Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man

2007 ◽  
Vol 41 (4) ◽  
pp. 820
Author(s):  
Robert Butler ◽  
Lucas E. Morel
Keyword(s):  
2021 ◽  
pp. 1-29
Author(s):  
DANIEL ROBERT KING

In this article I examine the editing and publishing of Ralph Ellison's Invisible Man by Albert Erskine. Over the course of the piece, I deploy letters, drafts, and other material drawn from both Ellison's archive in the Library of Congress and Erskine's own archive at the University of Virginia to unpack how Erskine, as a white editor at a powerful international publishing house, conceived of his role in shepherding to market and marketing what he saw as a major literary work by an African American author.


The New Territory: Ralph Ellison and the Twenty-First Century offers fifteen original essays that seek to examine and re-examine Ellison’s life and work in the context of their meanings for our own age, the early 21st century, the age of Obama and of a nation that is simultaneously post-racial and all-too-racial. Following a careful introduction that situates Ellison’s writings in the context of new approaches and abiding interest in his work, while also exploring the affinity between Ralph Ellison’s fiction and commentary and Barack Obama’s political and literary sensibilities, the book offers four new essays examining Ellison’s 1952 masterpiece, Invisible Man. It then turns to his unfinished second novel, Three Days Before the Shooting . . . , with five detailed chapters exploring that powerful and elusive narrative—the first sustained, book-length treatment of that multi-faceted work (the source of the shorter, edited novel Juneteenth). The New Territory concludes with five chapters that discuss Ellison’s political, cultural, and historical significance, asking how Ellison speaks to the America of 2016 and beyond. In The New Territory, we see how clearly Ellison foresaw and articulated both the challenges and the possibilities of America in the 21st century. Together, these chapters offer a thorough and penetrating assessment of Ellison at this crucial historical moment and the most comprehensive interpretive study of the writer best suited to act as the cultural prophet of 21st-century America.


1971 ◽  
Vol 4 (2) ◽  
pp. 227-231
Author(s):  
Frederick L. Radford

In our society it is not unusual for a Negro to experience a sensation that he does not exist in the real world at all. He seems rather to exist in the nightmarish fantasy of the white American mind as a phantom that the white mind seeks unceasingly, by means both crude and subtle, to lay.(Ralph Ellison, Shadow and Act (New York, 1964), p. 304)It is still true, alas, that to be an American Negro male is also to be a kind of walking phallic symbol: which means that one pays, in one's own personality, for the sexual insecurity of others.(James Baldwin, Nobody Knows My Name (New York, 1961), p. 172)


Author(s):  
Gregory Laski

The Epilogue places Spike Lee’s Bamboozled into dialogue with the thought of Ralph Ellison, whose Invisible Man constitutes the silent source for Lee’s film. At the center of both works is the image of a falling body, which highlights the relationship between the present-past of slavery and the possibility of achieving a democratic future. Whereas Lee leaves viewers locked in the past of racial subjugation that his film’s treatment of blackface minstrelsy represents, Ellison revises Walt Whitman’s vision to underscore the ways nonprogressive temporal models can facilitate political progress. Limning the energies of progress and regress through the nonteleological trajectory he imbues in his novel’s key terms, “plunge” and “fall,” Ellison posits the definitive democratic movement. This idea remains recessed in the rhetoric of Barack Obama, who in his “speech on race” disavowed the politically transformative potential of the stasis associated with the racial worldview of the Reverend Jeremiah Wright.


2021 ◽  

Ralph Ellison's Invisible Man is the second-most assigned American novel since 1945 and is one of the most enduring. It is studied by many thousands of high school and college students every year and has been since the 1950s. His landmark essays, with their blend of personal history and cultural theory, have been extraordinarily influential. Ralph Ellison in Context includes authoritative chapters summing up longstanding conversations, while offering groundbreaking essays on a variety of topics not yet covered in the copious critical and biographical literature. It provides fresh perspectives on some of the most important people and places in Ellison's life, and explores where his work and biography cross paths with some of the pressing topics of his time. It includes chapters on Ellison's literary influences and offers a definitive overview of his early writings. It also provides an overview of Ellison's reception and reputation from his death in 1994 through 2020.


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