Moral accounting as field foundation in an early modern empire: the English East India Company in the late eighteenth century

2016 ◽  
Vol 64 (2) ◽  
pp. 61-78 ◽  
Author(s):  
Nicholas Hoover Wilson
2015 ◽  
Vol 50 (1) ◽  
pp. 175-216 ◽  
Author(s):  
INDRANI CHATTERJEE

AbstractThis article argues that economic histories of the transition to colonial economics in the eighteenth century have overlooked the infrastructural investments that wives and widows made in networks of monastic commerce. Illustrative examples from late eighteenth-century records suggest that these networks competed with the commercial networks operated by private traders serving the English East India Company at the end of the eighteenth century. The latter prevailed. The results were the establishment of coverture and wardship laws interpellated from British common law courts into Company revenue policies, the demolition of buildings. and the relocation of the markets that were attached to many of the buildings women had sponsored. Together, these historical processes made women's commercial presence invisible to future scholars.


1998 ◽  
Vol 32 (4) ◽  
pp. 891-911 ◽  
Author(s):  
Michael H. Fisher

By writing about the late eighteenth-century revolution which led to the East India Company rule, members of a largely Muslim pre-colonial administrative elite in eastern India sought take control over their own history. They explained the society and ancien régime of India, as well as themselves, to the new British rulers for whom they worked. In so doing, they strove to inform and guide the new British colonial authorities into employing them in the new administration as well as into valuing the cultural mores and bureaucratic experience which they embodied. They also wrote introspectively for the own class, trying to understand the causes of the revolution that had displaced their own traditional rulers and themselves with rule by Europeans and administrations staffed increasingly by Indians with backgrounds different from their own.


1999 ◽  
Vol 44 (2) ◽  
pp. 159-195 ◽  
Author(s):  
Ravi Ahuja

This article challenges the view that the English East India Company was unable effectively to dominate society in the colonial metropolis of Madras before the end of the eighteenth century. Instead it is argued that colonial interventions, even into the social organization of labour, were persistent in goals and methods and acquired institutional forms in the latter half of the century. Hence an early colonial labour policy is clearly discernible. The ruling block's strategies concerning the regulation of labour were not based on laissez-faire ideas but rather on a paternalistic brand of contemporary English social theory. This ideological disposition found practical expression in interventions into the city's labour relations by means of various “police committees”. Moreover, British legal techniques were used to regulate labour relations in Madras. On the whole, early colonial labour policy was distinguished from contemporary practices in Britain by a far higher level of coercion.


2020 ◽  
Vol 57 (1) ◽  
pp. 77-123
Author(s):  
David L. Curley

This article examines styles of mastery practised by a wealthy, managerial Brahman family in late eighteenth-century Bengal, when managerial Brahmans found new opportunities in association with the English East India Company. It is based on Tīrthamaṅgala by Vijayram Sen, a verse narrative of a pilgrimage in 1769, led by Krishnachandra Ghoshal for the purpose of performing the trayasthalī śrāddha in Gaya, Kashi and Prayag. Krishnachandra was the elder brother of Gokulchandra Ghoshal, who then was the chief banian of Governor Harry Verelst. The poem describes agencies that enabled the Ghoshals’ success and purposes that shaped their identity. It represents the family’s practices of accountancy, patronage and charity. It represents Krishnachandra’s self-control and control of others, his austerity and munificence in shraddha rites (obsequies), and his use of both Indo-Persian and Sanskrit codes of conduct in gift exchanges and formal conversations. In quite different settings, he used ‘pleasing conversations’ or discussions of knowledge in Sanskrit texts. Both kinds of formal conversation revealed the ‘character’ or ‘dignity’ of participants, and introduced them to important men whom they did not already know. Portraying agencies and purposes that were both this-worldly and spiritual, the poem does not categorically distinguish them. It does de-emphasise courtly aesthetics.


1998 ◽  
Vol 32 (4) ◽  
pp. 913-948 ◽  
Author(s):  
Kumkum Chatterjee

If power is mediated by knowledge, then the early decades of British colonial rule in India were indeed, as Ghulam Hussain Khan Tabatabai, the intellectual and historian par excellence of those times wrote, a time of ‘half-knowledge’.The decades between 1757 and 1772 witnessed the implantation of this colonial regime in Eastern India through the transformation of the English East India Company from a mercantilist trading corporation into the paradoxical status of ‘merchant-sovereign and the sovereign merchant’ at the same time. The role of sovereign thrust upon the officials of the company the far from easy task of administering this society in ways that were most conducive to the extraction of the largest possible surplus from it for its new masters.


AJS Review ◽  
2005 ◽  
Vol 29 (2) ◽  
pp. 388-389
Author(s):  
R. Po-chia Hsia

Unlike the Sephardim, who accepted the concept of taqiyya and the practice of marranism to cope with forced conversions under Islam, the Ashkenazim, especially the Jewish communities of Germanophone Central Europe, developed an uncompromising rejection of Christian baptism. Instead of marranism and deception under Islam, the Ashkenazim, in the persecutions of the Crusades and after, developed a strong sense of martyrdom and detested baptism, whether forced or voluntary, as ritual and spiritual defilement and pollution. The small number of Jewish converts to Christianity were not so much sinners but apostates (meshummadim or the vertilgten). Given this Ashkenazi tradition, it is not surprising that converts were marginalized in Jewish historiography and scholarship. Nevertheless, as Carlebach argues persuasively in this book, they played a significant role in Jewish–Christian relations in early modern Germany; and given the fact that conversions rose rapidly in the late eighteenth century, it is all the more important to understand the prehistory of Jewish conversion and integration in Germany after Emancipation.


2019 ◽  
Vol 72 (4) ◽  
pp. 1269-1325
Author(s):  
Ethan Matt Kavaler

Early modern ornament might profitably be considered as a set of systems, each with its own rules. It signaled wealth and status. It offered pleasure and prompted curiosity. It cut across the apparent divide between the vernacular and the classicizing. It was relational, understood in the context of a given subject but not necessarily subservient to it. The notion of ornament as essentially supplemental and the prejudice against ornamental excess are both children of the late eighteenth century. Both ideas depend on a post-Enlightenment conviction of the work of art as an autonomous, aesthetically self-sufficient object, an idea not fully formed in the early modern era.


2016 ◽  
Vol 33 (2) ◽  
pp. 164-199
Author(s):  
Anthony R. Deldonna

No saint in the Catholic hagiographic tradition has served as a more vivid symbol of martyrdom, veneration, or of God’s profound grace toward a community than San Gennaro (Saint Januarius), the patron saint of the Kingdom of Naples. This essay studies the history and culture surrounding the veneration of San Gennaro. I focus on the longstanding cultivation of cantatas as a vehicle for veneration and for the promotion of catechism and post-Tridentine ideology. The first part of the essay traces political, social, and religious currents that contributed to the growth of the cult. The second part considers late eighteenth-century cantatas by Giovanni Paisiello and Domenico Cimarosa that were created for the Feast of the Traslazione. These works adopt strategies of poetic narrative and musical expression that reflect thematic elements associated with the annual feast. They also represent a musical turning point, incorporating innovative aria types, a widespread use of accompanied recitative and large choral ensembles, and distinctive instrumental sonorities. The Traslazione cantatas thus offer an opportunity not only to examine contemporary cultural currents in early modern Naples, but also to broaden our understanding of the cantata genre and of two leading operatic innovators of the late eighteenth century.


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