scholarly journals A new approach to enhance the appeal of the Italian territory through art: three study cases from Marche Region

2021 ◽  
Vol 14 (3) ◽  
Author(s):  
Laura Valentini ◽  
Olivia Nesci

AbstractBorn from a desire to promote the landscape by integrating its origins and physical aesthetics with its naturalistic, cultural, and artistic heritage, we develop narratives about three locations in central Italy, telling them in the language of popular science, supported by the language of art. The different disciplines of science, poetry, and ancient music are applied to the same sites, producing emotional experiences where the encounter and interplay between different representations, and combinations of representations, become an expression of a place. The research introduces three geosites from the Marche Region, central Italy: I Sassi Simone e Simoncello, La Grotta della Beata Vergine di Frasassi, and the Infernaccio Gorge, in order to propose our multidisciplinary approach to the international public. These have been chosen for their value and charm, for their different processes of genesis and evolution, and for the cultural context and feelings they evoke. In a new approach to science communication, our study uses art in the form of music and poetry to encourage people to learn about landscapes. The paper explains the genesis and evolution of the three places, suggests trekking itineraries, includes a poem written specifically for each site, and describes a piece of ancient music and video and cultural offerings relating to each location. Our goal is to educate by fashioning a new perception of landscapes, starting with their physical beauty, and then building on scientific research in co-operation with arts, to improve what we know about their problems and weaknesses, but also about their culture and other strengths.

2020 ◽  
Vol 3 (2) ◽  
pp. 393-406
Author(s):  
Olivia Nesci ◽  
Laura Valentini

Abstract. We present a method to educate the public about landscapes that uses artistic works to broaden the audience, entice people to learn about landscapes in a personal and human context, and thus encourage them to preserve the natural heritage. To this end, we use narratives about a place, in plain language, accompanied by visual presentations, original poetry, and ancient music. Several studies encourage the use of art since it can help to synthesize and convey complex scientific information and create a celebratory and positive atmosphere. Evidence suggests that the arts can deeply engage people by focusing on emotions rather than relying only on comprehension, which is often emphasized in science communication. The multidisciplinary approach arouses an emotional and intellectual experience that enables a personal connection to the place. The work is part of a larger multidisciplinary project covering 20 sites in the Marche region (central Italy), which includes scientific information on geological–geomorphological genesis, trekking itineraries, poetry, ancient music, video, and cultural offerings. The project resulted in live multidisciplinary performances, a book, a DVD, and a website. To give a taste of how we work among the many amazing landscapes of the Marche region, we focus here on three sites from the north, the centre, and the south of the region, namely the sea cliff of San Bartolo, the flatiron of Mount Petrano, and the fault of Mount Vettore, chosen as examples for their different processes of genesis and evolution. In the long run, our goal is to promote a deeper understanding of landscapes by integrating their origin and physical aesthetic with their cultural and artistic heritage. In doing so, we intend to inspire people to have a new perception of geosites, starting from their physical beauty, building on scientific study and cultural history, and arriving at the knowledge of their social importance. So far, our direct experience with the public has been highly encouraging. The participation at our live shows demonstrated a great interest in geological history, a result that is relevant for the development of geotourism. The method demonstrates the potential to develop a strong personal involvement of visitors with the places, stimulating their curiosity to know how and why that place was formed, and, finally, the desire to visit and protect it.


2020 ◽  
Author(s):  
Olivia Nesci ◽  
Laura Valentini

Abstract. We present a new approach in science communication that uses artistic works to entice people to learn about landscapes. To this aim, we use narratives about a place in plain language accompanied by visual stimulations, poetry, and ancient music. The multidisciplinary approach resulting from the encounter and interplay among the different communicative methods arouse an emotional and intellectual experience that enables a personal connection to the place. This work is part of a larger multidisciplinary project covering 20 sites in the Marche Region (Central Italy) that includes scientific information on geological-geomorphological genesis, trekking itineraries, poetry, ancient music, video and cultural offerings. The project is documented through live multidisciplinary performances, the publication of project materials in a book with a DVD attached, and through a web site with the same contents. Among the many amazing landscapes of the Marche Region, we focus here on three sites from the north, the centre and the south of the region: The sea-cliff of San Bartolo, The flatiron of Mount Petrano and The fault of Mount Vettore, chosen as examples for their different processes of genesis and evolution. Our goal is to promote a deeper understanding of landscapes by integrating their origin and physical aesthetic with their cultural and artistic heritage. In doing so, we intend to educate people to have a new perception of geo-sites, starting from its physical beauty, building on scientific study and cultural history, and arriving to the knowledge of its social importance.


Author(s):  
Naomi A. Weiss

The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides. Drawing on the ancient conception of mousikē, in which words, song, dance, and instrumental accompaniment were closely linked, Naomi Weiss emphasizes the interplay of performance and imagination—the connection between the chorus’s own live singing and dancing in the theater and the images of music-making that frequently appear in their songs. Through detailed readings of four plays, she argues that the mousikē referred to and imagined in these plays is central to the progression of the dramatic action and to ancient audiences’ experiences of tragedy itself. She situates Euripides’s experimentation with the dramaturgical effects of mousikē within a broader cultural context, and in doing so, she shows how he both continues the practices of his tragic predecessors and also departs from them, reinventing traditional lyric styles and motifs for the tragic stage.


1995 ◽  
Vol 38 (5-6) ◽  
Author(s):  
F. Bramerini ◽  
S. Castenetto ◽  
E. Cubellis ◽  
M. G. Martini ◽  
M. Rebuffat ◽  
...  

A series of multimedia monographs concerning the main seismic events that have affected the Italian territory are in the process of being produced for the Documental Integrated Multimedia Project (DIMP) started by the Italian National Seismic Survey (NSS). The purpose of the project is to reconstruct the historical record of earthquakes and promote an earthquake public education. Producing the monographs. developed in ARC INFO and working in UNIX. involved designing a special filing and management methodology to integrate heterogeneous information (images, papers, cartographies, etc.). This paper describes the possibilities of a GIS (Geographic Information System) in the filing and management of documental information. As an example we present the first monograph on the 1883 Casamicciola earthquake. on the island of Ischia (Campania, Italy). This earthquake is particularly interesting for the following reasons: I) historical-cultural context (first destructive seismic event after the unification of Italy); 2) its features (volcanic earthquake); 3) the socioeconomic consequences caused at such an important seaside resort.


Redia ◽  
2021 ◽  
Vol 104 ◽  
pp. 209-215
Author(s):  
EMILIANO MORI ◽  
ANDREA VIVIANO ◽  
LEONARDO BRUSTENGA ◽  
FRANCESCO OLIVETTI ◽  
LUCA PEPPUCCI ◽  
...  

The presence of the Eurasian beaver Castor fiber L. has been recently confirmed with two separated populations in Tuscany (Central Italy) and probably represents the result of an unofficial release. In late spring and summer 2021, seven reliable records of Eurasian beaver have been collected in Umbria and other neighbouring regions, implying that the distribution of this large rodent is even wider than previously reported. In this short work, we updated the distribution of this protected species in Central Italy, by collecting and mapping all the confirmed occurrences. Beavers were proved to be present throughout the Tiber (Tevere) river basin in both provinces of Umbria, and another individual has been road-killed in the Marche region, near the border with Tuscany. Other single signs of presence occurred in Emilia Romagna and Latium. The only hair sample we were able to collect confirmed it as the Eurasian beaver species. No reliable evidence is available on the number of free-ranging beavers in Central Italy, and systematic monitoring is needed. Before any management and conservation action, further data are required concerning distribution range, potential origin, social perception, and the effects on the ecosystems.


2021 ◽  
Author(s):  
Laura Valentini ◽  
Veronica Guerra ◽  
Maurizio Lazzari ◽  
Olivia Nesci

<p>In this work, we propose a new approach to communicate science using art forms, such as music and poetry, in order to encourage people to learn more about landscapes. This approach was born from a desire to promote the landscape by integrating its origins and physical aesthetics with its naturalistic, cultural and artistic heritage, through narratives in popular science style, supported by the language of art. The different disciplines of Earth Science, poetry and music are applied together to specific sites, producing emotional experiences where encounter and interplay between the different languages become an expression of the place.</p><p>This experience started few years ago in 2014 and was linked by a common interest in enhancement of the territory. The team is composed of researchers and artists with different skills, whose aim is to promote deeper public awareness of the territory, by means of proposing live events and presenting the idea in international scientific conferences and journals. After a project dedicated to 20 geosites in the Marche Region (Central Italy), which took place from February 2018 to February 2020 and resulted in a book in the native language (Nesci and Valentini 2019) and a website presenting a summary of it, we are now approaching a new region in North-Central Italy. The Valmarecchia and Montefeltro areas are well known by geologists and scientists from all over the world for the particular origin and evolution of the Valmarecchia nappe, which consists of stacked slices of Ligurian and Epiligurian rocks overthrusting Tuscan and Umbro-Marchean Units and producing unique geological landscapes (Guerra and Lazzari, 2020). The study area is also well known by historians and artists for its great cultural value, but poorly understood by tourists and locals.</p><p>The research has identified several geological landscapes in the study area that could be used as field test sites to experiment different communication styles for dissemination of geological values. The methodology proposed in this paper aims to experiment the involvement level of the participants, engaged through the use of conventional and unconventional means in the popularization of Earth Sciences, such as music and art, directly in the field. These experiences will be included in series of treks conducted with different approaches (i.e. classic guided tours, exploring experiences, interactive engagement of the public in narrative and emotional engagement through music and art). The aim is to collect data about the involvement of the public and to verify whether incisiveness of geological concepts, conveyed within the affective domain of learning (i.e. engagement, attitude, and emotion), differs from the one deriving from the involvement of the cognitive domain (i.e. comprehension and application) (Nesci and Valentini, 2020).</p><p>Our goal is to educate by creating a new perception of geological landscapes, starting with their physical beauty and then building on scientific research in co-operation with arts, in order to improve what we know about their problems and weaknesses, and addressing their culture and their other strengths as well.</p>


2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Domenico Paludi ◽  
Giovanni Di Guardo ◽  
Alberto Olivastri ◽  
Antonio Zizzi ◽  
Corrado Rubini ◽  
...  

The raw ham’s ripening process contributes to the development of numerous biochemical reactions, mainly affecting proteins and lipids and allowing to obtain an adequate texture and a characteristic flavor. This article reports the results of histologic investigations carried out on 5 different anatomic regions from raw hams manufactured in the Fermo Province, Marche Region, Central Italy. Raw ham specimens were collected at the 10 following time intervals throughout the ripening process: 1) “Time 0”, when ripening was started, 2) one month, 3) three months, 4) four months, 5) eight months, 6) nine months, 7) twelve months, 8) eighteen months, 9) twentythree months and 10) twenty-eight months after the ripening process began, respectively. Different microscopic findings of variable extension and degree were observed, with the vast majority of them being interpreted as dehydration- and proteolysisrelated modifications. In conclusion, morpho- histological investigations may represent a valuable aid in raw ham’s ripening analysis.


2020 ◽  
pp. 1-10
Author(s):  
Piero Farabollini ◽  
Pierfederico De Pari ◽  
Marco Emanuele Discenza ◽  
Mariacarmela Minnillo ◽  
Cristiano Carabella ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document