scholarly journals Imaginative Leadership: A Conceptual Frame for the Design and Facilitation of Creative Methods and Generative Engagement

2021 ◽  
pp. 165-204
Author(s):  
Kelli R. Pearson
Keyword(s):  
Environmental Education ◽  
Sustainability Science ◽  
Cognitive Sciences ◽  
Metaphorical Thinking ◽  
Conceptual Frame ◽  
Arts And Humanities ◽  
Creative Methods ◽  
The Arts ◽  
Action And Perception ◽  
Unconventional Methods

AbstractIn the field of sustainability science, many scholars and practitioners are embracing a ‘humanistic turn’ that draws from psychology and cognitive sciences and from the arts and humanities. Contributing to a spirit of ‘exuberant experimentation’ in the field, this chapter asks: How can creative methods of engagement be operationalized to support the imaginative capacity of researchers and practitioners in the arena of sustainability? In order to address this question, I (a) propose the concept of imaginative leadership to describe the ability to understand and consciously influence the symbolic/metaphorical dimensions of self and others, and (b) explore the process of designing workshops that employ creative methods rooted in ‘transformative mindsets.’ Transformative mindsets refer to specific conceptual frames identified for their potential to disrupt default unsustainable and anthropocentric worldviews and open new spaces of possibility for action and perception. The broad goal of these workshops was to support imaginative leadership towards regenerative sustainability through collaborative experimentation with unconventional methods. Informed by research on metaphorical thinking, somatics, neurocognitive linguistics, and arts-based environmental education, the methods were designed to activate a set of specific transformative mindsets, which were subsequently refined through the process of experimentation and co-reflection during and after the workshops.

Distributed Cognition and the Humanities

2019 ◽  
pp. 1-17
Author(s):  
Miranda Anderson ◽  
Michael Wheeler ◽  
Mark Sprevak
Keyword(s):  
Philosophy Of Mind ◽  
Distributed Cognition ◽  
Methodological Approach ◽  
Cognitive Approach ◽  
Cognitive Sciences ◽  
Enactive Cognition ◽  
Arts And Humanities ◽  
The Arts ◽  
Actual Nature ◽  
4E Cognition

The general introduction, which is replicated across all four volumes, aims to orientate readers unfamiliar with this area of research. It provides an overview of the different approaches within the distributed cognition framework and discussion of the value of a distributed cognitive approach to the humanities. A distributed cognitive approach recognises that cognition is brain, body and world based. Distributed cognition is a methodological approach and a way of understanding the actual nature of cognition. The first section provides an overview of the various competing and sometimes conflicting theories that make up the distributed cognition framework and which are also collectively known as 4E cognition: embodied, embedded, extended and enactive cognition. The second section examines the ways in which humanities topics and methodologies are compatible with, placed in question or revitalised by new insights from philosophy of mind and the cognitive sciences on the distributed nature of cognition, and considers what the arts and humanities, in turn, offer to philosophy and cognitive science.

Distributed Cognition and the Humanities

2019 ◽  
pp. 1-17
Author(s):  
Miranda Anderson ◽  
Michael Wheeler ◽  
Mark Sprevak
Keyword(s):  
Philosophy Of Mind ◽  
Distributed Cognition ◽  
Methodological Approach ◽  
Cognitive Approach ◽  
Cognitive Sciences ◽  
Enactive Cognition ◽  
Arts And Humanities ◽  
The Arts ◽  
Actual Nature ◽  
4E Cognition

The general introduction, which is replicated across all four volumes, aims to orientate readers unfamiliar with this area of research. It provides an overview of the different approaches within the distributed cognition framework and discussion of the value of a distributed cognitive approach to the humanities. A distributed cognitive approach recognises that cognition is brain, body and world based. Distributed cognition is a methodological approach and a way of understanding the actual nature of cognition. The first section provides an overview of the various competing and sometimes conflicting theories that make up the distributed cognition framework and which are also collectively known as 4E cognition: embodied, embedded, extended and enactive cognition. The second section examines the ways in which humanities topics and methodologies are compatible with, placed in question or revitalised by new insights from philosophy of mind and the cognitive sciences on the distributed nature of cognition, and considers what the arts and humanities, in turn, offer to philosophy and cognitive science.

Distributed Cognition and the Humanities

2020 ◽  
pp. 1-17
Author(s):  
Miranda Anderson ◽  
Michael Wheeler ◽  
Mark Sprevak
Keyword(s):  
Philosophy Of Mind ◽  
Distributed Cognition ◽  
Methodological Approach ◽  
Cognitive Approach ◽  
Cognitive Sciences ◽  
Enactive Cognition ◽  
Arts And Humanities ◽  
The Arts ◽  
Actual Nature ◽  
4E Cognition

The general introduction, which is replicated across all four volumes, aims to orientate readers unfamiliar with this area of research. It provides an overview of the different approaches within the distributed cognition framework and discussion of the value of a distributed cognitive approach to the humanities. A distributed cognitive approach recognises that cognition is brain, body and world based. Distributed cognition is a methodological approach and a way of understanding the actual nature of cognition. The first section provides an overview of the various competing and sometimes conflicting theories that make up the distributed cognition framework and which are also collectively known as 4E cognition: embodied, embedded, extended and enactive cognition. The second section examines the ways in which humanities topics and methodologies are compatible with, placed in question or revitalised by new insights from philosophy of mind and the cognitive sciences on the distributed nature of cognition, and considers what the arts and humanities, in turn, offer to philosophy and cognitive science.

“Tradition,” Vernacularism, and Learning to Be a Folk Musician With Social Media

2020 ◽  
pp. 442-466
Author(s):  
Simon Keegan-Phipps ◽  
Lucy Wright
Keyword(s):  
Social Media ◽  
Digital Media ◽  
Case Studies ◽  
Folk Music ◽  
Learning Mechanisms ◽  
Media Technologies ◽  
Arts And Humanities ◽  
The Arts ◽  
The Social ◽  
Social Shaping

This chapter considers the role of social media (broadly conceived) in the learning experiences of folk musicians in the Anglophone West. The chapter draws on the findings of the Digital Folk project, funded by the Arts and Humanities Research Council (UK), and begins by summarizing and problematizing the nature of learning as a concept in the folk music context. It briefly explicates the instructive, appropriative, and locative impacts of digital media for folk music learning before exploring in detail two case studies of folk-oriented social media: (1) the phenomenon of abc notation as a transmissive media and (2) the Mudcat Café website as an example of the folk-oriented discussion forum. These case studies are shown to exemplify and illuminate the constructs of traditional transmission and vernacularism as significant influences on the social shaping and deployment of folk-related media technologies. The chapter concludes by reflecting on the need to understand the musical learning process as a culturally performative act and to recognize online learning mechanisms as sites for the (re)negotiation of musical, cultural, local, and personal identities.

scholarly journals Redefining peer learning: Role of student entrepreneurs in teaching entrepreneurship in the UK higher education context

2021 ◽  
pp. 095042222110126
Author(s):  
Stella Xu ◽  
Zimu Xu ◽  
Fujia Li ◽  
Arun Sukumar
Keyword(s):  
Student Engagement ◽  
Course Design ◽  
Cultural Backgrounds ◽  
School Students ◽  
Arts And Humanities ◽  
The Arts ◽  
Wide Range ◽  
Student Entrepreneurs ◽  
The Uk ◽  
Uk Higher Education

Entrepreneurship-related modules have become increasingly popular over the years, not only among business school students but also among those from other disciplines, including engineering and the arts and humanities. In some circumstances, they are offered as optional modules for students across different faculties and disciplines. While it is beneficial to mix students with different backgrounds, bringing in a wide range of perspectives, there are also challenges relating to course design and student engagement. With these challenges in mind, the authors trialled a new approach in the hope of motivating students from diverse academic and socio-cultural backgrounds to engage more fully in the classroom by utilising student entrepreneurs as guest speakers. The student-centric approach has proved effective in enhancing student engagement, as evidenced by both informal and formal feedback.

scholarly journals Geopoetics: Storytelling against mastery

2021 ◽  
pp. 204382062098639
Author(s):  
Aya Nassar
Keyword(s):  
International Relations ◽  
Open Space ◽  
Arts And Humanities ◽  
The Earth ◽  
The Arts ◽  
The World

In this engagement with Eric Magrane’s article, ‘Climate Geopolitics (The Earth is a Composted Poem)’, I follow two provocations: first, geopoetics as travelling through disciplinary turfs, and second, geopoetics as storytelling. Coming from a disciplinary trajectory that spent a long stop at international relations (IR), these provocations attach me to geopoetics as practice and a growing field. My engagement here is oriented to geopoetics not only at the threshold of geography and the arts and humanities, but also the intersections of geography and politics. I primarily propose that viewing geopoetics as an open space for experimenting allows for disrupting masterful understandings of the academic self and counters a univocal, universal narrative of the world.

The Biblioteca Marucelliana and its database of prints and drawings: a work in progress

2010 ◽  
Vol 35 (2) ◽  
pp. 8-12
Author(s):  
Monica Maria Angeli ◽  
Rossella Todros
Keyword(s):  
General Public ◽  
18Th Century ◽  
Digital Images ◽  
Large Collection ◽  
Work In Progress ◽  
Arts And Humanities ◽  
The Arts

The Biblioteca Marucelliana in Florence is a library specialising in the arts and humanities that has been open to the general public since the middle of the 18th century. Its founder, Francesco Marucelli, willed his large collection of books to the library. In 1783, the last member of the Marucelli family, Francesco di Roberto Marucelli, left the library around 2500 drawings and 30,000 engravings, and these are now being re-catalogued. The first volume of the engravings can already be consulted on a CD called PRISMA, and the records for the drawings, accompanied by digital images, will be put on a database which it is hoped will be available to scholars worldwide in 2010.

Research production in the arts and humanities

1996 ◽  
Vol 37 (3) ◽  
pp. 417-432 ◽  
Author(s):  
S. Hemlin ◽  
M. Gustafsson
Keyword(s):  
Research Production ◽  
Arts And Humanities ◽  
The Arts
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