scholarly journals Multidisciplinary Experiences of Virtual Heritage for the Documentation of Architecture and Archaeology Within the DigitCH Group - Digital Cultural Heritage Group

2018 ◽  
pp. 242-252
Author(s):  
Paola Puma
Keyword(s):  
Cultural Heritage ◽  
Virtual Heritage ◽  
Digital Cultural Heritage

scholarly journals Animating Past Worlds

10.5334/bck.e ◽  
2021 ◽  
pp. 39-54
Author(s):  
William Michael Carter
Keyword(s):  
Cultural Heritage ◽  
Visual Effects ◽  
Feature Film ◽  
Virtual Archaeology ◽  
Film And Television ◽  
Virtual Heritage ◽  
Digital Cultural Heritage ◽  
Heritage Interpretation

Creating ‘past worlds’ is more than just creative flair or technical wizardry, it is the distillation of grounded heritage interpretation and reflection as applied to the creative (re)visualization of ancient peoples and landscapes. Be it the digital dinosaurs of Jurassic Park or the fake placement of lifelike digital actors seamlessly inserted within media, virtual heritage is increasingly caught between the praxis of the visual enchantment of feature film and television visual effects (VFX), the increasing visual and phenomenological immersive worlds of 3D, virtual games and the hyper-reality of deep fake VFX. This chapter will provide the basics of animation, while at the same time introducing the reader to the concepts of virtual archaeology and digital cultural heritage from a digital visualization perspective.

DIGITAL CULTURAL HERITAGE MARKETING: THE ROLE OF DIGITAL TECHNOLOGIES IN CULTURAL HERITAGE VALORIZATION

2016 ◽  
Author(s):  
Riccardo Rialti ◽  
Lamberto Zollo ◽  
Cristiano Ciappei ◽  
Marica Laudano
Keyword(s):  
Cultural Heritage ◽  
Digital Technologies ◽  
Digital Cultural Heritage

Preserving Irreplaceable National Digital Cultural Heritage in the Arctic World Archive

2019 ◽  
Vol 2019 (1) ◽  
pp. 39-41
Author(s):  
Morten Thorkildsen ◽  
Jahn-Fredrik Sjøvik ◽  
Bendik Bryde
Keyword(s):  
Cultural Heritage ◽  
The Arctic ◽  
Digital Cultural Heritage

Social Metadata and Public-Contributed Contents in Memory Institutions: “Crowd Voice” Versus “Authenticated Heritage”?

2016 ◽  
Vol 45 (3) ◽  
pp. 122-133 ◽  
Author(s):  
Chern Li Liew
Keyword(s):  
Decision Making ◽  
Cultural Heritage ◽  
Knowledge Base ◽  
Participatory Culture ◽  
Collective Memories ◽  
Digital Cultural Heritage ◽  
The Social ◽  
Social Technologies ◽  
Determining Factor ◽  
Shed Light

AbstractSocial technologies have led to increasing participatory activities and institutions are interested in the potential of using these for outreach and engagement. Through offering new spaces and tools that allow users to consume and also to contribute content, institutions are expanding their traditional services which could redefine their role and relevance in the digital cultural heritage landscape. This study investigates the decision-making and practices underpinning current handling of social metadata and public-contributed contents (PCC). The focus is on examining the motivations for soliciting contributions, if and how these are moderated and managed, if they are integrated into the institutional data and knowledge base, and the extent to which public stakeholders moderate. The study also involves an investigation of whether, and how, memory institutions consider diversity and inclusiveness in soliciting participation and contributions, and the values placed on PCC, as compared to institutional resources. The aim of this study is to shed light on these by surveying libraries, archives, museums, and other institutions.How institutions deal with the social metadata and PCC they gather, and what they do with the contributions, could be a key determining factor of the success of their participatory practice as part of their larger effort to capture and preserve collective memories. This survey shows that the profession still has a way to go towards these goals. There is little evidence that demonstrates integration of a participatory culture and activities into the strategic directions and documentary practices of institutions.

Application of cloud technology in digital cultural heritage: an analysis of public culture cloud platforms in China

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Dengdeng Wanyan ◽  
Tong Shang
Keyword(s):  
Cloud Computing ◽  
Cultural Heritage ◽  
Public Culture ◽  
Cultural Construction ◽  
Service Development ◽  
Cloud Technology ◽  
Content Type ◽  
Digital Cultural Heritage ◽  
Depth Analysis ◽  
Technology Applications

Purpose The purpose of this paper is to investigate the significant advantages of cloud technology in digital cultural heritage construction by analyzing public culture cloud platforms in China. The authors hope to provide references for other countries and regions on the applications of cloud computing techniques in digital cultural construction. Design/methodology/approach The primary research methods involved interview and case analysis. A comprehensive understanding of cloud technology and China’s culture cloud platforms were gained through research into extensive amounts of literature. Analyzing 21 culture cloud platforms offers a general understanding of culture clouds, while the Hunan Public Culture Cloud acts as a representative sample that gives detailed insight. Findings This paper explores the considerable advantages of cloud computing in digital cultural construction from four aspects: integration of decentralized heterogeneous resources, coordination and cooperation, accurately matching user needs and promotion of balanced service development. Originality/value Existing studies fall short of comprehensive investigations of culture cloud platforms and in-depth analysis of the advantages of cloud technology applications. This paper uses the construction of public culture cloud platforms in China as the research object. Further, this paper compares the construction status of different culture cloud platforms.

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