The Figure of the Child in Oral Literature

Author(s):  
Lere Adeyemi
Keyword(s):  
2016 ◽  
Vol 26 (1) ◽  
Author(s):  
Enongene Mirabeau Sone

The main objective of this paper is to show how oral literature is engaged by Swazis with regards to environmental sustainability. It demonstrates the relationship between nature and culture as reflected in Swazi oral literature and how indigenous knowledge embedded in this literature can be used to expand the concepts of eco-literature and eco-criticism. The paper argues that the indigenous environmental expertise among the Swazi people, encapsulated in their oral literature, can serve as a critical resource base for the process of developing a healthy environment. Furthermore, the paper contends that eco-criticism, which is essentially a Western concept, can benefit by drawing inspiration from the indigenous knowledge contained in Swazi culture and expressed in their oral literature. The paper concludes by recommending the need to strengthen traditional and customary knowledge and practices by protecting and recognising the values of such systems in the conservation of biodiversity for sustainable development.


2020 ◽  
Vol 3 (1) ◽  
pp. 165-167
Author(s):  
Mekhriniso Rajabovna Kilicheva

As being the oldest and most widely used genres of oral literature, proverbs are expressions of the ethical, spiritual, moral, and social expression of the people, which have been tested in centuries-old life experiences, and the wise conclusions of the people, which provide accurate and accurate solutions to life issues.


ALAYASASTRA ◽  
2017 ◽  
Vol 13 (1) ◽  
pp. 73
Author(s):  
Ery Agus Kurnianto

The focus of the problem in this study is the values of local wisdom within two oral traditions of Warag-Warah and Ringgok-Ringgok of Komering Tribe, South Sumatra. This study aimed to identify and to describe elements of local wisdom within those oral traditions. In addition, this study was established as a real effort to explore, to inventorize, and to document the oral traditions of Komering society. A descriptive method was applied in this study. The data were analyzed by applying qualitative approach on ethnographic elements to demonstrate and explain the value of local wisdom within those oral traditions. The theory applied in this study were oral literature and local wisdom. The conclusion from the analysis proved that there was a concept of social relations among individuals, among individuals and society, among social groups, and among individuals and their God. The value of local wisdom that had been identified were: 1) belief in God, 2) deliberation, 3) responsibility and 4) helping each other. The actualization of the value of local wisdom within the oral traditions of Warag-Warah and Ringgok-Ringgok was in form of behaving in ways that help each other, solving problems by means of deliberation and responsibility. Keywords: Oral tradition, warah-warah, ringgok-ringgok, local wisdom values.


2003 ◽  
Vol 33 (4) ◽  
pp. 365-376
Author(s):  
Marja Hinfelaar

AbstractThis article deals with the reburial of Bishop Joseph Dupont in Zambia in December 2000, 88 years after he left the country. After a brief précis of the burial itself, I examine the different presentations of Bishop Dupont by scholars, White Fathers, oral literature and the Bemba Catholics in Zambia, exploring the question of who kept his memory alive and for what purposes. It is not sufficient to view Dupont's funeral as an historical oddity, but rather as a manifestation of what Ranger called 'popular Christianity'. To understand this attachment to Dupont by local Catholics, one has to go beyond the official documents and academic literature and consider the historical reconstruction on the ground. As will become clear, this is the only way to explain Bishop Dupont's current heroic status.


1984 ◽  
Vol 8 (3) ◽  
pp. 264
Author(s):  
William F. Hanks ◽  
Allan F. Burns
Keyword(s):  

1971 ◽  
Vol 60 (6) ◽  
pp. 709 ◽  
Author(s):  
Gerald Haslam
Keyword(s):  

2021 ◽  
Vol 8 (1) ◽  
pp. 55-64
Author(s):  
Anne Obono Essomba

Globalization led by Europe has spread so-called 'universal' values across the globe, which seems to have cultural intermingling as its backdrop. All human endeavors are based on a culture that has become multidimensional. All the time, in their diversity, cultures try to complement and absorb each other. However, in this meeting of cultural giving and receiving, it takes on a new face, the culture shock.  This encounter causes major changes in our modern societies, giving way to a loss of cultural identity and internal imbalance. This article aims to analyze the way in which contemporary Cameroonian musicians use cultural and linguistic facts for communication purposes and other arguments. The aim of our work is to show how the various songwriters have found, through song, a new mode of resistance so that African traditions escape sedimentation. In this way, they reconcile the elements of oral tradition and the contributions of modernity to create a hybrid product. To illustrate our point, we have chosen oral texts from different regions of Cameroon.  In order to better understand the transcultural reality in the texts, we will highlight the marks of traditional and modern aesthetics, then show that the transcultural is seen as a space of symbiosis between the traditional and the modern.


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