scholarly journals Archeology of the Lu City: Place memory and urban foundation in Early China

2018 ◽  
Vol 14 ◽  
pp. 151-160 ◽  
Author(s):  
M. Li ◽  
H. Fang ◽  
T.X. Zheng ◽  
A. Rosen ◽  
H. Wright ◽  
...  
2017 ◽  
Vol 1 (1) ◽  
pp. 31-47 ◽  
Author(s):  
Ori Tavor

Scientific advances in the field of biomedicine have fundamentally changed the ways in which we think about our bodies. Disease, aging, and even death, are no longer seen as inevitable realities but as obstacles that can be controlled, and in some cases even reversed, by technological means. The current discourse, however, can be enriched by an investigation of the various ways in which the aging process was perceived and explained throughout human history. In this article, I argue that in early China, the experience of aging and the challenges and anxieties it produced played a constitutive role in the shaping of religious culture. Drawing on a variety of medical, philosophical, and liturgical sources, I outline two models of aging: one that presented aging, and especially the loss of virility, as an undesirable but solvable condition that can be reversed with the aid of various rejuvenation techniques, and a more socially conscious model that depicted aging as a process of gradual social ascension, a natural but fundamentally unalterable condition that should be accepted, marked, and even celebrated through ritual. I conclude by demonstrating the legacy and lasting influence of these models on two of the most fundamental tenets of Chinese religion: the pursuit of longevity and the ideal of filial piety.


2006 ◽  
Vol 56 (4) ◽  
pp. 694-699 ◽  
Author(s):  
Edward G. (Edward Gilman) Slingerland
Keyword(s):  
The Body ◽  

2021 ◽  
pp. 1-26
Author(s):  
Nóra Veszprémi

Abstract After the collapse of the Habsburg Empire and the sanctioning of new national borders in 1920, the successor states faced the controversial task of reconceptualizing the idea of national territory. Images of historically significant landscapes played a crucial role in this process. Employing the concept of mental maps, this article explores how such images shaped the connections between place, memory, and landscape in Hungary and Czechoslovakia. Hungarian revisionist publications demonstrate how Hungarian nationalists visualized the organic integrity of “Greater Hungary,” while also implicitly adapting historical memory to the new geopolitical situation. As a counterpoint, images of the Váh region produced in interwar Czechoslovakia reveal how an opposing political agenda gave rise to a different imagery, while drawing on shared cultural traditions from the imperial past. Finally, the case study of Dévény/Devín/Theben shows how the idea of being positioned “between East and West” lived on in overlapping but politically opposed mental maps in the interwar period. By examining the cracks and continuities in the picturesque landscape tradition after 1918, the article offers new insight into the similarities and differences of nation-building processes from the perspective of visual culture.


2020 ◽  
Vol 59 (2) ◽  
pp. 485-487
Author(s):  
Lothar von Falkenhausen
Keyword(s):  

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Yan Liu ◽  
Rui Li ◽  
Junchang Yang ◽  
Ruiliang Liu ◽  
Guoxing Zhao ◽  
...  

AbstractTechnology employed by the ancient goldsmiths is traceable through archaeometallurgy. Using non-destructive analytical methods, namely, a 3D digital microscopy and a scanning electron microscopy with energy dispersive spectrometer (SEM–EDS), we investigated the manufacturing techniques and chemical composition of gold and silver artefacts recovered from Tomb 2 (M2), the richest find from Xigoupan cemetery (fourth-third century BCE) in the northern part of Jungar Banner, Inner Mongolia. The present research contributes to a better understanding of the inventive nature of precious metal working industry in early China (eighth-third century BCE). First, cultural interchange was evidenced in the metalwork examined, notably as being closely linked to techniques emerging from the Eurasian steppes. In Xigoupan M2, the ornamentation of sheet works in the Scytho-Siberian animal style was seen to be clearly influenced by the central Asian steppe goldsmithing practice, while certain cast items were typical of the Chinese tradition. Second, our analysis reveals that the gold appliqués with raised animal figures that were previously thought to be repoussé work have actually been made with double-sided carving. We consider such a new technology as one of local inventions that was inspired by methods arriving from the central Asian steppes. In addition, our analysis of elemental composition reveals that the gold artefacts found in Xigoupan M2 to be made of natural gold, while the horse harness ornament is made of pure silver. These results, combined with the study of the existing data pertaining to comparable examples, attest to the shared craftsmanship in prestige metal production across the northern Chinese states, especially with regard to the pre-imperial period Qin workshop.


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