Drag Queens and Drag Kings

Author(s):  
Leila J. Rupp ◽  
Verta Taylor
Keyword(s):  
Sexualities ◽  
2010 ◽  
Vol 13 (3) ◽  
pp. 275-294 ◽  
Author(s):  
Leila J. Rupp ◽  
Verta Taylor ◽  
Eve Ilana Shapiro

2019 ◽  
Vol 2 ◽  
pp. 163
Author(s):  
Rodrigo Pedro Casteleira ◽  
Adalberto Ferdnando Inocêncio ◽  
Alexandre Luiz Polizel
Keyword(s):  

Com base nas observações realizadas em um estudo de caso, busca-se descrever e analisar certos elementos observados em uma atividade que integrou uma gincana escolar da rede estadual de ensino do município de Maringá-PR. Tal acontecimento consistiu num desfile em que os alunos e alunas apresentaram-se como drag queens e drag kings, respectivamente, e foram avaliados em sua performance por três drag queens convidadas especificamente para esta função. Reconheceram-se nesta singularidade elementos potentes para se pensar as questões de performance de gênero e suas relações com o currículo normativo que se constituiu na escola moderna, expressando-se como uma significativa contribuição nas produções políticas da diferença. Lendo as personagens drag queen e drag king como paródias que denunciam, ou mesmo, visibilizam a precariedade de gênero, fez-se potente a expressão “estranhamento” do currículo. 


Author(s):  
Leila J. Rupp ◽  
Verta Taylor
Keyword(s):  

Author(s):  
Aileen Moreton-Robinson

In this issue of Kalfou, my book The White Possessive: Power, Property, and Indigenous Sovereignty receives attention from three scholars whose work I admire and respect. George Lipsitz’s The Possessive Investment in Whiteness: How White People Profit from Identity Politics was seminal in conceptualizing the possessive logics of patriarchal white sovereignty, while Fiona Nicoll’s From Diggers to Drag Queens: Configurations of Australian National Identity heavily influenced my work on the formation of white national identity. Kim TallBear’s Native American DNA: Tribal Belonging and the False Promise of Genetic Science has been instructive in shaping my new work on the possessive racial logics of Indigenous identity fraud. I am honored they ha


2020 ◽  
Vol 14 (2) ◽  
pp. 44-66
Author(s):  
José Ramón Lizárraga ◽  
Arturo Cortez

Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg jotería pedagogies that are made visible and historicized in the digital and physical world.


2021 ◽  
Vol 6 (2) ◽  
pp. 159-174 ◽  
Author(s):  
T. Anna

Taking the murder of Greek HIV+ and queer activist Zak Kostopoulos as its starting point – an exercise of necropolitical power in broad daylight – this article explores the work of drag queens in Greece and their aesthetic/political choices. It interprets their performances as tactics of survival and resistance and as creative responses to queer trauma. The role of queerfeminist spaces, cultural events and collectives also is examined as a response to the increasing right-wing turn in the country’s political scene – itself the result of the financial crisis of 2008. It imports José Esteban Muñoz’s disidentifications and counterpublics, Elizabeth Freeman’s erotohistoriography and Achille Mbembe’s necropolitics into the Greek/Balkan context and analyses the particular configurations and intersections of sexualities, genders, statehood, race, class and religion in Greece. It then examines disidentifications and counterpublics as empowering practices of community forming, offering glimpses of a queer Balkan counterpublics and the tools employed towards its making (humour, parody, reclaiming, disidentification, mourning and embodied pleasures).


1998 ◽  
Vol 2 (2-3) ◽  
pp. 235-238
Author(s):  
Diane Torr ◽  
Jane Czyzselska
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document