Adaptive Livelihood Strategies in Conservation-Induced Displacement: The Case of the Baka of East Cameroon

2015 ◽  
Vol 58 (2) ◽  
pp. 135-156 ◽  
Author(s):  
Harrison Esam Awuh

Abstract:This article utilizes the Actor‒Network Theory (ANT) to guide thinking about the relationship between nature and society and how this relationship is severed by conservation-induced displacement. ANT’s view of interconnectivity between networks is used to argue that a network is only stable as long as actors remain faithful to it. In the case of the displaced Baka people of the Dja Reserve area in East Cameroon, resistance to conservation through adaptive practices following displacement can reverse or disrupt the socially predetermined order of a network, which in this case would be marginalization of the displaced. However, the marginal scale of their adaptation to change raises doubts over the sustainability of adaptation to post-displacement livelihoods.

KANT ◽  
2020 ◽  
Vol 37 (4) ◽  
pp. 281-291
Author(s):  
Konstantin Maltsev ◽  
Artem Alaverdyan

Methodological provisions of B. Latour's actor-network theory: methodically grounded doubt in the conceptual reality and reality of the social, the need to distinguish between the social in social relations and the social in associations, the methodological requirement of "symmetry in the interpretation of nature and society" and the related new understanding of the social actor, are essentially close to the influential constructivist (R. Brubaker) approach in understanding the nation and the national. The article analyzes the relationship between "categorical" and "network" concepts in the study of the nature of "national", methodological problems of "compatibility" of actor-network and constructivist approaches to building the concept of "nation"; the conclusion is drawn that the permissibility of "methodological syncretism" is limited to the area of practical-oriented "empirical generalizations" that guide the political practice of nation-building and the regulation of national conflicts.


2017 ◽  
Vol 8 (5) ◽  
pp. 858
Author(s):  
Min Liu

Chinese philosophical literature is rarely introduced to foreign countries (Pohl, 1999, p. 303). Zhou Guoping, as a contemporary philosopher and essayist, has created essays with both depth and readability, and thus his works are deemed to be worthy of translation. This article aims to elaborate on the translator’s techniques for transferring Zhou Guoping’s famous collection of essays A Watchful Distance. Divided into four sections, this article uses actor-network theory as its theoretical framework and analyses the translator’s position in translation activities from sociocultural perspective, gives corresponding translating techniques to problems related to creativity, conventionalised expressions, utterances and Chinese cultural elements in this book, and draws a conclusion upon the relationship between cultural homogeneity and corresponding translating techniques underpinned by actor-network theory. By discussing specific translating techniques used for Zhou’s book, this article fills up the gap in the transfer techniques of A Watchful Distance to overseas cultures. However, the limitation lies in that the number of Zhou’s works studied are restricted.


Author(s):  
Hafizah Mohamad Hsbollah ◽  
Alan Simon ◽  
Nick Letch

The implementation of IT governance (ITG) arrangements and its relationship to IT infrastructure has not received much attention in either the ITG or the information systems (IS) literature. Based on the premise that the foundation on which ITG is implemented lies in the interaction between ITG arrangements of structures, processes and relational mechanisms and IT infrastructure, the authors present a discussion of how actor network theory (ANT) can be used as an overarching theoretical framework of explanation. The authors propose a model of ITG implementation and discuss how ANT, in particular the local/global network approach, can be applied to understand the relationship that exists between ITG arrangements and IT infrastructure.


2012 ◽  
Vol 16 (2) ◽  
pp. 105-122 ◽  
Author(s):  
Edwin Sayes ◽  

The philosophy of Bruno Latour has given us one of the most important statements on the part played by technology in the ordering of the human collective. Typically presented as a radical departure from mainstream social thought, Latour is not without his intellectual creditors: Michel Serres and, through him, René Girard. By tracing this development, we are led to understand better the relationship of Latour’s work, and Actor-Network Theory more generally, to traditional sociological concerns. By doing so we can also hope to understand better the role that objects play in structuring society.


1997 ◽  
Vol 15 (6) ◽  
pp. 731-756 ◽  
Author(s):  
Jonathan Murdoch

Recently human geographers and sociologists have begun to focus on the prospects for theories without dualisms. As a result of research on technology, animals, and the environment, it has become evident that a human-centred perspective, which continually positions humans as the only significant actors, cannot adequately take into account the various nonhumans which make up our world and upon which we depend. In large part the human-centredness of much social science derives from a sharp divide, a dualism, between nature and society and between the work of natural and human scientists. In this paper I consider one attempt to transgress this divide and assess the prospects for theories of this kind. The focus here is upon actor-network theory (ANT), an approach developed by Michel Callon, Bruno Latour, and John Law within social studies of science. I first outline the social studies which form the background to the development of ANT and then go on to elaborate the main contours of the approach, with particular emphasis on its transgression of the nature—society distinction. I conclude with a critical assessment of its strengths and weaknesses and attempt to show how it might be usefully combined with other, more traditional, social scientific concerns.


2016 ◽  
Vol 71 (4) ◽  
pp. 221-227 ◽  
Author(s):  
Sören Becker ◽  
Antje Otto

Abstract. This editorial introduces different theoretical strands in political ecology both in English and German speaking contexts. Comparing Marxist with more relational and "new materialist" approaches, it is argued that the various theoretical approaches chosen induce different ways of how the relationship between society and nature, between material and culture is conceptualized. The dialectical perspective derived from Marxism is thereby contrasted with the more emergent, and relativist understandings of actor network theory and assemblage thinking. Besides, the six single contributions in this Special Issue are introduced and five areas for further research are laid out: (1) the multiplicity of materiality, (2) the opposition between dialectic and relativist thinking, (3) the tension between elements and entire socio-material configurations, (4) materiality in the production of space and (5) issues of materiality and power.


ILUMINURAS ◽  
2016 ◽  
Vol 17 (42) ◽  
Author(s):  
Rafael Nogueira Costa ◽  
Fátima Branquinho

Neste artigo apresentamos um professor de artes acompanhado de seis crianças da periferia de Macaé/RJ à procura dos animais do Parque Nacional da Restinga de Jurubatiba para serem desenhados numa prancheta de papel. As imagens fazem parte do registro de campo do Curso de Cinema Ambiental da UFRJ Macaé, conduzido no ano de 2013. Para construção do filme, fruto do curso, foi utilizado como referencial teórico as ideias de diálogo do pensador Paulo Freire. Ao seguirmos uma formiga na paisagem da restinga, diluímos as fronteiras entre a natureza e sociedade, conforme indica a teoria ator-rede. Com este registro visual pretendemos mostrar que as dicotomias criadas pelas ideias da ciência positivista são mais imaginárias do que real.Palavras-Chave: Cinema. Educação ambiental. Teoria ator-rede. Diálogo. Formiga.The boundary between the community and the conservation unit chewed by the ant-ounceAbstractIn this article we present a teacher of arts, accompanied by six children from the suburbs of Macaé/RJ in search of the animals of Restinga de Jurubatiba National Park to be drawn on a paper clipboard. The images are part of the field record of the UFRJ Macaé Environmental Film Course, conducted in 2013. For the construction of the film, as a result of the course, the ideas of dialogue of the thinker Paulo Freire were used as a theoretical reference. As we follow an ant in the restinga landscape, we dilute the boundaries between nature and society, as the actor-network theory indicates. With this visual record we are interested in showing that the dichotomies created by the ideas of positivist science are more imaginary than real.Keywords: Cinema. Environmental education. Actor-network theory. Dialogue. Ant. 


Author(s):  
Lars Linden ◽  
Carol Saunders

In June 2007, with the impending release of a revised version of the GNU General Public License (GPLv3), Linux kernel developers discussed the possibility of changing the license of the Linux kernel from being strictly the GPLv2 to a dual-licensing arrangement of both GPLv2 and GPLv3. We studied a set of Linux Kernel Mailing List (LKML) postings to better understand the relationship among the kernel developers and these licenses. Using Actor-Network Theory, we identify and describe a LKML debate about licensing. Our narrative highlights important actor-networks, their interrelationships, and a (failed) process of translation. The details suggest that the conceptualization of a copyright license as a monolithic social force maintaining the Linux community should be tempered with an appreciation of authorship and its distributed nature within Linux development.


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