The “Squeaking Cleopatra Boy”: Performance of the Queen’s Two Bodies on the Early Modern Stage

Author(s):  
Amy Kenny
Keyword(s):  
2016 ◽  
Vol 13 (1) ◽  
pp. 6-23
Author(s):  
Stephanie Elsky

This commentary reflects on two very different revivals of Ernst Kantorowicz’s The King’s Two Bodies: A Study in Medieval Political Theology in the field of early modern studies, the first during the heyday of New Historicism and the second in the current post-New Historicist moment that is still defining itself. The first revival focused on the literal meaning of king’s two bodies, the second on its figurative and fictional nature. The first trained its lens on the doctrine’s absolutist potential, the second on its constitutionalist strain. To account for these political and literary shifts I turn to a larger trend in literary and humanistic studies, the desire to move away from ideology critique and to reframe the humanities in terms of its capacity to articulate “a new vision for human community,” to borrow Victoria Kahn’s phrase. I argue that the peculiarly ironic status of the king’s two bodies offers a way to intervene in this debate, which I term “the humanities’ two bodies.” The commentary concludes by offering Laertes’ popular rebellion in Hamlet as a brief test case of the limits and promise of this most recent turn in the career of Kantorowicz’s protean text.


Author(s):  
Thomas P. Anderson

This chapter looks at The Winter’s Tale and Titus Andronicus to show how Shakespeare’s aesthetics integrates performing objects and performing bodies in its depiction of powerful women. In staging the process of survival for Lavinia and Hermione, Shakespeare travesties the concept of the king’s two bodies central to early modern sovereignty, redistributing agency between subjects to objects. Central to the argument about the female body in these two plays is Elizabeth Grosz’s concept of corporeal femininity, which emphasizes the tactility of the performing body, its agitating power that poses problems for the way these plays and their critics attempt to make sense of the women’s physical condition as an embodiment of fractured or incomplete subjectivity. Julie Taymor’s film Titus (2000), with its cinematic expression of the power of the prosthetic, becomes a touchstone for a reading of the play’s exploration of the politics of vibrant matter. Both Lavinia and Hermione offer a form of corporeal feminism, exemplified in Taymor’s film. In their parody of sovereignty’s charismatic survival beyond death, these two plays to different degrees transform political theology into a feminist politics in which performing objects—Lavinia’s body and Hermione’s statue—evoke the phenomenon of non-sovereign agency that limits sovereign absolutism and enables fugitive politics in Shakespeare.


Author(s):  
Gillian Knoll

Lyly’s Campaspe explores the roles of creative instruments—easel and canvas, pigments and words—in the erotic relationship between the painter Apelles and his model Campaspe. Like any object placed between two bodies in some kind of dynamic relation, these erotic instruments invariably generate friction and heat between Lyly’s lovers. Chapter 5 traces the medium and metaphor of painting, which shapes Apelles and Campaspe’s interactions according to particular artistic features. This chapter considers the erotic qualities of Campaspe’s portrait via classical and early modern psychological accounts of the “phantasm,” a pneumatic image of a beloved that can take on a life of its own. Lyly’s euphuistic language is an erotic instrument in its own right. Providing the lovers with more than a vocabulary, it affords them a structure, a conceptual system, which gives their experience of erotic desire its shape, its medium, and its meaning.


2016 ◽  
Vol 13 (1) ◽  
pp. 36-45 ◽  
Author(s):  
Paul Raffield

The aim of this article is to analyze the contribution of the early modern English legal institution to the formulation of the theory of the king’s two bodies. I explore three principal themes in the course of this article, all of which relate directly to central tenets of the thesis proposed by Kantorowicz in The King’s Two Bodies. First, is the centrality of time and continuity to theories of kingship and to the ideology of common law. Secondly, I consider the importance of equity to the formulation of decision-making in English law, and in pursuit of this end, the manipulation by the judiciary of political theology concerning the king’s two bodies. Lastly, I analyze the persuasive power of the trope, and especially the capacity of metaphor and metonym to embody such invisible and intangible juristic concepts as justice, equity, and law itself. Whilst recognizing the magisterial quality of Kantorowicz’s magnum opus, I take issue with some of the more extravagant of the author’s claims for the pervasive power of mystical kingship and its influence over English jurists and the English legal profession.


2020 ◽  
Vol 125 (1) ◽  
pp. 132-145
Author(s):  
Brett Edward Whalen

Abstract As is well known, Ernst H. Kantorowicz’s groundbreaking 1957 study The King’s Two Bodies: A Study in Mediaeval Political Theology explored the “dual nature” of the king’s body in medieval and early modern religious and political thought, tracing the evolution of an idea that would ultimately underwrite the “myth of the State,” namely, that the king possessed a mortal, transitory body, but also a supranatural one that never died. Readers greeted The King’s Two Bodies as an exceptional contribution to medieval studies immediately upon its publication. As Whalen relates, however, a growing awareness of where the book fits into the trajectory of Kantorowicz’s life and early career in 1920s and 1930s Germany has reshaped scholarly analyses of his famous work. Increasing numbers of scholars now interpret Kantorowicz’s study of medieval political theology as a response and oblique challenge to contemporary theories about the theological origins of modern sovereignty, including the work of Carl Schmitt. As Whalen also suggests, in recent years, the so-called return of religion to the public sphere and ongoing debates about the validity of the “secularization” narrative, positing the transference of religious concepts to secular politics in the modern age, has inspired further rounds of critical interest in The King’s Two Bodies. Now over sixty years old, Kantorowicz’s book seems as important and vital as ever, experiencing transformations in its reception that few could have imagined when it first appeared in print.


2018 ◽  
Author(s):  
Michał Rauszer

The king’s two bodies and political nation. Formation of peasants’ identity in the nation-building contextIn the 16th century, the political system based on the grangeserfdom economy and early modern elective monarchy was formed in Poland. One of the consequences of this process was an expulsion of the peasants outside of the society. The other one led to the formation of a political nation (a Pole) defined by his attitude towards king, freedom and noble democracy. Therefore, the peasants had no right to be a part of so understood “Polish” nation. The process of peasants inclusion into the tissue of the nation did not start until the late 19th century. In my article, I examine how the Polish nation developed in the context of the political theory of the king’s two bodies (Ernest Kantorowicz). Furthermore, I analyze the peasants’ attitude to the issue of a nation in the context of social changes of that period. Dwa ciała króla i naród polityczny. Kształtowanie się tożsamości chłopskiej w kontekście procesów narodowotwórczychW XVI wieku w Polsce ukształtował się system polityczny gospodarki opartej na pańszczyźnie oraz nowożytna monarchia elekcyjna. Pierwszy proces doprowadził do wyrzucenia poza margines społeczny warstwy chłopskiej. Drugi do wytworzenia się narodu politycznego (Polaka), definiowanego przez jego stosunek do króla, wolności i szlacheckiej demokracji. Chłopi nie mieli więc prawa być częścią tak rozumianego narodu „polskiego”. Proces włączenia się chłopów w tkankę narodu rozpoczął się tak naprawdę dopiero pod koniec XIX wieku. W swoim tekście badam, jak kształtowało się pojęcie narodu polskiego w kontekście teorii politycznej dwóch ciał króla (Ernest Kantorowicz). Ponadto analizuję stosunek chłopów do kwestii narodowej na tle ogólnych społecznych zmian.


2016 ◽  
Vol 2 (1) ◽  
pp. 98-110
Author(s):  
Amritesh Singh

This article juxtaposes the letters written by Elizabeth I to her last suitor, Francis, Duke of Anjou, with John Stubbs’ virulent tract The discoverie of a gaping gulf (1578) that opposed the match to propose that Elizabeth I challenged her belligerent male subjects in a game of semiotic control. I suggest that Elizabeth I fashioned her own ‘queendom’ – a discursive realm that complemented her political kingdom – where she attempted to formulate a code of masculinity that would celebrate gynaecocracy and facilitate a consummation of her sexuality. I show how, in her correspondence with Anjou, Elizabeth I sought to create a model husband for herself who would be sympathetic and subordinate to her political authority. I tease out the playful intercourse between the amorous and the political in Elizabeth I’s language to argue that she insisted on a unique union of her two bodies (the male body politic and the female body natural) which has largely gone unnoticed in current scholarship. Through a close engagement with Elizabethan rhetorical practices, this article aims to inspire a more nuanced reading of gendered identities in early modern England.


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