Ralph Ellison, Invisible Man, New York: Random House, 1952

Keyword(s):  
New York ◽  
1971 ◽  
Vol 4 (2) ◽  
pp. 227-231
Author(s):  
Frederick L. Radford

In our society it is not unusual for a Negro to experience a sensation that he does not exist in the real world at all. He seems rather to exist in the nightmarish fantasy of the white American mind as a phantom that the white mind seeks unceasingly, by means both crude and subtle, to lay.(Ralph Ellison, Shadow and Act (New York, 1964), p. 304)It is still true, alas, that to be an American Negro male is also to be a kind of walking phallic symbol: which means that one pays, in one's own personality, for the sexual insecurity of others.(James Baldwin, Nobody Knows My Name (New York, 1961), p. 172)


2007 ◽  
Vol 41 (4) ◽  
pp. 820
Author(s):  
Robert Butler ◽  
Lucas E. Morel
Keyword(s):  

2021 ◽  
pp. 1-29
Author(s):  
DANIEL ROBERT KING

In this article I examine the editing and publishing of Ralph Ellison's Invisible Man by Albert Erskine. Over the course of the piece, I deploy letters, drafts, and other material drawn from both Ellison's archive in the Library of Congress and Erskine's own archive at the University of Virginia to unpack how Erskine, as a white editor at a powerful international publishing house, conceived of his role in shepherding to market and marketing what he saw as a major literary work by an African American author.


Author(s):  
John Callahan

In “’That Pause for Contemplation’: A Centennial Meditation on Ralph Ellison,” John Callahan—Ellison’s literary executor and the dean of Ellison studies—looks back upon Ellison’s life and work, asking what Ellison’s accomplishment looks like 100 years after his birth, and a new century proceeds in his wake. Beginning with the “thought experiment” of a young Barack Obama jogging past Ralph Ellison in New York in the 1980s, Callahan meditates on Ellison’s investigation of the relationship between the individual search for identity and America’s pursuit of democratic equality. Drawing upon Ellison’s wealth of posthumously published material—the short stories, essays, interviews, and his unfinished second novel—Callahan emphasizes Ellison’s relentless pursuit of the novel form as his means of interrogating the fluid, improvisational, evolving form of American identity. Callahan probes the omnipresent father figures that dominate Ellison’s work after Invisible Man—Lewis Ellison, Abraham Lincoln, Alonzo Hickman, and others.


Novel Shocks ◽  
2018 ◽  
pp. 25-45
Author(s):  
Myka Tucker-Abramson

Shortly after Ralph Ellison’s protagonist arrives in New York, he encounters Peter Wheatstraw, a man wearing Charlie Chaplin pants, “pushing a cart piled high with rolls of blue paper,” and singing a blues song that reminds the protagonist of home. Often read as a carrier of blues and vernacular traditions within the novel, Wheatstraw is also a literal carrier of building plans, all of which point to the ascendancy of Robert Moses and his New York City Slum Clearance Committee under the aegis of the Federal Housing Act of 1949. This chapter reads Ellison in relation to this emergent regime of post-war planning to suggest we think about Invisible Man not as a novel about a Jim Crow system passing into history, but about the tensions between the emergent racial regime of racial liberalism and white flight out of which neoliberalism would emerge.


The New Territory: Ralph Ellison and the Twenty-First Century offers fifteen original essays that seek to examine and re-examine Ellison’s life and work in the context of their meanings for our own age, the early 21st century, the age of Obama and of a nation that is simultaneously post-racial and all-too-racial. Following a careful introduction that situates Ellison’s writings in the context of new approaches and abiding interest in his work, while also exploring the affinity between Ralph Ellison’s fiction and commentary and Barack Obama’s political and literary sensibilities, the book offers four new essays examining Ellison’s 1952 masterpiece, Invisible Man. It then turns to his unfinished second novel, Three Days Before the Shooting . . . , with five detailed chapters exploring that powerful and elusive narrative—the first sustained, book-length treatment of that multi-faceted work (the source of the shorter, edited novel Juneteenth). The New Territory concludes with five chapters that discuss Ellison’s political, cultural, and historical significance, asking how Ellison speaks to the America of 2016 and beyond. In The New Territory, we see how clearly Ellison foresaw and articulated both the challenges and the possibilities of America in the 21st century. Together, these chapters offer a thorough and penetrating assessment of Ellison at this crucial historical moment and the most comprehensive interpretive study of the writer best suited to act as the cultural prophet of 21st-century America.


Sign in / Sign up

Export Citation Format

Share Document