendered face-to-face laboratory setupsalmost impossible. Fortunately, the Internet offers a virtual environment where the metaaccuracy of first impressions could be studied safely. We review the opportunities andchallenges associated with the Internet study of meta-accuracy and make a call for actionto address them.Concept. In certain ways the Internet facilitates the study of first impressions metaaccuracy. It is simpler and faster online, compared to the lab, to look at fi rst impressionsin asynchronous settings, such as email and social media updates, where targets presentthemselves via images and/or text and perceivers later form impressions based on thisinformation. The Internet research solution, however, also comes with an array of difficulties. Synchronous communication settings, where targets and perceivers exchange information without delay, (e.g., instant messaging), present three major types of challenges tostudy of first impression meta-accuracy—conceptual (e.g., differences between online andoffline first impression situations), technological (e.g., implementation of chat applications inInternet surveys), and policy-driven (e.g., GDPR).Conclusions. The opportunities and challenges presented by the Internet in the studyof first impression meta-accuracy also apply to the larger field of studying human interaction online. Discussing and addressing them has the potential to enhance Internet researchtools and practices for the humanities and social sciences.

Do Background Colors Have an Impact on Preferences and Catch the Attention of Users?

In recent years, our environment has become more invasive and stimulating than ever. People must choose carefully what to look for in their over-stimulated daily lives. One way to attract visual attention, which may even interrupt the cognitive task being performed, is color. However, a question arises: Does each color attract the attention of users in a similar way? In this paper, we attempt to answer this question. Our goal is to investigate whether there are colors that have a greater visual power than other colors and, thus, can capture the attention of users more strongly, independent of the background (e.g., color or image). We also discuss which mode of visual attention (divided or sustained) is particularly susceptible to such visual messages. For this purpose, a perceptual experiment was developed, in which user preferences concerning user-friendly and readable color compositions were acquired. At the same time, we measured the unconscious reactions of users related to their first impression, thus indicating the color composition which first (from a displayed pair of images) draws the attention of users. Reactions were measured using an eye tracker. As a result of this research, we found that the background color, in the case of some colors, does not have a significant impact on the perception of the visual message, even if it is intended to attract and maintain the attention of the user.

Study of Building Facade in Fishing Industries

Many industrial buildings are growing in Indonesia, one of them being the fishing industry. However, the industry has a monotonous and rigid facade. The facade is an essential element that makes the first impression. This study aims to evaluate how the facade of an ideal industrial building, especially in the fishing industry. The method used is descriptive qualitative on the several parameters of façade design. The results of the study are in the form of an evaluation and guidelines of the ideal facade, in terms of visuals, functions, and the requirements.

Exploring Destination Choice Intention by Using the Tourism Photographic: From the Perspectives of Visual Esthetic Processing

This study aims to deepen the understanding of tourism photography by developing and testing a theoretical model that accounts for the relationships between visual esthetics and destination choice intention of tourists. Thus, we sought to use a stimulus-organism-response (S-O-R) paradigm to predict destination choice intention, which includes three variables related to visual esthetics: first impression, visual appeal, and esthetic emotion. We used the combination of self-reported and eye movement data to examine the cognitive processes of tourists that visual esthetic formation. We found that compared to the built environment and amateur esthetic images, natural environment and professional esthetic images can get (1) higher visual appeal, (2) better first impression, and (3) higher visual processing fluency (or less cognitive effort) and positive esthetic emotions. Furthermore, visual appeal, first impression, and esthetic emotion deriving from environment esthetics and photograph esthetics have a positive impact on destination choice intention. This study has practical implications for destination planning and management.

Comparable prediction of breast cancer risk from a glimpse or a first impression of a mammogram

Expert radiologists can discern normal from abnormal mammograms with above-chance accuracy after brief (e.g. 500 ms) exposure. They can even predict cancer risk viewing currently normal images (priors) from women who will later develop cancer. This involves a rapid, global, non-selective process called “gist extraction”. It is not yet known whether prolonged exposure can strengthen the gist signal, or if it is available solely in the early exposure. This is of particular interest for the priors that do not contain any localizable signal of abnormality. The current study compared performance with brief (500 ms) or unlimited exposure for four types of mammograms (normal, abnormal, contralateral, priors). Groups of expert radiologists and untrained observers were tested. As expected, radiologists outperformed naïve participants. Replicating prior work, they exceeded chance performance though the gist signal was weak. However, we found no consistent performance differences in radiologists or naïves between timing conditions. Exposure time neither increased nor decreased ability to identify the gist of abnormality or predict cancer risk. If gist signals are to have a place in cancer risk assessments, more efforts should be made to strengthen the signal.

Pulmonary thromboembolism as presenting feature of COVID-19: Report of four cases

Coronavirus disease 2019 (COVID-19) infection is associated with a hypercoagulable state. The similarity in clinical presentation between Pulmonary Thromboembolism (PTE) and COVID-19 render the triage of these patients challenging. We present four cases of COVID-19 who were admitted with first impression of pulmonary thromboembolism in emergency department. The patients were male with age ranged between 46 and 60 years old. None of the patients had criteria of severe COVID-19. Pulmonary Computed Tomography (CT) angiography at admission was consistent with PTE. Incidental finding in pulmonary CT angiography was lung lesions in favor of COVID-19. Pulmonary thromboembolism might be a first presentation feature in COVID-19 patients. Overlaps between presenting symptoms and paraclinical findings such as chest CT and elevations in D-dimer levels in PTE and COVID-19 should be kept in mind.

Introducing Jane: The Power of the Opening

In this article, Kimberley Pager is dedicated to the question »how is Jane's character built from the first page of the novel?«. To answer, a stylistic approach is used to analyse the extract closely and focuses on three powerful elements, all of which contribute to Jane's characterisation: the use of pathetic fallacy, iconicity, and other characters' point of view. It is argued that those implicit elements contribute to readers' first impression of Jane whilst rendering Brontë's style unique and aesthetic.