Women in Anchoritic and Semi-Anchoritic Monasticism in Egypt: Rethinking the Landscape

2014 ◽  
Vol 83 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Caroline T. Schroeder
Keyword(s):  
Social Status ◽  
Interdisciplinary Approach ◽  
The State ◽  
Late Antique ◽  
Early Christian ◽  
Female Monasticism ◽  
State Of The Field

Outside of hagiography, the evidence for female anchorites in early Christian Egypt remains scarce. House ascetics in cities survive for us in documentary and other sources, but women monks in non-coenobitic, nonurban environments are more difficult to locate, to the point at which some scholars have begun to question their very existence. This essay seeks to change the parameters of the scholarly debate over the nature of non-coenobitic female monastic experience. It examines hagiography, monastic rules and letters, and documentary papyri to reassess the state of the field and to produce a fuller portrait of anchoritic and semi-anchoritic female asceticism. Non-coenobitic women's monasticism existed, and it crossed boundaries of geography and social status, as well as the traditional categories of lavra, eremitic, coenobitic, and house asceticism. This interdisciplinary approach provides insights not only into women ascetics’ physical locations but also into their class, education, and levels of autonomy. An intervention into the historiography of women's asceticism in late antique Egypt, this study ultimately questions the advisability of using traditional categorizations of “anchoritic,” “lavra,” and “coenobitic” to classify female monasticism, because they obscure the particularities and diversity of female ascetic history.

Doing Bodhisattva’s Work

2020 ◽  
Vol 15 (4) ◽  
pp. 4-32
Author(s):  
Le Hoang Anh Thu
Keyword(s):  
Social Interaction ◽  
Social Class ◽  
Social Status ◽  
Social Stratification ◽  
Social Groups ◽  
The State ◽  
Ho Chi Minh City ◽  
Class Identity ◽  
The Social

This paper explores the charitable work of Buddhist women who work as petty traders in Hồ Chí Minh City. By focusing on the social interaction between givers and recipients, it examines the traders’ class identity, their perception of social stratification, and their relationship with the state. Charitable work reveals the petty traders’ negotiations with the state and with other social groups to define their moral and social status in Vietnam’s society. These negotiations contribute to their self-identification as a moral social class and to their perception of trade as ethical labor.

Christus Virgo

2012 ◽  
Vol 41 (2) ◽  
pp. 22-27
Author(s):  
Sissel Undheim
Keyword(s):  
Moral Status ◽  
The Other ◽  
Late Antique ◽  
Church Fathers ◽  
Early Christian ◽  
Female Sex ◽  
The One ◽  
The Church

The description of Christ as a virgin, 'Christus virgo', does occur at rare occasions in Early Christian and late antique texts. Considering that 'virgo' was a term that most commonly described the sexual and moral status of a member of the female sex, such representations of Christ as a virgin may exemplify some of the complex negotiations over gender, salvation, sanctity and Christology that we find in the writings of the Church fathers. The article provides some suggestions as to how we can understand the notion of the virgin Christ within the context of early Christian and late antique theological debates on the one hand, and in light of the growing interest in sacred virginity on the other.

Civilizations of the Supernatural: Witchcraft, Ritual, and Religious Experience in Late Antique, Medieval, and Renaissance Traditions

2020 ◽  
Keyword(s):  
Religious Experience ◽  
Late Antiquity ◽  
Late Antique ◽  
Erotic Love ◽  
Cultural Traditions ◽  
Early Christian ◽  
Christian Culture ◽  
The Relationship

Civilizations of the Supernatural: Witchcraft, Ritual, and Religious Experience in Late Antique, Medieval, and Renaissance Traditions brings together thirteen scholars of late-antique, medieval, and renaissance traditions who discuss magic, religious experience, ritual, and witch-beliefs with the aim of reflecting on the relationship between man and the supernatural. The content of the volume is intriguingly diverse and includes late antique traditions covering erotic love magic, Hellenistic-Egyptian astrology, apotropaic rituals, early Christian amulets, and astrological amulets; medieval traditions focusing on the relationships between magic and disbelief, pagan magic and Christian culture, as well as witchcraft and magic in Britain, Scandinavian sympathetic graphophagy, superstition in sermon literature; and finally Renaissance traditions revolving around Agrippan magic, witchcraft in Shakespeare’s Macbeth, and a Biblical toponym related to the Friulan Benandanti’s visionary experiences. These varied topics reflect the multifaceted ways through which men aimed to establish relationships with the supernatural in diverse cultural traditions, and for different purposes, between Late Antiquity and the Renaissance. These ways eventually contributed to shaping the civilizations of the supernatural or those peculiar patterns which helped men look at themselves through the mirror of their own amazement of being in this world.

Secular Monograms, Social Status, and Authority in the Late Roman World and Early Byzantium

2018 ◽  
Author(s):  
Ildar Garipzanov
Keyword(s):  
Social Status ◽  
Social Power ◽  
Fifth Century ◽  
Seventh Century ◽  
Sixth Century ◽  
Late Antique ◽  
Imperial Authority ◽  
Christian Culture ◽  
Noble Identity ◽  
Late Roman

This chapter examines the use of monograms as graphic signs of imperial authority in the late Roman and early Byzantine empire, from its appropriation on imperial coinage in the mid-fifth century to its employment in other material media in the following centuries. It also overviews the use of monograms by imperial officials and aristocrats as visible signs of social power and noble identity on mass-produced objects, dress accessories, and luxury items. The concluding section discusses a new social function for late antique monograms as visible tokens of a new Christian paideia and of elevated social status, related to ennobling calligraphic skills. This transformation of monograms into an attribute of visual Christian culture became especially apparent in sixth-century Byzantium, with the cruciform monograms appearing in the second quarter of the sixth century and becoming a default monogrammatic form from the seventh century onwards.

Slavery and Sexual Availability

2019 ◽  
pp. 626-644
Author(s):  
Jennifer A. Glancy
Keyword(s):  
Roman Empire ◽  
Social Status ◽  
Sexual Exploitation ◽  
Human Beings ◽  
Social Morality ◽  
Early Christian ◽  
Christian Communities ◽  
The Right

Any investigation of slavery in the Roman Empire must contend with the sexual exploitation of slaves endemic to the system. Given the diversity of ancient Christian attitudes toward sexuality, there is no reason to expect that a slaveholding ethos touched all Christian communities in a uniform fashion. At issue, however, is not whether the wider context of a slaveholding empire affected the formation of Christian attitudes toward sexuality. At issue is how. The purpose of this essay is to question whether early Christian silence on the issue should be construed as wholesale rejection of a system in which social status scripted social morality, or as complicity with that system. In the end, it is difficult to imagine how the churches could have challenged the right of a male slaveholder to exploit his domestic slaves sexually without challenging his right to claim ownership of other human beings.

What Is Hidden in the Small Box? Narratives of Late Antique Roman Palestine in Dialogue

AJS Review ◽  
2021 ◽  
Vol 45 (1) ◽  
pp. 76-94
Author(s):  
Reuven Kiperwasser
Keyword(s):  
Cultural Context ◽  
Late Antique ◽  
Early Christian ◽  
Narrative Tradition ◽  
Judaic Studies ◽  
Roman Palestine ◽  
The Church ◽  
Shared Narrative

This study is a comparative reading of two distinct narrative traditions with remarkably similar features of plot and content. The first tradition is from the Palestinian midrash Kohelet Rabbah, datable to the fifth to sixth centuries. The second is from John Moschos's Spiritual Meadow (Pratum spirituale), which is very close to Kohelet Rabbah in time and place. Although quite similar, the two narratives differ in certain respects. Pioneers of modern Judaic studies such as Samuel Krauss and Louis Ginzberg had been interested in the question of the relationships between early Christian authors and the rabbis; however, the relationships between John Moschos and Palestinian rabbinic writings have never been systematically treated (aside from one enlightening study by Hillel Newman). Here, in this case study, I ask comparative questions: Did Kohelet Rabbah borrow the tradition from Christian lore; or was the church author impressed by the teachings of Kohelet Rabbah? Alternatively, perhaps, might both have learned the shared story from a common continuum of local narrative tradition? Beyond these questions about literary dependence, I seek to understand the shared narrative in its cultural context.

Islamic Art and Archaeology

1968 ◽  
Vol 2 (3) ◽  
pp. 4-17 ◽  
Author(s):  
Oleg Grabar
Keyword(s):  
The State ◽  
Arts And Crafts ◽  
Islamic Art ◽  
Problems And Solutions ◽  
Fair Degree ◽  
State Of The Field

Like most other fields, the study of Islamic art is both the beneficiary and the victim of its own past. Like many fields, it is affected in various more or less successful ways by developments and needs in related areas of learning. Like all fields, it is tied to the quality and idiosyncrasies of the men who practice it. Inasmuch as bibliographical surveys according to traditional lines of techniques and periods are available (Pearson, Index Islamicus with supplements, London, 1958, 1962, 1968; especially K.A.C. Creswell, A Bibliography of the Architecture, Arts and Crafts of Islam, Cairo, 1961) and current works are listed with a fair degree of completeness in the yearly Abstracta Islamica published by the Revue des Etudes Islamiques, my concern in this paper will be to review the state of the field, the ways in which one can find out about it, and the work being done according to three major categories: traditional techniques and documentation; new problems and solutions; light and dark areas of research.

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