Coleridge on Science, Philosophy, and Poetry: Their Relation to Religion

1959 ◽  
Vol 52 (2) ◽  
pp. 85-118 ◽  
Author(s):  
Lucyle Werkmeister
Keyword(s):  
French Revolution ◽  
Human Activities ◽  
Mathematical Problem ◽  
Point Of View ◽  
Edmund Burke ◽  
Philosophical Inquiry ◽  
The Sublime ◽  
Science Philosophy ◽  
David Hartley ◽  
The French Revolution

In 1791, when he was eighteen years of age, Coleridge came across Burke's A Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful. Although he was sufficiently interested to read the essay, he was not impressed by it. In fact, if one is to judge his reaction by the jeu d'esprit, “Mathematical Problem,” it was chiefly one of amusement. Although he went on to read Burke's other essays, he was attracted by the character of the author and the style of his writing rather than by his point of view; for, certainly a young man who was an avowed disciple of David Hartley, a champion of the French Revolution, and the originator of Pantisocracy could find little comfort in the works of Edmund Burke. But the zeal for Hartley, the French Revolution, and Pantisocracy was short-lived; and by 1796 Coleridge had turned, a “thought-bewilder'd man,” to a reading of Bishop Berkeley.The influence of Berkeley, especially of the later Platonic Berkeley, began to show in his work almost at once; the influence of Burke continued to lag. Out of his reflections on Berkeley, however, came a new admiration for Burke, particularly for his Philosophical Inquiry; and, from the combined teachings of the two, Coleridge ultimately derived suggestions for a theology broad enough to account for and to give meaning and purpose to all human activities. I should like here to indicate briefly the use he made of these suggestions with respect to science, philosophy, and poetry. I do not mean to imply that there were no other influences at work in the formulation of his views; but I do submit that these two influences are basic and that Coleridge's position can be adequately understood only in terms of them.

The aesthetics of Burke’s constitutionalism: A dialectical reading

2020 ◽  
pp. 019145372091314
Author(s):  
Lorenzo Rustighi
Keyword(s):  
Early Modern ◽  
French Revolution ◽  
Edmund Burke ◽  
Democratic Participation ◽  
The Sublime ◽  
Partial Representation ◽  
Constitutional Thought ◽  
The French Revolution ◽  
The Revolution

I propose taking the beautiful and the sublime in Edmund Burke not just as aesthetic but also as theoretical categories which can help us read his constitutional thought in dialectical terms. I suggest indeed that his usage of these categories in the Reflections on the Revolution in France points to a consistently held argument concerning the aporias of early-modern contractarian theories and their influence on the French Revolution. My hypothesis is that for Burke the Revolution is unable to think of any concrete relation between beauty and sublimity, insofar as they can be associated, respectively, with particularity and universality. Furthermore, I underscore how Burke’s defence of partial representation against contractarian representation aims to overcome this impasse. My goal is to demonstrate that Burke raises decisive questions as to the intrinsically anti-democratic effects of the contractarian concept of democracy and is still useful to confront the contemporary crisis of democratic participation.

scholarly journals The Sublime

2021 ◽  
Vol 4 (1) ◽  
pp. 76-85
Author(s):  
Karzan A. Mahmood
Keyword(s):  
French Revolution ◽  
Edmund Burke ◽  
Natural Laws ◽  
The Third ◽  
The Sublime ◽  
The Way ◽  
The French Revolution ◽  
The Revolution

This paper aims at analysing the concept of the sublime, which is a pioneering concept of the English Romantics poetry, in relation to the French revolution in the works of Edmund Burke. Burke, unlike all other thinkers who view sublimity as a delightful and elevating feeling, perceives sublimity as an element of dangerous and terrifying incidents and objects mainly in relation with the great incident of the French Revolution. Hence, the paper concentrates on that essential metamorphosis in the content of the concept from progression to regression in the concept of sublime. Burke himself witnessed the revolution in France and propounded his philosophical viewpoints revolving around the notion of the sublime. He contended that the sublimity is whatsoever that brings about terror or is what terrifies the subjects. From this, he concluded that the French revolution was sublime because it was dangerous and threatened the natural laws and order, religion and God’s genuine sublime, traditions and constitution. In this paper, in addition, his ideas to illustrate sublime will ultimately, to some degree, be evaluated and criticised. The second part will be dedicated to demonstrating the aesthetics nature and aspect of the concept of the sublime. While the third part will display the relation of the concept, the way it is exhibited in chapter two, in relation to the great revolution in France.

HOW TO WRITE ABOUT INFLUENCE: ASSESSING EDMUND BURKE'S CONSERVATIVE LEGACIES

2019 ◽  
Vol 63 (2) ◽  
pp. 495-505
Author(s):  
CLAIRE RYDELL ARCENAS
Keyword(s):  
Eighteenth Century ◽  
French Revolution ◽  
Edmund Burke ◽  
The Sublime ◽  
Late Eighteenth Century ◽  
Late Eighteenth ◽  
Open Question ◽  
The French Revolution ◽  
The Revolution

Edmund Burke is difficult to classify. Born in Ireland in 1730, he entered parliament in 1765 having already achieved literary distinction for several philosophical works, including On the origins of the sublime and beautiful (1757). His subsequent career as a Whig statesman, politician, and reformer spanned the tumultuous decades of the late eighteenth century and culminated, less than a decade before his death, in his famous polemic against the French Revolution, Reflections on the revolution in France (1790). Over the course of his life, Burke opined with such frequency on so many topics that the nature of his ‘philosophy’ remains an open question, and scholars continue to offer strikingly different interpretations of his life and legacies. ‘Burke's legacy to history’, historian Richard Bourke summarized, ‘has been a complicated affair’.

The Revolutionizing of the Revolution

2017 ◽  
Author(s):  
R. R. Palmer
Keyword(s):  
French Revolution ◽  
Point Of View ◽  
Strict Sense ◽  
French Government ◽  
Thing In Itself ◽  
Set Up ◽  
The Moment ◽  
The French Revolution ◽  
The Revolution

In 1792, the French Revolution became a thing in itself, an uncontrollable force that might eventually spend itself but which no one could direct or guide. The governments set up in Paris in the following years all faced the problem of holding together against forces more revolutionary than themselves. This chapter distinguishes two such forces for analytical purposes. There was a popular upheaval, an upsurge from below, sans-culottisme, which occurred only in France. Second, there was the “international” revolutionary agitation, which was not international in any strict sense, but only concurrent within the boundaries of various states as then organized. From the French point of view these were the “foreign” revolutionaries or sympathizers. The most radical of the “foreign” revolutionaries were seldom more than advanced political democrats. Repeatedly, however, from 1792 to 1799, these two forces tended to converge into one force in opposition to the French government of the moment.

Britain: Republicanism and the Establishment

2017 ◽  
Author(s):  
R. R. Palmer
Keyword(s):  
Eastern Europe ◽  
French Revolution ◽  
Point Of View ◽  
Established Order ◽  
The French Revolution ◽  
At Home

This chapter focuses on England during the revolutionary decade. It argues that in Britain and Ireland, as in Eastern Europe, it was counter-revolution that prevailed. The net effect of the revolutionary decade was to demonstrate, or to consolidate, the strength of the established order. The very lengths to which the established order went, however, in dealing with disaffection (or what was called “sedition”) offer a measure of the magnitude of the discontents. The men who ruled England were not the sort to be frightened by witches. The British governing class was neither timid, foolish, intolerant, nor especially ruthless when unprovoked. That Englishmen of this class became fearful of unrest at home, intolerant of ideas or organizations suggesting those of the French Revolution, repressive in Britain, and deliberately terroristic in Ireland can be taken as evidence of the reality of something of which, from their own point of view, they had reason to be afraid. In England as elsewhere there was a contest between democrats and aristocrats.

scholarly journals Cartographic Sublime

2019 ◽  
Author(s):  
Frances Hsu ◽  
Keyword(s):  
Natural World ◽  
Edmund Burke ◽  
Early 19Th Century ◽  
Philosophical Inquiry ◽  
The Sublime ◽  
The World ◽  
Cognitive Faculties ◽  
The Face ◽  
Political Philosopher ◽  
Rational Side

Kant distinguishes two notions of the sublime: the mathematically sublime and the dynamically sublime. In the case of both notions, the experience of the sublime consists in a feeling of the superiority of our own power of reason, as a super sensible faculty, over nature. (Stanford Encyclopedia of Philosophy) The concept of the sublime was associated with nature in late 18th and early 19th century aesthetics. Political philosopher and states-man Edmund Burke evoked human mortality in A Philosophical Inquiry into the Origin of our Ideas of the Sublime and the Beautiful, defining the sublime as experience of the overwhelming magnitude of phenomena in the natural world which causes “a sort of delightful horror, a sort of tranquility tinged with terror; which, as it belongs to self-preservation, is one of the strongest of all the passions.” Kant, in contrast to Burke, defines rationality is an important component of the experience of the sublime: “The sublime is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence provokes a representation of limitlessness, yet with a super-added thought of its totality.” That is, reason--super-added thought--allows us to comprehend and challenge the entirety of that which is beyond comprehension. He writes that “the feeling of the sublime in nature is respect for our own vocation . . . this feeling renders as it were intuitable the supremacy of our cognitive faculties on the rational side over the greatest faculty of sensibility.” For Kant, in other words, the experience of the sublime was the oscillation between sensation and rationality in the face of the overwhelming-ness of phenomena in the world.

Tyger of Wrath

PMLA ◽  
1966 ◽  
Vol 81 (7) ◽  
pp. 540-551
Author(s):  
Morton D. Paley
Keyword(s):  
French Revolution ◽  
Old Testament ◽  
Young Men ◽  
New Age ◽  
First Principle ◽  
Henry V ◽  
The Bible ◽  
The Sublime ◽  
Divine Wrath ◽  
The French Revolution

In peace there's nothing so becomes a manAs modest stillness and humility,But when the blast of war blows in our ears,Then imitate the action of the tiger:Stiffen the sinews, summon up the blood,Disguise fair nature with hard-favored rage;Then lend the eye a terrible aspect:Let it cry through the portage of the headLike the brass cannon; let the brow o'erwhelm itAs fearfully as doth a galled rockO'erhang and jutty his confounded base,Swilled with the wild and wasteful ocean.Henry V in.i.3-14 How would an ideal contemporary reader of Blake—one of those “Young Men of the New Age” whom he addressed in Milton—have regarded “The Tyger”? To such a reader certain aspects of the poem which modern critics have ignored would be obvious. In the rhetoric and imagery of the poem he would recognize an example of the sublime, appropriately Hebrew and terrifying. He would recollect analogues to the wrath of the Tyger in the Old Testament Prophets and in Revelation, and being an ideal reader, he would not need to be reminded that Blake elsewhere views the French Revolution as an eschatological event. He would also know that Blake characteristically thought of divine wrath as an expression of what Jakob Boehme calls the First Principle. His understanding of the poem would thus be affected by his connecting it with the sublime, the Bible, and Boehme. We later readers may also discover something about the meaning of “The Tyger” by considering it in relation to these traditions. That such an approach has something new and valuable to offer will be seen if we begin with what has previously been said about the poem.

The Writings and Speeches of Edmund Burke: Vol. 8, The French Revolution 1790-1794.

1991 ◽  
Vol 24 (4) ◽  
pp. 537
Author(s):  
John Faulkner ◽  
Edmund Burke ◽  
L. G. Mitchell ◽  
William B. Todd
Keyword(s):  
French Revolution ◽  
Edmund Burke ◽  
The French Revolution
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