The Legal Protection of the Intangible Cultural Heritage in the Republic of Korea

2019 ◽  
pp. 69-83
Author(s):  
Jung-eun Park
Keyword(s):  
Cultural Heritage ◽  
Legal Protection ◽  
Republic Of Korea ◽  
Intangible Cultural Heritage ◽  
The Republic

scholarly journals The Seosan Park Cheomji Nori as Example of the Republic of Korea’s Intangible Cultural Heritage Safeguarding at Regional Level

2020 ◽  
pp. 23-33
Author(s):  
Matija Dronjić
Keyword(s):  
Cultural Heritage ◽  
Regional Level ◽  
Republic Of Korea ◽  
Intangible Cultural Heritage ◽  
International Partnership ◽  
Study Visit ◽  
Intangible Heritage ◽  
The Republic ◽  
Partnership Program

The author presents results of a research conducted during a five-month study visit to the National Folk Museum of Korea in 2017 as a part of the International Partnership Program for Cultural Partnership Initiative (CPI) of the Ministry of Culture, Sports and Tourism of the Republic of Korea. The objective of this visit was to study the Korean system of safeguarding their intangible heritage as well as its effects at the institutional and communal level. The paper deals with the latter and focuses on practices of safeguarding the local specific puppet play Park Cheomji Nori, which has been included into the regional Register of the intangible cultural heritage.

INTANGIBLE HERITAGE AS A SOCIAL FACTOR OF THE DEVELOPMENT OF URBAN AREAS IN A SERVICE ECONOMY

2016 ◽  
Vol 10 (3) ◽  
pp. 18-25 ◽  
Author(s):  
Светлана Хуснутдинова ◽  
Svetlana Khusnutdinova ◽  
Мария Сафонова ◽  
Mariya Safonova
Keyword(s):  
Cultural Heritage ◽  
Urban Areas ◽  
Social Factor ◽  
Creative Industries ◽  
General Level ◽  
Intangible Cultural Heritage ◽  
Intangible Heritage ◽  
City Tourism ◽  
The Republic ◽  
The City

The article is devoted to study the role of intangible cultural heritage in the development of modern urban areas. Modern cities are experiencing a transformational load associated with the transition from industry to the post-in- dustry – service industry comes on the place of the plants, and one of the leading sectors becomes tourism. Social and environmental factors on the one hand, reflect the general level of development of the city and, on the other hand, in a post-industrial economy are the main actors in the development of all areas, including city tourism. Intangible cultural heritage is seen as a social factor, the formation of which is related to the environment (natural- ecological spheres), and history of the city. Intangible cultural heritage serves as a catalyst for the creative economy and the events of the city, which in turn have a positive impact on city tourism. The city squares, streets, parks are becoming the immediate territorial areas, where the intangible cultural heritage are demonstrated to the citizens and tourists and their level of status, comfort and attractiveness depends largely on the implementation of the tourism potential of the intangible heritage. Cities skillfully combining the intangible heritage, creative industries, event and educational tourism receive an additional impulse for the development of city tourism and the whole economy of the city. The Republic of Tatarstan last decade is actively moving towards the formation of territorial attractive tourism product. Kazan has ranked among the leading cities of domestic tourism sector. Moreover, any tourism city is interested in attracting more tourists for longer periods, which is possible due to the diversity of the program in the city or region. Intangible cultural heritage can play an important role in solving this problem. In the article using the example of the three cities of the republic – Kazan, Chistopol and Elabuga – is shown as a combination of social factors, such as intangible cultural heritage, and natural factors can create an attractive tourism route. Publication of the article was supported by Russian Humanitarian Research Foundation and government of the Republic of Tatarstan as part of scientific project № 15–13–16004.

scholarly journals Defensive Protectiontraditional Cultural Expresions (TCE) Masyarakat di Kabupaten Blora

2018 ◽  
Vol 1 (1) ◽  
pp. 39-68
Author(s):  
Rinitami Njatrijani
Keyword(s):  
Cultural Heritage ◽  
Positive Impact ◽  
Legal Framework ◽  
Copyright Law ◽  
The State ◽  
Intangible Cultural Heritage ◽  
Unesco Convention ◽  
Cultural Expressions ◽  
The Republic ◽  
Traditional Cultural Expressions

Abstract Traditional Cultural Expressions (TCE) is all the intangible cultural heritage, developed by local communities, collectively or individually in a non-systemic manner and that are inserted in the cultural and spiritual traditions of the communities. The catagories of TK and TCE ... “expressions of folklore in the form of  tekstual fonetic or verbal, music, dances, theater, fine art, ritual ceremony”. The legal framework of TCE in Indonesia that can be implemented as contained in the 1945 Constitution of the Republic of Indonesia (Fourth Amendment) Article 32 (1), Article 38 and 39 on Copyright Law Number 28 Year 2014 on Copyright, Law Number 5 Year 2017 on Futherance Culture, Presidential Regulation No.78 Year 2007 on the Convention on Protection of Intangible Cultural Heritage), Permendikbud N0.106 of 2013 on Intangible Cultural Heritage of Indonesia. Further provisions by the state are required to immediately ratify the Traditional Knowledge Bill and EBT into a separate law in Indonesia  Defensive protection TCEin Blora community is urgent to be protected as a whole so as not to be abused by others. The process of recording, stipulating, proposing to the Indonesian Conservation Heritage Agency on ICH Unesco's list is the final process of digital documentation in the database of intangible cultural heritage as official data of the state which has a positive impact on the welfare of its supporting community. This research indicates that there are only 16 cultural works for the community in Blora Regency that have been designated as Indonesian Culture Heritage / Intangible Cultural Heritage in accordance with UNESCO Convention Year 2003. While there are still many cultural works that need to be prioritized for immediate recording for next year. (Barong, batik motif etc). Keywords : Defensive Protection, Traditional  Cultural Expressions (Tce), Misappropriation, Digital Document. Abstrak TCE/Ekspresi budaya tradisional (EBT) adalah semua warisan budaya tak benda, yang dikembangkan oleh masyarakat lokal, secara kolektif atau individual dengan cara yang tidak sistemik dan disisipkan dalam tradisi budaya dan spiritual masyarakat. Kategori warisan budaya tak benda meliputi tradisi lisan, seni pertunjukkan, praktek-praktek sosial, ritual, perayaan-perayaan, pengetahuan dan praktek mengenai alam dan semesta atau pengetahuan dan ketrampilan untuk menghasilkan kerajinan tradisional. Kerangka hukum EBT di Indonesia  yang dapat diimplementasikn sebagaimana terdapat  dalam UUD RI Tahun 1945 (Amandemen ke empat) Pasal 32(1), Pasal 38 dan 39 tentang Undang-undang Hak Cipta Nomor 28 Tahun 2014 tentang Hak Cipta, Undang-Undang Nomor 5 Tahun 2017 tentang Undang- Undang Pemajuan Kebudayaan yang lahir dalam rangka melindungi, memanfaatkan dan mengembangkan kebudayaan Indonesia, Perpres RI No.78 Tahun 2007 tentang Konvensi Perlindungan Warisan Budaya Takbenda), Permendikbud N0.106 Tahun 2013 tentang Warisan Budaya Takbenda Indonesia. Diperlukan ketentuan lebih lanjut oleh negara untuk segera mengesahkan RUU Pengetahuan Tradisional dan EBT menjadi Undang-Undang tersendiri di Indonesia.Perlindungan defensif EBT di masyarakat Kabupaten Blora sangat mendesak untuk dilindungi secara keseluruhan agar tidak disalahgunakan oleh pihak lain. Proses pencatatan, penetapan,  pengusulanke Badan Warisan Budaya Takbenda Indonesia dalam  daftar ICH Unesco merupakanproses akhir dokumentasi secara digital dalam database warisan budaya takbenda  sebagai data resmi negara yang memberikan dampak positif bagi kesejahteraan masyarakat pendukungnya.Penelitian ini menunjukkan bahwa baru ada 16 karya budaya bagi masyarakat di Kabupaten  Blora yang telah ditetapkan sebagai Warisan Budaya Tak Benda Indonesia/Intangible Cultural Heritagesesuai Konvensi UNESCO Tahun 2003.Sementara masih banyak karya-karya budaya yang perlu diprioritaskan untuk segera dilakukan pencatatan untuk tahun-tahun mendatang.(Barong, motif batik dll). Kata Kunci: Perlindungan Defensif, Ekspresi Budaya Tradisional (EBT), Penyalahgunaan,  Dokumen Digital.

scholarly journals On the Link between the Protection of Minorities' Intangible Cultural Heritage and the Evaluation of Social Sciences and Humanities in the Republic of Serbia: Preliminary Examination of Cross-Study Results

2021 ◽  
Vol 16 (2) ◽  
pp. 375-390
Author(s):  
Miloš Milenković ◽  
◽  
Marko Pišev ◽  
Jelena Ćuković ◽  
◽  
...  
Keyword(s):  
Social Sciences ◽  
Cultural Heritage ◽  
Cultural Policy ◽  
Evaluation Criteria ◽  
Field Research ◽  
Theoretical Research ◽  
Intangible Cultural Heritage ◽  
Social Sciences And Humanities ◽  
Study Results ◽  
The Republic

The results of theoretical and field research into a) the state of protection of minorities' intangible cultural heritage, and b) the evaluation criteria for social sciences and humanities in the Republic of Serbia, indicate a clear and concerning correlation. Seemingly paradoxically, social sciences and humanities in the Serbian language are in an equally unfavorable, undervalued position as is the cultural heritage of minorities relative to that of the majority population's. Analysis suggests that, although they mostly do not perceive themselves in this way, Serbian social sciences and humanities scholars are a vulnerable social group in the sector of science and higher education, in the same sense in which ethnic minorities and communities are in terms of government cultural policy. The paper, based on the conclusions of an analysis of selected cross-study findings of field and theoretical research over a number of years, also proposes how the existing vulnerability factors can be eliminated and future ones prevented, particularly through cooperation between these two, often mutually opposed groups.

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