Temporal patterning of within-song type and between-song type variation in song repertoires

1994 ◽  
Vol 34 (5) ◽  
pp. 329-335
Author(s):  
Stephen Nowicki ◽  
Jeffrey Podos ◽  
Frances Vald�s

1994 ◽  
Vol 34 (5) ◽  
pp. 329-335 ◽  
Author(s):  
Stephen Nowicki ◽  
Jeffrey Podos ◽  
Frances Vald�s


1994 ◽  
Vol 34 (5) ◽  
pp. 329-335 ◽  
Author(s):  
Stephen Nowicki ◽  
Jeffrey Podos ◽  
Frances Valdés


The Condor ◽  
2013 ◽  
Vol 115 (4) ◽  
pp. 874-881 ◽  
Author(s):  
Lauryn Benedict ◽  
Anne Rose ◽  
Nathanial Warning
Keyword(s):  


The Auk ◽  
2000 ◽  
Vol 117 (4) ◽  
pp. 936-942 ◽  
Author(s):  
Susan Peters ◽  
William A. Searcy ◽  
Michael D. Beecher ◽  
Stephen Nowicki

Abstract We asked whether geographic variation exists in the complexity of song repertoires in Song Sparrows (Melospiza melodia) by quantitatively comparing four measures of repertoire organization across four geographically distant populations: (1) repertoire size (the number of distinct song types), (2) the number of “minimal units of production” per repertoire, (3) mean similarity among variants of the same song type (“within-type” similarity), and (4) mean similarity among song types in a repertoire (“between-type” similarity). We found significant geographic differences among populations in three of these four measures, with mean similarity among song types being the exception. In general, relatively sedentary populations in North Carolina and Washington were more similar to each other than to migratory populations in Pennsylvania and Maine. Contrary to our expectation based on prior interspecific analyses of variation in repertoire complexity, the relatively sedentary populations in our sample had more complex repertoires than did the more migratory populations. The origin and functional significance of population differences in repertoire complexity in this species remain uncertain.



Behaviour ◽  
1983 ◽  
Vol 87 (3-4) ◽  
pp. 256-269 ◽  
Author(s):  
S.M. Dawson ◽  
P.F. Jenkins

AbstractThe aim of this investigation was to determine to what extent song repertoires and singing behaviour of chaffinches (Fringilla coelebs) evolved as a means by which resident birds deceive intruders into overestimating the density of residents, making the area appear less suitable for settlement. (1) The chaffinches studied did not show a significant tendency to change song posts synchronously any more than would be expected by chance. (2) Approximately 90% of song type/song post changes were asynchronous. (3) Half of the birds did not repeat their song types with equal frequency, nor did they distribute their singing effort evenly over all the song posts. (4) The degree of similarity between song types in the same repertoire and the degree of similarity between song types from different individuals were not found to be significantly different. (5) No correlation between song rate and repertoire size was found, but it was concluded that seasonal biases strongly restricted this facet of the investigation. On the basis of these findings it is concluded that the evolution of repertoires and singing behaviour in chaffinches seems unlikely to have occurred in conformity with the Beau Geste hypothesis.



Ethology ◽  
2020 ◽  
Author(s):  
Jonathan G. Sikora ◽  
Michelle J. Moyer ◽  
Kevin E. Omland ◽  
Evangeline M. Rose


Zootaxa ◽  
2006 ◽  
Vol 1325 (1) ◽  
pp. 99 ◽  
Author(s):  
MARTIN PÄCKERT

Acoustic differentiation among Goldcrests (Regulus regulus) from the Canary Islands was investigated by sonagraphic analysis with respect to the recently discovered genetic subdivision of the Canarian populations into a clade from Tenerife and La Gomera (nominate ssp. teneriffae) and a second clade from La Palma and El Hierro (recently described as ssp. ellenthalerae). One common dialect, song type A, was found on all four islands inhabited by Goldcrests and is also present on São Miguel, Azores (ssp. azoricus). This one is composed of a rapid trill introduction followed by an ascending part and a terminal flourish. Further Canarian song types are variations of this dialect, differing in trill elements and composition of the second ascending phrase. A remarkably different dialect was exclusively found in the Anaga Mountains on Tenerife. The rhythmic song pattern of alternating high- and lower-pitched elements shows strong resemblance to the song of European nominate regulus and to other island dialects from the Azores. Local variations of song type A were found on El Hierro and La Palma. Three acoustic clusters can be distinguished by discriminant analysis, one comprising all songs of ssp. ellenthalerae from La Palma and El Hierro and two further teneriffae clusters encompassing songs from La Gomera on the one hand and those from Tenerife on the other. The findings are discussed with respect to the potential evolutionary causes of the different song repertoires on the Canaries, the Azores and the European continent and to the use of acoustic markers for taxonomic diagnosis.



2007 ◽  
Vol 73 (4) ◽  
pp. 701-710 ◽  
Author(s):  
Melissa Hughes ◽  
Rindy C. Anderson ◽  
William A. Searcy ◽  
Laurie M. Bottensek ◽  
Stephen Nowicki


1991 ◽  
Vol 69 (7) ◽  
pp. 1867-1874 ◽  
Author(s):  
Scott A. Shackleton ◽  
Laurene Ratcliffe ◽  
Andrew G. Horn ◽  
Christopher T. Naugler

The songs of 34 male Harris' sparrows were recorded at Churchill, Manitoba. The songs are composed of one to three whistled notes, all at the same frequency. Individuals sing from one to three song types, each at a discrete frequency. Males are very accurate at returning to the same frequency, both within a bout and between days. Individuals seem to structure their repertoire on the basis of the frequency ratio between types, rather than on the absolute frequency of each type. Males responded to playback of a 3-kHz song with the song in their repertoire that was closest to it in frequency. We suggest that the frequency ratio between song types may be species specific, whereas the absolute frequency of song types may facilitate individual recognition. This species has been previously described as having only a single song type. Our study and other recent work suggest that there is no sharp distinction in the wild between bird species with single and multisong repertoires.



1987 ◽  
Vol 65 (5) ◽  
pp. 1206-1209 ◽  
Author(s):  
Daniel M. Weary ◽  
Robert E. Lemon ◽  
Elizabeth M. Date

Territorial male veeries (Catharus fuscescens) responded much more to playback of song repertoires from strangers than of those from territorial neighbours. Previous experimental work on species that possess song repertoires has demonstrated only weak neighbour–stranger discrimination. These earlier studies, however, employed only one or two song types, which constituted only a fraction of the repertoires of these species. We used the entire repertoires for playback, these varying from one to three song types. The strong discrimination we demonstrate here is interpreted as evidence that repertoires are not detrimental to recognition by song in veeries. Recordings of song sequences from some individuals consistently evoked a stronger response than did those of others. These differences in response were not related to the number of song types, the number of versions of any one song type, nor to the quality of recording presented.



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