Oral Literature and Transculturality: A Study of Contemporary Cameroonian Songs

Globalization led by Europe has spread so-called 'universal' values across the globe, which seems to have cultural intermingling as its backdrop. All human endeavors are based on a culture that has become multidimensional. All the time, in their diversity, cultures try to complement and absorb each other. However, in this meeting of cultural giving and receiving, it takes on a new face, the culture shock. This encounter causes major changes in our modern societies, giving way to a loss of cultural identity and internal imbalance. This article aims to analyze the way in which contemporary Cameroonian musicians use cultural and linguistic facts for communication purposes and other arguments. The aim of our work is to show how the various songwriters have found, through song, a new mode of resistance so that African traditions escape sedimentation. In this way, they reconcile the elements of oral tradition and the contributions of modernity to create a hybrid product. To illustrate our point, we have chosen oral texts from different regions of Cameroon. In order to better understand the transcultural reality in the texts, we will highlight the marks of traditional and modern aesthetics, then show that the transcultural is seen as a space of symbiosis between the traditional and the modern.

Interpretation Strategies of Contemporary Musical and Theatrical Art: Trends, Factors

Relevance of the study. The modern interpretive content main tendencies of the European and Ukrainian musical and theatrical art were analyzed. Forms of interpretation being were considered in the coordinates of the “composer-listener-performer” triad in the aspect of its correspondence to its time artistic intentions. The scientific novelty of the study is in the analysis of innovative projects most of which are not adapted to musicology and in the formulation of trends and factors of modern musical art’s interpretive policy. Main objective of the study is to determine the specifics and factors of the modern interpretations of a musical and theatrical art. Methodology. The following methods have been adapted: the interpretive — in relation to the analyzed opera projects; the hermeneutic-semantic — for the purpose of identify the interpreted works’ intonation-image specificity; the comparative — to juxtaposition the “interpretive behavior” of one work in different performance versions; the intonation-dramaturgical analysis — to study the specifics and factors of works’ interpretive versions. Results and conclusions. The modern interpretive reality initiates the emergence of radically new and the consolidation of existing non-standard trends in the work’s representation. These are: the instrumental performing theatricalization, significant expansion of the improvisation’s zone, abandonment of the opera genre canons with an emphasis on synthetic genres of performative nature and the use of bold audio, scenographic, color and light effects. The modern interpretative main trends are the actualization, the alienation and the emergence of working remote versions, the encroachment on the textual and intonational essence of a known work by adding the new material (the integral opus or the fragmentary inlay), the emergence of modern composer’s alternative role which is a co-author of a new hybrid product thanks to the connection to the work of the past. Findings of the research. The specifics and factors of work’s variant-interpretive realization are analytically argued. The main factors are the genre-intonation specificity, the synthetic and intertextual nature, the complexity and synergy of text semantic intentions, the recipient’s culturalhistorical awareness, the socio-cultural intentions’ balance of the author and his artistic will performers, the degree of text openness, the context. Prospects for further exploration in this direction. The following research areas are needed: 1) the development of new methods and terminological apparatus suitable for the modern artifacts’ analysis; 2) the analytical base’s expansion due to: a) the further accumulation of examples, b) the scientific adaptation of various genres’ works.

Predictability in Contemporary Medicine

Medical practice is increasingly coming under the guidance of statistical-mathematical models that are, undoubtedly, valuable tools but are also only a partial representation of reality. Indeed, given that statistics may be more or less adequate, a model is still a subjective interpretation of the researcher and is also influenced by the historical context in which it operates. From this opinion, I will provide a short historical excursus that retraces the advent of probabilistic medicine as a long process that has a beginning that should be sought in the discovery of the complexity of disease. By supporting the belonging of this evolution to the scientific domain it is also acknowledged that the underlying model can be imperfect or fallible and, therefore, confutable as any product of science. Indeed, it seems non-trivial here to recover these concepts, especially today where clinical decisions are entrusted to practical guidelines, which are a hybrid product resulting from the aggregation of multiple perspectives, including the probabilistic approach, to disease. Finally, before the advent of precision medicine, by limiting the use of guidelines to the original consultative context, an aged approach is supported, namely, a relationship with the individual patient.

Intertwined Immersion: The Development of Chinese Buddhist Master Costumes as an Example

Cultural pluralism and diversity give rise to debates on conflicts and inclusiveness. Scholars largely investigate how people manage their culture of origin within their host culture, and how the host culture helps them adapt to the changes they experience within their new environment. However, both cultures can merge peacefully and the involved cultures can flourish as a result. The evolvement of jiasha, the attire of Chinese Buddhist masters, illustrates intertwined immersion, in which traditional Chinese (domestic) and Buddhist (imported) cultures show their openness, tolerance, and acceptance to foreign cultures. Finally, while maintaining the significance of Indian Buddhist clothing, jiasha has adopted Chinese dress style, incorporating local cultural and environmental characteristics. This manifests great respect for both traditional Chinese and Buddhist cultures, harmoniously achieving this hybrid product that mutually rejuvenates and enriches native and foreign cultures.

Comunicación videoescénica: la enunciación audiovisual en el teatro

This research analyzes the use of audiovisual technology in the context of the video-scenic drama, a hybrid product that results from the integration of audiovisual enunciation in theatrical representation. The purpose is to determine the modifications that the audiovisual projection introduces in the fundamental components of the drama and in its construction phases. Through the in-depth interview or scientific interview, data has been collected from ten experts in the field of theatrical creation. Once analyzed, exposes a specific poetic that rules the construction of the video-scenic drama, focused on a figurative expansion of the character's action and an expansion of space and time, based on the fragmentation and flexibility of the audiovisual image. Similarly, it has been shown that the use of audiovisuals broadens the elective possibilities of the stage director and forces to establish of new constructive strategies.