Law Reform and the Law Commission. By John H. Farrar, ll.m., Lecturer in Law at the University of Bristol. [London, Sweet & Maxwell. 1974. xv, 147 and (Index) 3 pp. Hardback: £2.25; Paperback: £1.25 net.] - Administrative Procedures. By Gabrielle Ganz, ll.m., Senior Lecturer in Law, University of Southampton. [London, Sweet & Maxwell. 1974, xv, 115 and (Index) 2 pp. Hardback: £2.00; Paperback: £1.00 net.]

1975 ◽  
Vol 34 (1) ◽  
pp. 174-176
Author(s):  
Peter Wallington
Legal Studies ◽  
2006 ◽  
Vol 26 (3) ◽  
pp. 321-328 ◽  
Author(s):  
Roger Toulson

In this paper, which is the text of a lecture given at the official launch of the Law School at the University of Bradford on 11 May 2006, the history of law reform in England is traced, the role of the Law Commission is analysed and future prospects are considered.


1974 ◽  
Vol 33 (2) ◽  
pp. 307-323 ◽  
Author(s):  
J. R. Spencer

The Defective Premises Act 1972—which did not come into force until 1 January 1974—was intended to do three things: first, it was intended to create a new civil remedy against incompetent architects and jerry builders who design or build bad dwelling-houses; secondly, it was intended to abolish the anomalous immunity of vendors and lessors from negligence actions; and thirdly, it was intended to widen the liability of landlords for defects in the premises which they let. The Act is based on the draft Bill annexed to the Law Commission's fortieth report, “Civil Liability of Vendors and Lessors of Defective Premises”—although in the Act the Law Commission's proposals have been considerably watered down. During the passage of the Act through Parliament the Law Commission was congratulated on its “remarkable piece of work,” and comentators have since welcomed it, either without criticism or else with fulsome praise. So excited was everyone by the label “law reform” that no one seems to have pointed out a number of obvious defects in the Law Commission's original proposals, defects which were multiplied when those proposals were heavily watered down. The final measure is open to a number of criticisms. It is, with all due respect to the Law Commission and to the sponsors of the Bill, a measure which adopts excessively cumbrous means to achieve relatively modest ends; which is drafted in terms which are longwinded, ugly and obscure; and which ultimately changes little—a poor show in view of the complications it creates in the process.


1997 ◽  
Vol 56 (3) ◽  
pp. 516-536
Author(s):  
Dame Mary Arden

Parliament has imposed on the Law Commission the duty to review the law of England and Wales “with a view to its systematic development and reform, including in particular the codification of [the] law … and generally the simplification and modernisation of the law”. There are a number of points which flow from this. First, as a body which reviews great swathes of the common law to see if they require to be modernised or simplified, the Law Commission has a unique standpoint from which to view the strengths and weaknesses of the common law method. Second, it has unique experience of law reform and the Parliamentary process. Third, in discharge of its functions, it has an interest in seeing that, if codification is appropriate, a recommendation to that effect is made to the Lord Chancellor. It need not be the Law Commission which carries out the recommendation, and indeed the Law Commission could not carry out a project purely of its own initiative.


Author(s):  
Eva Steiner

This chapter assesses the process of law reform in France. Although a full-time Commission has been set up in France to deal with the codification of the law, no similar permanent institution exists for keeping the law under review and for making recommendations for its systematic reform. There is thus no French equivalent for the Law Commission such as in other countries. Therefore law reform initiative has been left entirely to government departments and Members of Parliament and this is confirmed by the 1958 Constitution. Consequently, in practice, the majority of bills have their origin in government departments, and in particular the Ministry of Justice, whose function it is to deal with the organisation of the civil and criminal justice system. The role of supreme courts in reforming the law is also highlighted in the chapter.


2007 ◽  
Vol 28 (2) ◽  
Author(s):  
Angela Melville

AbstractLaw Reform Commissions are permanent bodies which operate in common law countries, and are charged with the task of recommending law reform. The Commissions conduct research into the need for law reform, and it appears this research is guided by a common set of broad principles. A comparison of the ways in which the New Zealand Law Commission and the recently defunct Law Commission of Canada put these principles into practice reveals that different Commissions use different approaches when putting these principles into practice.These different approaches reflect the ways in which the role of law within society and the role of the Law Commissions in shaping the law are conceived. For some Commissions, legal reform is a technical process driven by a desire for increased efficiency and effectiveness. For other Commissions, legal reform is seen as directing, rather than merely reflecting, social and legal norms, and is self-consciously aimed towards achieving the goals of social justice.


2014 ◽  
Vol 30 (1) ◽  
pp. 17-28 ◽  
Author(s):  
Catherine Hindson

London's theatre industry and charity culture have been closely connected since the mid-nineteenth century. In this article Catherine Hindson explores the nature of this relationship in the later years of the century. Focusing on a charity bazaar held at the Royal Albert Hall in June 1899 to raise funds for the Charing Cross Hospital, she argues that extra-theatrical occasions staged for charity organizations were firmly located within the stage culture of the day. Rather than peripheral occasions, high-profile, public charity events functioned as significant forces in the reputation and success of the West End theatre industry and its personnel. They held cultural, social, and economic potential for theatrical performers and represent a key factor in the improvement in the moral and social status of the stage in this period. Catherine Hindson is Senior Lecturer in Theatre and Performance Studies at the University of Bristol. She has published widely on popular performance between 1820 and 1930 and is currently completing a monograph on the actress, the West End stage, and charity between 1880 and 1930.


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