Why robots can’t haka: skilled performance and embodied knowledge in the Māori haka

Synthese ◽  
2021 ◽  
Author(s):  
McArthur Mingon ◽  
John Sutton
2012 ◽  
Author(s):  
Bonnie E. Johnson ◽  
Evan W. Patton ◽  
Wayne D. Gray ◽  
Donald F. Morrison
Keyword(s):  

APRIA Journal ◽  
2020 ◽  
Vol 2 (1) ◽  
pp. 49-55
Author(s):  
Paris Selinas ◽  
Mark Selby

This contribution describes the motivation for 'Paper Cooking,' a design workshop that took place during the Food Friction conference. We reflect on its outcomes, with a view to future directions for work by creating 'Action Recipes,' a video repository that presents people's favourite cooking actions. The repository aims to draw attention to unrecognised aspects of embodied knowledge.


Journal ◽  
1969 ◽  
Vol 2 (1) ◽  
Author(s):  
Judith Okely

Drawing on a multiplicity of learning, teaching and educational experiences, I argue that understanding positionality, or the specificity of each individual, triggers necessary unlearning. Confronting hitherto hidden, subjective knowledge may be the means to recognize grounded learning as ethnocentric and time and space specific. The individual may learn positionality through unexpected contrast, especially through anthropology. The anthropologist is the participant observer, analyst and writer - no managerial delegator, but directly engaged. Learning through engaged action, anthropologists unlearn what they have consciously and unconsciously absorbed from infancy. New embodied knowledge is often gained through making mistakes in other unknown contexts, thus fostering unlearning. This article explores the above themes through an autobiographical account of experiences of both teaching and learning.


Author(s):  
Liubov Vetoshkina ◽  
Yrjö Engeström ◽  
Annalisa Sannino

By skillfully shaping and producing objects human beings externalize and make real their future-oriented imaginaries and visions. Material objects created by skilled performance make human lifeworlds durable. From the point of view of history making, wooden boat building is a particularly rich domain of skilled performance. This chapter is based on two research sites, one in Finland and the other in Russia. The analysis is divided into four layers or threads of history making, namely personal history, the history of the wooden boat community, the political history of the nations and their relations, and the history of the boats themselves as objects of boat-building activity. The chapter ends by discussing our findings and their implications for the understanding of skilled performance and history making in work activities and organizations.


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