Early medieval and medieval - Wendy Davies, Guy Halsall & Andrew Reynolds (ed.) People and Space in the Middle Ages (Studies in the Early Middle Ages). 368 pages, 52 illustrations, 2 tables. 2006. Turnhout: Brepols; 978-2-503-51526-7 hardback. - Catherine E. Karkov & Nicholas Howe (ed.). Conversion and Colonization in Anglo-Saxon England. xx+248 pages, 25 illustrations. 2006. Tempe (AZ): Arizona Center for Medieval and Renaissance Studies; 978-0-86698-363-1 hardback £36 & $40. - Penelope Walton Rogers. Cloth and Clothing in Early Anglo-Saxon England, AD 450–700. xx+290 pages, 177 b&w & colour illustrations, 7 tables. 2007. York: Council for British Archaeology; 978-1-902771-54-0 paperback. - Rachel Moss (ed.) Making and Meaning in Insular Art. xxiv+342 pages, 255 b&w & colour illustrations, 2 tables. 2007. Dublin: Four Courts; 978-1-85182-986-6 hardback £60. - Andrew Saunders. Excavations at Launceston Castle, Cornwall (The Society for Medieval Archaeology Monograph 24). xviii+490 pages, 344 b&w & colour illustrations. 2006. London: Maney; 978-1-904350-75-0 paperback. - Julian Munby, Richard Barber & Richard Brown. Edward Ill’s Round Table at Windsor: The House of the Round Table and the Windsor Festival of 1344. xiv+282 pages, 24 b&w illustrations, 16 colour plates, 8 tables. 2007. Woodbridge: Boydell; 978-1-84383-313-0 hardback £35. - Reviel Netz & William Noel. The Archimedes Codex. xii+306 pages, 42 illustrations. 2007. London: Weidenfeld & Nicolson; 978-0-297-64547-4 hardback £18.99.

Antiquity ◽  
2007 ◽  
Vol 81 (313) ◽  
pp. 826-826
Author(s):  
Madeleine Hummler
Keyword(s):  
Middle Ages ◽  
Round Table ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Renaissance Studies ◽  
Medieval Archaeology ◽  
The Middle Ages ◽  
Insular Art

Introduction

2021 ◽  
pp. 1-34
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Middle Ages ◽  
Late Modernism ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Early Middle Ages ◽  
History Of ◽  
Central Argument ◽  
Century Poetry ◽  
Changing Attitudes

The Introduction situates David Jones’s work as a poet–artist within the broader currents of high and late modernism, particularly within the context of a tradition of medievalism in twentieth-century poetry. It draws on Alexander Nagel’s conception of the medieval modern to show how Jones approaches the culture and history of the early Middle Ages as a form of live material open to play and adaptation. The Introduction also reframes our understanding of David Jones’s perception of himself as Anglo-Welsh in relation to changing attitudes to early medieval Welsh (Celtic) and English (Anglo-Saxon/Teutonic) history over the course of his lifetime. This discussion introduces the monograph’s central argument: as a poet of the medieval modern, Jones plays with and reworks early medieval English histories, narratives, and artefacts in order to challenge the singularity and exceptionalism of an ‘Anglo-Saxon’ canon.

The Early Medieval Textiles at Maaseik, Belgium

1985 ◽  
Vol 65 (2) ◽  
pp. 353-389 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle
Keyword(s):  
Middle Ages ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Early Medieval ◽  
The West ◽  
Missing Link ◽  
History Of ◽  
Western European ◽  
The Church ◽  
The Middle Ages

This article offers an account of the components, the structure and the history of the so-calledcasulaandvelaminaof Sts Harlindis and Relindis preserved at the Church of St Catherine at Maaseik in Belgium as relics of the two sisters who founded the nearby abbey of Aldeneik (where the textiles were kept throughout the Middle Ages). The compositecasulaof Sts Harlindis and Relindis includes the earliest surviving group of Anglo-Saxon embroideries, dating to the late eighth century or the early ninth. Probably similarly Anglo-Saxon, a set of silk tablet-woven braids brocaded with gold associated with the embroideries offers a missing link in the surviving corpus of Anglo-Saxon braids. The ‘David silk’ with its Latin inscription and distinctly western European design dating from the eighth century or the early ninth offers a rare witness to the art of silk-weaving in the West at so early a date. Thevelamenof St Harlindis, more or less intact, represents a remarkable early medieval vestment, garment or cloth made up of two types of woven silk cloths, tablet-woven braids brocaded with gold, gilded copper bosses, pearls and beads. Thevelamenof St Relindis, in contrast, represents the stripped remains—reduced to the lining and the fringed ends—of another composite textile. Originally it was probably luxurious, so as to match the two other composite early medieval textile relics from Aldeneik. As a whole, the group contributes greatly to knowledge of early medieval textiles of various kinds.

The Transformation into the Early Middle Ages (Fourth to Eighth Centuries)

2015 ◽  
pp. 490-519 ◽  
Author(s):  
Hubert Fehr
Keyword(s):  
Roman Empire ◽  
Middle Ages ◽  
River Rhine ◽  
Late Antique ◽  
Rural Settlements ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Roman Provinces ◽  
Roman Germany ◽  
Medieval Archaeology

This chapter focuses on the transformation of Roman Germany into the early Middle Ages (fourth to eighth centuries). The final collapse of Roman rule in northern Gaul in the middle of the fifth century signalled the de facto end of the three Late Roman provinces: Germania Prima, Germania Secunda, and Maxima Sequanorum. The territories along the western bank of the River Rhine experienced quite different political destinies between the middle of the fifth and the middle of the sixth century. The chapter first looks at how migrations of peoples from Barbaricum into the Roman Empire caused the end of a Roman-style society and economy in former Roman Germany. It then discusses early medieval archaeology in Germany, with particular emphasis on cemeteries and churches. Finally, it analyses methodological developments in late antique and early medieval archaeology, along with the transformation of towns and landscape/rural settlements.

The Early Middle Ages and the Christianization of Europe

2015 ◽  
Author(s):  
John Marenbon
Keyword(s):  
Middle Ages ◽  
Eleventh Century ◽  
Christian Belief ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Classical Culture ◽  
The Middle Ages

This chapter looks at the ease with which the ancient pagan culture was adopted and adapted to fit into a Christian world (without in many cases being actually Christianized) during the Early Middle Ages. In writing which was not strictly theological or philosophical, early medieval scholars used ancient models and language freely within a Christian context. They took the compatibility of pagan culture and Christian belief so much for granted that the Problem of Paganism did not arise; and the same is true for their predecessors in the sixth and seventh centuries as for some tenth- and eleventh-century writing. This broad, unproblematic acceptance of classical culture set what would remain the mainstream view throughout the Middle Ages. The chapter also looks at how Christian Europe came about only as the result of a long process.

Spil, leg og idræt i nordisk middelalder

1999 ◽  
Vol 15 ◽  
Author(s):  
Leif Søndergaard
Keyword(s):  
Cultural Identity ◽  
Middle Ages ◽  
Social Groups ◽  
Full Scale ◽  
Original Function ◽  
Early Medieval ◽  
Early Middle Ages ◽  
Physical Strength ◽  
The Social ◽  
The Middle Ages

Beskrivelse af de sociale klassers sportsdyrkelse og bevægelseskulturer i middelalderen i de nordiske lande.Games and Sports in the Middle Ages in the NorthFrom Saxo’s Gesta Danorum (ce. 1200), the Icelandic Sagas and the Norwegian King’s Mirror (ce. 1250), we obtain the clear impression that games and sports in the early Middle Ages served two main functions: 1) to display physical strength and 2) to train in the proper use of weapons. These abilities were needed at all levels of Viking and early medieval society. Even kings had to distinguish themselves in sports. Later in the Middle Ages sports and games were socially differentiated. The peasantry continued with trials of strength, – wrestling, boxing, tug-of-war, running and jumping games, ball games, throwing the javelin, shooting with longbow or crossbow, stone lifting etc. The nobility however developed new games. The chivalric virtues, values and norms were transmuted into tournaments. A full scale tournament comprised three sections: 1) riding at the ring, 2) fights between riding knights armed with lances and, 3) standing fights with swords. The nobles also played skittles and other games. The burghers in the towns invented their own games during the Later Middle Ages. Their guilds organised festive sports at Shrovetide, pulling the head off a goose, sword dancing, riding summer and winter, – and at Pentecost, shooting popinjays (a wooden figure on the end of a pole). During the Middle Ages sports and games lost most of their original function of displaying power. Instead they aspired to a place among the rituals of representative courtly display. The games were often integrated into annual festivities, and contributed to giving a distinct cultural identity to each of the social groups who performed them.

Land and Power from Roman Britain to Anglo-Saxon England?

2011 ◽  
Vol 19 (1) ◽  
pp. 175-193 ◽  
Author(s):  
John Moreland
Keyword(s):  
Middle Ages ◽  
Rural Settlements ◽  
Anglo Saxon ◽  
Early Medieval ◽  
Roman Britain ◽  
Early Middle Ages ◽  
Archaeological Evidence ◽  
Burial Mounds ◽  
Political Structures ◽  
Late Roman

AbstractArchaeology, and in particular the study of ceramics, lies at the heart of the interpretive schemes that underpin Framing the Early Middle Ages. While this is to be welcomed, it is proposed that even more extensive use of archaeological evidence - especially that generated through the excavation of prehistoric burial-mounds and rural settlements, as well as the study of early medieval coins - would have produced a rather more dynamic and nuanced picture of the transformations in social and political structures that marked the passage from late Roman Britain to Anglo-Saxon England.

The Cult of St Edmund, King and Martyr in Medieval Ireland

2018 ◽  
Vol 136 (4) ◽  
pp. 223-238 ◽  
Author(s):  
Francis Young
Keyword(s):  
Middle Ages ◽  
Anglo Saxon ◽  
Norman Conquest ◽  
14Th Century ◽  
Patron Saint ◽  
12Th Century ◽  
Anglo Norman ◽  
Christ Church ◽  
Medieval Ireland ◽  
The Middle Ages

St Edmund, king and martyr (an Anglo-Saxon king martyred by the Vikings in 869) was one of the most venerated English saints in Ireland from the 12th century. In Dublin, St Edmund had his own chapel in Christ Church Cathedral and a guild, while Athassel Priory in County Tipperary claimed to possess a miraculous image of the saint. In the late 14th century the coat of arms ascribed to St Edmund became the emblem of the king of England’s lordship of Ireland, and the name Edmund (or its Irish equivalent Éamon) was widespread in the country by the end of the Middle Ages. This article argues that the cult of St Edmund, the traditional patron saint of the English people, served to reassure the English of Ireland of their Englishness, and challenges the idea that St Edmund was introduced to Ireland as a heavenly patron of the Anglo-Norman conquest.

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