scholarly journals Media Sharing across Public Display Networks

Author(s):  
Rui José ◽  
Jorge C. S. Cardoso ◽  
Jason Hong
Keyword(s):  
Mediaevistik ◽  
2020 ◽  
Vol 32 (1) ◽  
pp. 509-511
Author(s):  
Albrecht Classen

Those of us who work with medieval illustrated manuscripts are often guilty of ignoring the major contributions by medieval Jewish scribes and illuminators or the manuscripts produced for Jewish consumers. To remedy this situation, Milivia Bollati, Flora Cassen, and Marc Michael Epstein here present the most impressive Lombard Haggadah, both by examining its background, purpose, design, and by providing a complete facsimile of the manuscript. Famous Christopher de Hamel (Cambridge) adds a pleasant introduction in which he emphasizes the considerable degree of overlap of Christian and Jewish manuscript production. The Lombard Haggadah is the earliest stand-alone Haggadah and is one of only three illustrated medieval Haggadot still privately owned (Sandra Hindman, 8). This manuscript was on public display in New York in April 2019, and was for sale. <?page nr="510"?>It is not clear to me whether any buyer acquired it.


Author(s):  
Siobhan Keenan

The Progresses, Processions, and Royal Entries of King Charles I, 1625–1642 is the first book-length study of the history, and the political and cultural significance, of the progresses, public processions, and royal entries of Charles I. As well as offering a much fuller account of the king’s progresses and progress entertainments than currently exists, this study throws new light on one of the most vexed topics in early Stuart historiography—the question of Charles I’s accessibility to his subjects and their concerns, and the part that this may, or may not, have played in the conflicts which culminated in the English civil wars and Charles’s overthrow. Drawing on extensive archival research, the book opens with an introduction to the early modern culture of royal progresses and public ceremonial as inherited and practised by Charles I. Part I explores the question of the king’s accessibility and engagement with his subjects further through case studies of Charles’s ‘great’ progresses in 1633, 1634, and 1636. Part II turns attention to royal public ceremonial culture in Caroline London, focusing on Charles’s royal entry on 25 November 1641. More widely travelled than his ancestors, Progresses reveals a monarch who was only too well aware of the value of public ceremonial and who did not eschew it, even if he was not always willing to engage in ceremonial dialogue with his people or able to deploy the power of public display to curry support for his policies as successfully as his Tudor and Stuart predecessors.


2021 ◽  
Vol 7 (s4) ◽  
Author(s):  
Darren James Reed

Abstract In various ways the movement and experience of the body is instructed by others. This may be in the dance class or on the playing field. In these interactions, one person claims knowledge of the other’s body and rights to instruct how that body functions, moves, and feels. By undertaking a close analysis of embodied and spoken interaction within performance training sessions from a multimodal conversation analytic perspective, this paper will identify one kind of broad sequential trajectory – from intimate contact to public display - that shows how an instructor claims rights over the internal workings of another’s body by traversing different levels of proximity and sensorial modalities.


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